Abbey Lincoln
Abbey Lincoln: A Pioneering Voice for Social Justice
Full Name and Common Aliases
Abbey Lincoln was born Anna Marie Wooldridge on August 6, 1930, in Chicago, Illinois. She is often referred to as Anne Lincoln.
Birth and Death Dates
August 6, 1930 – August 16, 2018
Nationality and Profession(s)
American jazz singer, songwriter, musician, and activist
Early Life and Background
Abbey Lincoln was born into a musical family. Her father, John Henry Wooldridge, was a pianist, and her mother, Esther Wooldridge, sang in church choirs. Growing up in Chicago's South Side, Lincoln was exposed to gospel music, blues, and jazz. She began singing at a young age, performing with her sisters in local talent shows.
As a teenager, Lincoln moved to New York City to pursue a career in music. She was introduced to the vibrant jazz scene of 1950s Greenwich Village, where she befriended legendary musicians like Charlie Parker, Dizzy Gillespie, and Thelonious Monk.
Major Accomplishments
Throughout her illustrious career, Abbey Lincoln made significant contributions to jazz and social justice:
Recording Artist: Lincoln released numerous critically acclaimed albums, including "Abbey is Blue" (1959), "The World Is Falling Apart!" (1968), and "People in Me" (1983).
Civil Rights Activist: Lincoln was an outspoken advocate for racial equality, participating in the Civil Rights Movement and performing at benefit concerts.
Educator: She taught music theory and performance at various institutions, including the New York City Jazz Workshop.Notable Works or Actions
Some notable works and actions that showcase Abbey Lincoln's artistic and social impact include:
"The World Is Falling Apart!" (1968) – an album addressing racial tensions and the state of the world.
"People in Me" (1983) – a personal and introspective album exploring themes of love, identity, and community.
Advocacy for African-American Rights: Lincoln was a vocal supporter of African-American rights, participating in protests and benefit concerts.
Impact and Legacy
Abbey Lincoln's influence extends far beyond the jazz world:
Pioneering Female Artist: She paved the way for future generations of female jazz musicians.
Social Commentary: Lincoln's music addressed pressing social issues, inspiring artists to engage with politics through their art.
Educational Contributions: Her teaching and workshops helped shape the next wave of jazz innovators.Why They Are Widely Quoted or Remembered
Abbey Lincoln is widely quoted and remembered for her:
Powerful Voice: Her soulful, expressive singing continues to inspire and move audiences.
Introspective Songwriting: Lincoln's lyrics tackled complex themes with nuance and vulnerability.
Commitment to Social Justice: Her unwavering advocacy for racial equality and human rights has left a lasting impact on the world.
Throughout her remarkable life, Abbey Lincoln embodied the spirit of innovation and activism that continues to inspire artists and social justice advocates today.
Quotes by Abbey Lincoln

It’s a spirit that was given me and the relationships and meeting all these great people, Duke Ellington, Louis Armstrong; through Max I met a lot of people too. My first album was with Benny Carter.

I think that’s what really a substantial work is, it’s forever. It’s the truth now and it was the truth then, and it will be the truth tomorrow.

There are men and women still on the streets, and that’s all they are saying Can you spare a quarter? I come from a crowd of people who were current on the outlook on life, who were social and knew where they were and had some input into how things seemed to be.

But I’ve been there and done that. I’m not trying to prove anything to anybody, and if somebody wants me to come, if they can afford what I ask, it’s not as much as Madonna makes; not that I want what Madonna makes, but I was saying.

I don’t have to lay on the couch and see a therapist because my therapist is in my paint brushes.

We have inherited a great music. This music is a holdover. It comes with us like the skin, the texture of our hair. It’s our memory banks.

I remember hearing the song when I was 12 or 14 in - it must have been in Chicago, 'cause we didn't have a radio on the farm, and it was during the second World War. I had three brothers in that war who went overseas.

There's nothing to scream about because in America we're all one blanket, everybody feels the same way about things, they just need some money.

The best thing you can do is to be a woman and stand before the world and speak your heart.

I was in New York, miserable because I was working supper clubs but I wasn't expressing myself. I was really unhappy with my life. I saw Max Roach again and he told me I didn't have to do things like that. He made me an honest woman on the stage. I have been performing in that tradition since. I feel that I'm a serious performer now whereas then I wanted to be but I didn't know how.