Algernon Charles Swinburne
Algernon Charles Swinburne
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Full Name and Common Aliases
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Algernon Charles Swinburne was a British poet, playwright, and critic who is commonly known by his initials A.C.S. He was also referred to as the "Poet of Passion" due to his works that celebrated love, beauty, and individualism.
Birth and Death Dates
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A.C.S. was born on April 5, 1837, in East Degerberry, Lincolnshire, England, and passed away on September 10, 1909, in Putney, London, at the age of 72.
Nationality and Profession(s)
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Swinburne held British nationality and worked as a poet, playwright, critic, and translator throughout his career. He was known for his distinctive style, which blended elements of Romanticism, Symbolism, and Decadence.
Early Life and Background
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A.C.S. was born into an aristocratic family, with his father, Edward Swinburne, being a clergyman and a member of the British Parliament. Algernon's early life was marked by tragedy when he suffered from a severe bout of illness as a child, which left him frail and sensitive to pain for much of his life.
Despite these challenges, A.C.S. demonstrated a prodigious talent for writing at an early age. He attended Eton College before moving on to Magdalen College, Oxford, where he studied Classics and developed a passion for poetry.
Major Accomplishments
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Swinburne's most significant contributions to literature include:
Poetry collections: His notable works include "Poems and Ballads" (1866), "Songs before Sunrise" (1871), and "A Song of Italy" (1880).
Playwriting: He wrote several plays, including "Atalanta in Calydon" (1875) and "Rosamund" (1892).
Criticism and translation: A.C.S. was also a respected critic and translator, known for his work on the French poets Charles Baudelaire and Théophile Gautier.Notable Works or Actions
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Some of Swinburne's most notable works include:
"Laus Veneris" (1866), a poem that explores themes of love, beauty, and individualism.
"Chastelard" (1875), a play that celebrates the life and work of the French poet Chastelard.
Influence on other artists: Swinburne's poetry had a significant impact on other writers and artists, including Oscar Wilde, W.B. Yeats, and Aubrey Beardsley.
Impact and Legacy
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Algernon Charles Swinburne's legacy as a poet, playwright, and critic is multifaceted:
Influence on modernism: His work helped pave the way for modernist movements in literature, particularly Symbolism and Decadence.
Celebration of individualism: A.C.S.'s poetry celebrated individuality, love, and beauty, making him a champion of human rights and artistic expression.
Challenging societal norms: His works often explored themes that were considered taboo or unacceptable in Victorian society, pushing the boundaries of what was acceptable in literature.Why They Are Widely Quoted or Remembered
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Algernon Charles Swinburne's quotes are widely remembered for their beauty, passion, and insight into the human condition. His poetry continues to be celebrated for its:
Emotional depth: A.C.S.'s works often explored complex emotions, making him a master of evocative language.
Intellectual curiosity: He was known for his interest in philosophy, mythology, and history, which informed his writing.
Challenging societal norms: His poetry pushed the boundaries of what was acceptable in literature, making him a trailblazer for future generations of writers.
Algernon Charles Swinburne's legacy as a poet, playwright, and critic is a testament to his enduring impact on literature. His works continue to inspire readers with their beauty, passion, and intellectual curiosity.
Quotes by Algernon Charles Swinburne
Algernon Charles Swinburne's insights on:

For the worst is this after all; if they knew me, not a soul upon earth would pity me.

For the crown of our life as it closes Is darkness, the fruit thereof dust; No thorns go as deep as a rose’s, And love is more cruel than lust. Time turns the old days to derision, Our loves into corpses or wives; And marriage and death and division Make barren our lives.

For the crown of our life as it closes Is darkness, the fruit thereof dust; No thorns go as deep as a rose’s, And love is more cruel than lust.

Love lies bleeding in the bed whereover Roses lean with smiling mouths or pleading: Earth lies laughing where the sun’s dart clove her: Love lies bleeding.

If you were Queen of pleasure And I were King of pain We’d hunt down Love together, Pluck out his flying-feather, And teach his feet a measure, And find his mouth a rein; If you were Queen of pleasure And I were King of pain.

And lo, between the sundawn and the sun His day’s work and his night’s work are undone: And lo, between the nightfall and the light, He is not, and none knoweth of such an one.

A baby’s feet, like sea-shells pink Might tempt, should heaven see meet, An angel’s lips to kiss, we think, A baby’s feet.

Fierce midnights and famishing morrows, And the loves that complete and control All the joys of the flesh, all the sorrows That wear out the soul.

