Alexandra Kleeman
Alexandra Kleeman
Full Name and Common Aliases
Alexandra Kleeman is an American novelist and short story writer known for her unique blend of literary fiction and genre-bending experimentation.
Birth and Death Dates
Born in 1980, Kleeman's life has been marked by a steady trajectory towards becoming one of the most innovative voices in contemporary literature.
Nationality and Profession(s)
Kleeman is an American novelist and short story writer. Her work often explores themes of identity, technology, and the human condition.
Early Life and Background
Growing up in Chicago and later moving to New York City, Kleeman was exposed to a diverse range of cultures and artistic expressions that would later influence her writing style. She received a Bachelor's degree from the University of California, Berkeley, and went on to earn an MFA from Sarah Lawrence College.
Major Accomplishments
Kleeman's breakthrough novel, You Too Can Pull Your Pants Up, was published in 2015 to critical acclaim. Her subsequent novels, including Something New Under the Sun (2016) and Riot Baby (2020), have solidified her reputation as a bold and innovative writer.
Notable Works or Actions
Kleeman's writing often explores themes of identity, technology, and the human condition. Her work has been praised for its unique blend of literary fiction and genre-bending experimentation. She has also been recognized for her commitment to social justice causes, including her involvement with organizations supporting reproductive rights and racial equality.
Impact and Legacy
Kleeman's impact on contemporary literature is already being felt. Her innovative approach to storytelling has inspired a new generation of writers to push the boundaries of traditional narrative forms. As a prominent voice in the literary world, Kleeman continues to challenge readers and inspire critical conversations about the role of art in society.
Why They Are Widely Quoted or Remembered
Kleeman is widely quoted and remembered for her innovative approach to storytelling, as well as her commitment to social justice causes. Her work has been praised by critics and readers alike for its unique blend of literary fiction and genre-bending experimentation. As a prominent voice in contemporary literature, Kleeman continues to inspire critical conversations about the role of art in society.
In conclusion, Alexandra Kleeman is a talented and innovative writer who has made significant contributions to the world of literature. Her commitment to social justice causes, combined with her unique approach to storytelling, has solidified her reputation as one of the most exciting voices in contemporary writing. As her career continues to unfold, it will be interesting to see how she evolves and pushes the boundaries of what is possible in the literary world.
Quotes by Alexandra Kleeman
Alexandra Kleeman's insights on:
We don't notice that our cells are turning over all the time. You get a completely new composition of cells every seven years, and on the surface, or subjectively, it looks as though you're the same for seven years. It's like a ground - it looks stable, but beneath it, everything is shifting all the time. It's exciting and dangerous.
These days, there are times when my academic thinking intervenes in my writing, but it's usually while I'm developing a project and not while I'm writing it.
I think I may be the most well-adjusted person you'd ever meet who thinks constantly about falling out of her life. And my life is pretty great! It's not like I don't know that.
Sometimes you go for weeks without writing successfully, and you don't feel like a writer anymore. When friends ask me how my week was or how I'm doing, I think back on it, and I've just been by myself. Like, I'm just a sketch.
Makeup is something that a female has to reckon with every single day. Whether you wear it or don't, you're always making decisions about wearing it or not, or how you're wearing it, and what that means.
You have to find some way of engaging with the world around you, however it's constituted. The engagement is necessarily going to be flawed. But if you do it on your own terms, you'll be able to extract some pleasure from the world. It might even make you really happy sometimes.
A lot of the surreal writing that I love is really dreamlike. Like Murakami. He uses the real world, and it's pretty recognizable, but its populated by these strange visitors, or it has these underground spaces. I was always really compelled by that.
Remembering who I am is a really active task for me. And I often have to tell myself, 'You're a graduate student,' 'You're a daughter,' et cetera, in situations where I'm supposed to behave like one.
A woman's body never really belongs to herself. As an infant, my body was my mother's, a detachable extension of her own, a digestive passage clamped and unclamped from her body. My parents would watch over it, watch over what went into and out of it, and as I grew up, I would be expected to carry on their watching by myself.