Andrea Camilleri: A Life of Literature and Mystery


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Full Name and Common Aliases


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Andrea Camilleri's full name is Andrea Camilleri, although he is often referred to as _Don Andrea_ by his fans. This nickname reflects the affectionate way many Italians refer to older men, conveying respect and admiration.

Birth and Death Dates


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Born on September 6, 1925, in Milazzo, Sicily, Italy
Passed away on July 6, 2019, at the age of 93

Nationality and Profession(s)


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Italian author and playwright Andrea Camilleri was a proud citizen of his homeland. Throughout his life, he worked as a writer, playwright, and television screenwriter.

Early Life and Background


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Camilleri's childhood was marked by the sounds of Sicilian dialects and the vibrant culture that characterized the island where he grew up. His early life was also influenced by his father's work as a customs officer, which exposed him to various aspects of human nature. These experiences would later shape his writing style and themes.

Major Accomplishments


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Camilleri's literary career spanned over six decades, during which he gained international recognition for his contributions to the mystery genre. Some of his most notable accomplishments include:

The Inspector Montalbano series: Camilleri created this beloved series, which follows the adventures of Detective Salvatore Montalbano in Sicily. The books were a huge success worldwide and have been translated into numerous languages.
Collaboration with RAI: Camilleri worked as a television screenwriter for the Italian state broadcaster RAI (Radiotelevisione italiana), creating popular series like "Il commissario Montalbano" (Inspector Montalbano).

Notable Works or Actions


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Some of Camilleri's notable works include:

"The Terracotta Dog" (1996): This novel marked the beginning of the Inspector Montalbano series and introduced readers to the detective's world.
"The Shape of a Bullet" (2002): A key installment in the series, this book explores themes of justice, morality, and redemption.

Impact and Legacy


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Andrea Camilleri's impact on literature is undeniable. His unique blend of mystery, culture, and social commentary has captivated readers worldwide:

Cultural ambassador: Camilleri's work showcased Sicilian culture to a global audience, promoting cross-cultural understanding.
Influence on the genre: The Inspector Montalbano series helped revitalize interest in the traditional whodunit mystery genre.

Why They Are Widely Quoted or Remembered


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Andrea Camilleri is widely quoted and remembered for several reasons:

Unique storytelling style: His blend of Sicilian culture, humor, and mystery captivated readers worldwide.
Timeless themes: His works often explored universal themes such as justice, morality, and human nature, making his stories enduringly relevant.

With a legacy that continues to inspire new generations of readers and writers, Andrea Camilleri's impact on literature will be remembered for years to come.

Quotes by Andrea Camilleri

"
Montalbano recalled how in now distant times, when the sea withdrew, it would leave behind only sweet-smelling algae and beautiful shells that were like gifts to mankind. Now it only gave back our own rubbish.
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Unwell? I was fine, as good as one might feel in such circumstances. No, my friend, I merely pretended to faint. I’m a good actress. Actually, a thought had come into my mind: if a terrorist, I said to myself, were to blow up this church with all of us inside, at least one-tenth of all the hypocrisy in the world would disappear with us. So I had myself escorted out.
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Don’t you read mystery novels?” “Not very often. Anyway, what does that mean, ‘mystery novel’? What is a ‘detective novel’?
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He was convinced he would keep his word. Not because he feared for his health, but because one cannot break a promise made to one’s guardian angel. And he resumed the climb.
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But then why, when talking on the phone, did they quarrel, on average at least once every four sentences? Maybe, though the inspector, it was an effect of the distance between them becoming less and less tolerable with each passing day, since as we grow old – for every now and then one must, yes, look reality in the eye and call things by their proper names – we feel more keenly the need to have the person we love beside us.
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Giulio was against our meeting. He didn’t want me getting mixed up in things that, in his opinion, were no concern of mine. For decades the respectable people here did nothing but repeat that the Mafia was no concern of theirs but only involved the people involved in it. But I used to teach my pupils that the see-nothing, know-nothing attitude is the most mortal of sins. So now that its my turn to tell what I saw, I’m supposed to take a step back?
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He swam and he wept.
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Moltabano, for a moment, felt moved. That astonishing, wholly feminine capacity for deep understanding, for penetrating one’s feelings, for being at once mother and lover, daughter and wife.
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I had a little friend, a peasant boy, who was younger than me. I was about ten. One day I saw that my friend had put a bowl, a cup, a teapot and a square milk carton on the edge of a well, had filled them all with water, and was looking at them attentively. ‘“What are you doing?” I asked him. And he answered me with a question in turn. ‘“What shape is water?” ‘“Water doesn’t have any shape!” I said, laughing. “It takes the shape you give it.”’ At.
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As they ate, they spoke of eating, as always happens in Italy.
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