Alain-René Lesage: The French Novelist of the Enlightenment


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Full Name and Common Aliases


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Alain-René Lesage was born as Jean-Baptiste Alphonse Alais, but he is more commonly known by his pen name Alain-René Lesage. He used various pseudonyms throughout his career, including René de Lignac, which adds to the mystique surrounding this enigmatic figure.

Birth and Death Dates


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Lesage was born on August 8, 1688, in Sarzeau, Brittany, France, and passed away on November 9, 1747, in Paris. His life spanned nearly six decades, during which he witnessed the transformation of French literature and society.

Nationality and Profession(s)


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Lesage was a French novelist, playwright, and satirist, who rose to prominence during the Enlightenment period. He is often associated with the literary movement known as the _"Roman Noir"_ or "Black Novel," a style characterized by its dark, humorous, and often cynical portrayals of life.

Early Life and Background


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Lesage's early life was marked by turmoil. His father abandoned the family when Lesage was just a child, leaving his mother to raise him alone. This experience would later influence his writing, as he often explored themes of poverty, morality, and the human condition in his works.

Lesage received little formal education but developed a passion for literature at an early age. He began writing plays and novels while still a teenager, eventually earning recognition from prominent literary figures of his time.

Major Accomplishments


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Lesage's most notable contribution to literature is arguably his novel _Monsieur de Molière_, a fictionalized account of the life of French playwright Jean-Baptiste Poquelin, better known as Molière. This work showcases Lesage's mastery of satire and his ability to blend humor with social commentary.

Lesage also wrote several other novels, including _The Adventures of Gil Blas de Santillane_, a picaresque tale that follows the adventures of its protagonist as he navigates the complexities of life in 17th-century Spain. This work is notable for its exploration of themes such as class, morality, and the human condition.

Notable Works or Actions


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In addition to his novels, Lesage was a prolific playwright, penning numerous plays that often satirized the social conventions of his time. His most famous play is arguably _The Discreet Lover_, which explores themes of love, relationships, and the complexities of human behavior.

Lesage's writing often pushed the boundaries of what was considered acceptable in 18th-century France, earning him both praise and criticism from his contemporaries. His willingness to tackle taboo subjects helped establish him as a leading figure in French literature during this period.

Impact and Legacy


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Lesage's impact on French literature cannot be overstated. He played a significant role in shaping the _"Roman Noir"_ style, influencing writers such as Denis Diderot and Voltaire. His works often addressed pressing social issues of his time, from poverty to morality, making him a pioneering figure in the development of realist fiction.

Lesage's legacy extends beyond literature, however. He was also an advocate for social reform, using his writing to critique the social conventions of his time and push for greater equality and justice.

Why They Are Widely Quoted or Remembered


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Lesage is widely quoted and remembered today due to his insightful observations on human nature and society. His writings often offer commentary on the complexities of life, love, and relationships, making him a valuable source of wisdom for readers seeking guidance on navigating the challenges of everyday existence.

Through his writing, Lesage continues to captivate audiences with his wit, humor, and unflinching portrayals of the human condition. As a testament to his enduring influence, his works remain widely read and studied today, ensuring that his legacy as one of the most important figures in French literature will endure for generations to come.

Quotes by Alain-René Lesage

Isocrates was in the right to insinuate, in his elegant Greek expression, that what is got over the Devil’s back is spent under his belly.
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Isocrates was in the right to insinuate, in his elegant Greek expression, that what is got over the Devil’s back is spent under his belly.
Plain as a pike-staff.
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Plain as a pike-staff.
On peut dire que son esprit brille aux dépens de sa mémoire (One may say that his wit shines by the help of his memory).
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On peut dire que son esprit brille aux dépens de sa mémoire (One may say that his wit shines by the help of his memory).
Justice is such a fine thing that we cannot pay too dearly for it.
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Justice is such a fine thing that we cannot pay too dearly for it.
A flatterer can risk everything with great personages.
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A flatterer can risk everything with great personages.
Mutual content is like a river, which must have its banks on either side.
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Mutual content is like a river, which must have its banks on either side.
It may be said that his wit shines at the expense of his memory.
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It may be said that his wit shines at the expense of his memory.
Isocrates was in the right to insinuate, in his elegant Greek expression, that what is got over the Devil's back is spent under his belly.
"
Isocrates was in the right to insinuate, in his elegant Greek expression, that what is got over the Devil's back is spent under his belly.
Evil tongues never want a whet.
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Evil tongues never want a whet.
Pride and conceit were the original sins of man.
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Pride and conceit were the original sins of man.
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