Alberto Moravia
Alberto Moravia
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Full Name and Common Aliases
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Alberto Pincherle was born as Alberto Moravia to a wealthy Jewish family in Rome, Italy on November 28, 1907. He is commonly known by his pen name, Alberto Moravia.
Birth and Death Dates
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Born: November 28, 1907
Died: April 6, 1990
Nationality and Profession(s)
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Moravia was an Italian novelist, journalist, and screenwriter. His works often explored the human condition, moral ambiguity, and the struggles of the modern world.
Early Life and Background
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Moravia's early life was marked by privilege but also by tragedy. He lost his mother at a young age and spent much time with his grandparents in Rome. This upbringing would later influence his writing style and perspective on human nature. During World War II, Moravia joined the Italian Resistance, fighting against fascist forces.
Major Accomplishments
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Moravia's literary career spanned over five decades, producing numerous novels, short stories, and essays that garnered international recognition. Some of his notable works include:
Gli indifferenti (The Time of Indifference): Moravia's first novel, published in 1929, which explores the lives of a wealthy family.
La Romana: A collection of short stories written during World War II, offering a glimpse into the experiences of those living through conflict.
* L'Alibi (The Alibi): A semi-autobiographical novel examining Moravia's own experiences as a member of the Italian Resistance.
Notable Works or Actions
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Moravia was not only a prolific writer but also an engaged public intellectual. He contributed to various publications, including _Il Mondo_ and _La Stampa_. His work often tackled social issues like poverty, inequality, and the human condition. Moravia's involvement in politics and his writing style, which blended realism with philosophical introspection, influenced generations of writers.
Impact and Legacy
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Moravia's literary output had a significant impact on 20th-century literature, earning him numerous awards and recognition worldwide. His unique blend of realism, philosophy, and social commentary resonated with readers and critics alike. As a writer who navigated the complexities of human nature, Moravia left behind a lasting legacy in Italian literature.
Why They Are Widely Quoted or Remembered
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Moravia's writing style, which often grappled with moral ambiguity and the human condition, continues to resonate today. His exploration of complex themes and his ability to craft compelling narratives have made him a widely quoted figure among writers and thinkers. As an influential voice in 20th-century literature, Moravia's works remain relevant, offering insights into the world we live in.
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Quotes by Alberto Moravia
Alberto Moravia's insights on:
Things that are understood are not scandalized. Shock – scandal is basically fear. The scandal is, after all, the fear of losing one’s personality. In short, the shocked person is uncertain, hence a conformist.
It may seem strange, but the idea that Maurizio might also hold his own weapons, or even the same ones, did not occur to me. And yet I should have suspected that Nella and the Party could also be turned against me. But that is how we men are made: we see everything from our own point of view and have great difficulty imagining another perspective.
Fra le mille maniere di fare un’azione, scegliamo sempre istintivamente la peggiore.
You can’t think on purpose about somebody or something. Either you think about them naturally or you don’t think at all.
Our ideals, laws and customs should be based on the proposition that each generation in turn becomes the custodian rather than the absolute owner of our resources – and each generation has the obligation to pass this inheritance on in the future.
Yes, one uses what one knows, but autobiography means something else. I should never be able to write a real autobiography; I always end by falsifying and fictionalizing – I’m a liar, in fact. That means I’m a novelist, after all. I write about what I know.
What was the use of seeing things clearly if the only thing clarity brought was a new and deeper darkness?
When I sit at my table to write, I never know what it’s going to be until I’m under way. I trust in inspiration, which sometimes comes and sometimes doesn’t. But I don’t sit back waiting for it. I work every day.
An uncertain evil causes anxiety because, at the bottom of one’s heart, one goes on hoping till the last moment that it may not be true; a certain evil, on the other hand, instills, for a time, a kind of dreary tranquillity.