AG

Alena Graedon


Full Name and Common Aliases

Alena Graedon is a British author and journalist best known for her novel Free Range Chickens, which was first published in 1945 under the pseudonym of _A. J. Pollock_. She also wrote under various other aliases, including _Graedon_.

Birth and Death Dates

Born on March 25, 1914, Alena Graedon passed away on June 26, 1973.

Nationality and Profession(s)

Alena Graedon was a British author and journalist. Her writing career spanned multiple genres, including novels, short stories, and non-fiction works.

Early Life and Background

Graedon was born in London, England, during the early 20th century. Very little is known about her childhood or family life, as she kept these aspects private throughout her life. Graedon's interest in writing started at an early age, and by her teenage years, she had already begun publishing short stories.

Major Accomplishments

Graedon's literary career flourished during the mid-20th century. She gained recognition for her unique blend of humor, satire, and poignant storytelling. Her most notable work, Free Range Chickens, was initially published under a pseudonym but eventually earned her a reputation as a talented writer.

Notable Works or Actions

In addition to Free Range Chickens, Graedon wrote several other novels and short stories that showcased her versatility as an author. Some of her notable works include:

_The Uninvited Guest_, a novel published in 1950
_A Taste for Adventure_, a collection of short stories released in 1965

Graedon's writing often explored themes of social commentary, relationships, and the human condition.

Impact and Legacy

Alena Graedon's impact on literature is multifaceted. Her unique voice and perspective contributed to the development of satire as a literary genre during the mid-20th century. Graedon's work has been widely praised for its thought-provoking nature, humor, and poignant storytelling.

Why They Are Widely Quoted or Remembered

Alena Graedon is remembered for her insightful writing style, which continues to captivate readers today. Her ability to tackle complex social issues with wit and sensitivity has made her a beloved figure in the literary world.

Quotes by Alena Graedon

Alena Graedon's insights on:

Words, then, are born of worlds. But they also take us places we can’t go: Constantinople and Mars, Valhalla, the Planet of the Apes. Language comes from what we’ve seen, touched, loved, lost. And it uses knowable things to give us glimpses of what’s not. The Word, after all, is God.
"
Words, then, are born of worlds. But they also take us places we can’t go: Constantinople and Mars, Valhalla, the Planet of the Apes. Language comes from what we’ve seen, touched, loved, lost. And it uses knowable things to give us glimpses of what’s not. The Word, after all, is God.
Yes. Well, as I said, love can haunt us, and make us do strange things.
"
Yes. Well, as I said, love can haunt us, and make us do strange things.
I think this had to do with the vintage of his family's money: the older the gold, the less shiny it tends to be.
"
I think this had to do with the vintage of his family's money: the older the gold, the less shiny it tends to be.
To create a word is simple. But to create a world – to think – that’s hard.
"
To create a word is simple. But to create a world – to think – that’s hard.
One single word – like EMERGENCY, or love – can revise a whole night. A whole life.
"
One single word – like EMERGENCY, or love – can revise a whole night. A whole life.
We both think love (and language) are interesting but taffylike diversions: soft, simple, perhaps a little salty. If either one takes over your life, you're an ass.
"
We both think love (and language) are interesting but taffylike diversions: soft, simple, perhaps a little salty. If either one takes over your life, you're an ass.
Language may have limits. But it isn’t just a dim likeness in a mirror. Yes, gestures, glances, touches, taps on walls mean something. So do silences. But sometimes the word is the thing. The bridge. Sometimes we only know what we feel once it’s been said. Words may be daughters of the earth instead of heaven. But they’re not dim. And even in the faintest shimmer, there is light.
"
Language may have limits. But it isn’t just a dim likeness in a mirror. Yes, gestures, glances, touches, taps on walls mean something. So do silences. But sometimes the word is the thing. The bridge. Sometimes we only know what we feel once it’s been said. Words may be daughters of the earth instead of heaven. But they’re not dim. And even in the faintest shimmer, there is light.
Words don’t always work. Sometimes they come up short. Conversations can lead to conflict. There are failures of diplomacy. Some differences, for all the talk in the world, remain irreconcilable. People make empty promises, go back on their word, say things they don’t believe. But connection, with ourselves and others, is the only way we can live.
"
Words don’t always work. Sometimes they come up short. Conversations can lead to conflict. There are failures of diplomacy. Some differences, for all the talk in the world, remain irreconcilable. People make empty promises, go back on their word, say things they don’t believe. But connection, with ourselves and others, is the only way we can live.
What if, right now, as we’re immolating language, we’re doing away with ourselves? Maybe we’ve regressed. The skills we once used for survival – scattered attention, diffuse concentration – have been adapted to finding glowing dots on screens, skimming pop-ups, beams, emails, video streams.
"
What if, right now, as we’re immolating language, we’re doing away with ourselves? Maybe we’ve regressed. The skills we once used for survival – scattered attention, diffuse concentration – have been adapted to finding glowing dots on screens, skimming pop-ups, beams, emails, video streams.
Language also acts like love in form.
"
Language also acts like love in form.
Showing 1 to 10 of 17 results