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Alejandra Pizarnik

99quotes

Alejandra Pizarnik: A Life of Poetic Passion and Turmoil


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Full Name and Common Aliases

Alejandra Pizarnik was born as Alejandra Victoria Suárez Pizarnik on April 29, 1936, in Buenos Aires, Argentina. She is often referred to by her pen name, Alejandra Pizarnik.

Birth and Death Dates

Pizarnik's life spanned from April 29, 1936, until October 25, 1972, when she took her own life at the age of 36.

Nationality and Profession(s)

Alejandra Pizarnik was an Argentine poet, writer, and translator. She is considered one of the most important poets of the Latin American avant-garde movement.

Early Life and Background

Pizarnik was born into a middle-class Jewish family in Buenos Aires. Her father was a successful businessman, and her mother was a homemaker who encouraged Alejandra's love for literature from an early age. Pizarnik's parents divorced when she was eight years old, and she was subsequently raised by her grandmother.

Growing up in Argentina during World War II had a profound impact on Pizarnik. She experienced the trauma of persecution and violence firsthand, which would later influence her writing. Her family's Jewish heritage also played a significant role in shaping her identity and artistic expression.

Major Accomplishments

Pizarnik's poetry is characterized by its intense lyricism, complex metaphors, and exploration of themes such as love, death, and the human condition. She published several collections of poetry during her lifetime, including A Lyric Omnibus (1959), The Tree Without a Name (1965), and Arbor Aeterna (1967).

In addition to her own writing, Pizarnik was an accomplished translator. She translated works from French and Spanish into Argentine Spanish, introducing readers to the likes of André Breton, Paul Éluard, and Georges Bataille.

Notable Works or Actions

One of Pizarnik's most notable works is The Tree Without a Name, which explores themes of love, loss, and the search for identity. This collection of poetry showcases her mastery of language and form, as well as her willingness to experiment with new styles and techniques.

Pizarnik was also an important figure in Argentine literary circles. She was part of the Grupo Madrí, a group of poets who sought to revolutionize Argentine literature through experimentation and innovation. Her work had a significant impact on the development of Argentine poetry, influencing generations of writers to come.

Impact and Legacy

Alejandra Pizarnik's legacy extends far beyond her own lifetime. She is widely regarded as one of the most important poets of the 20th century, and her work continues to inspire readers around the world. Her exploration of themes such as love, death, and identity resonates deeply with contemporary audiences.

Pizarnik's impact on Latin American literature cannot be overstated. She helped pave the way for future generations of writers, including women poets who sought to challenge traditional notions of femininity and creativity.

Why They Are Widely Quoted or Remembered

Alejandra Pizarnik is widely quoted and remembered for her poetic genius, her willingness to experiment with language and form, and her exploration of themes that continue to resonate with contemporary audiences. Her work offers a powerful reflection on the human condition, inviting readers to confront the complexities and mysteries of existence.

Pizarnik's life may have been cut short, but her legacy lives on through her poetry, which continues to inspire and challenge readers around the world.

Quotes by Alejandra Pizarnik

Alejandra Pizarnik's insights on:

To write is to give meaning to suffering.
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To write is to give meaning to suffering.
AP
I redo the body of my poem like someone who tries to cure her own wound.
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I redo the body of my poem like someone who tries to cure her own wound.
AP
Naked. Fatigue of the body transparent as a glass-tree. Near yourself you hear the brutal rumor of inextricable desire. Night blindly mine. You’re farther gone than me. Horror of checking for you in the screams of my poem. Your name is the disease of things at midnight. They had promised me one silence. Your face is closer to me than my own. Phantom memory. How I’d love to kill you –.
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Naked. Fatigue of the body transparent as a glass-tree. Near yourself you hear the brutal rumor of inextricable desire. Night blindly mine. You’re farther gone than me. Horror of checking for you in the screams of my poem. Your name is the disease of things at midnight. They had promised me one silence. Your face is closer to me than my own. Phantom memory. How I’d love to kill you –.
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All night long I hear the call of death, all night long I hear the song of death down by the river, all night long I hear the voice of death calling out to me.
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All night long I hear the call of death, all night long I hear the song of death down by the river, all night long I hear the voice of death calling out to me.
AP
And how many centuries has it been since I’ve been dead and loved you?
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And how many centuries has it been since I’ve been dead and loved you?
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Los muebles crujen. El cuerpo. La necesidad de darlo, la de amar.
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Los muebles crujen. El cuerpo. La necesidad de darlo, la de amar.
AP
Behold space trembling like a great madman.
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Behold space trembling like a great madman.
AP
And it’s always the lilac garden on the other side of the river. If the soul should ask you if that is far from here, you should say, On the other side of the river, not this one, but the one over there.
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And it’s always the lilac garden on the other side of the river. If the soul should ask you if that is far from here, you should say, On the other side of the river, not this one, but the one over there.
AP
The night is the color of the eyelids of the dead.
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The night is the color of the eyelids of the dead.
AP
Y nadie o casi nadie es amado de la manera en que yo lo deseo – exceptuando algunos perros.
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Y nadie o casi nadie es amado de la manera en que yo lo deseo – exceptuando algunos perros.
AP
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