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Andrew Durbin
11quotes
Andrew Durbin: A Poet of Unbridled Imagination
Full Name and Common Aliases
Andrew Durbin is a poet, writer, and curator who has become synonymous with innovative and boundary-pushing artistic endeavors.
Birth and Death Dates
Andrew Durbin was born on April 1, 1983. Unfortunately, there is no publicly available information regarding his date of passing, as he remains active in the art world.
Nationality and Profession(s)
As an American poet, writer, and curator, Andrew Durbin has made significant contributions to the literary and artistic landscape. His multifaceted career spans poetry, essays, criticism, and curatorial work.
Early Life and Background
Growing up in New York City, Andrew Durbin was exposed to a vibrant tapestry of art, literature, and culture from an early age. This diverse environment instilled in him a curiosity and passion for creative expression that would later shape his career. Durbin's upbringing played a pivotal role in shaping his perspectives on the world and informing his unique artistic voice.
Major Accomplishments
Throughout his career, Andrew Durbin has achieved numerous milestones. He is the co-founder of the poet collective and publishing house, Office of Superhuman Happiness (OSSH), which serves as a platform for innovative and experimental writing. This endeavor showcases Durbin's dedication to pushing the boundaries of literary expression. As a curator, he has organized several exhibitions that have garnered significant attention within the art world.
Notable Works or Actions
Andrew Durbin is the author of _Slouch_, a critically acclaimed collection of poetry that explores themes of technology, identity, and social commentary. His work often blurs the lines between poetry, criticism, and cultural critique, reflecting his commitment to exploring complex issues through innovative means.
Impact and Legacy
As an artist, writer, and curator, Andrew Durbin has left an indelible mark on the literary and artistic landscape. He continues to inspire a new generation of creatives with his fearless approach to innovation and experimentation. His passion for pushing boundaries and challenging conventions has paved the way for fresh perspectives in art and literature.
Why They Are Widely Quoted or Remembered
Andrew Durbin's impact extends far beyond his individual works; he is widely quoted and remembered for his influential role as a curator, writer, and publisher. His dedication to nurturing innovative voices through OSSH has created a platform for numerous emerging writers to share their work with the world. As an artist, Durbin's unapologetic exploration of complex issues serves as a beacon for those seeking bold and provocative perspectives on the human condition.
In conclusion, Andrew Durbin is a true innovator in the art world, leaving behind a legacy that transcends his own individual works. His unwavering commitment to artistic expression and experimentation has earned him recognition as a leading figure in contemporary literature and art.
Quotes by Andrew Durbin
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Forgoing outright atrocity, of which there is so much—too much—right now, aren’t the ‘life,’‘body,’ and ‘face’ of Michael Jackson in the running for some of the most abstract events of the last century?
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The importance of resolution over craft is one of the most important shifts in art making besides the creation of Photoshop.
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I am thrilled that I can lend him something and never worry about its return since its life in the cloud totally absolves us of all the guilty lender/borrower feeling of when should I ask for it back.
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The clouds in the movies have always seemed more real to me than those on TV. There would be no clouds on Modern Family, that was certain, and I was not sure I could work in a world without clouds.
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Sometimes I daydream about merging my body with my computer so that I can more fully enter the landscapes of Google Earth, lush surface world without pollution or traffic, planet seen from the vantage point of space and roving surveillance vehicles, a motionless field, magnifying the normal imperfections and irregularities of the earth so that the planet is rendered transparent, misshapen and yet intoxicating in its languishing distinction from the real.
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I like pros, especially when it comes to tennis and rent boys” — and here I’m really wondering if the pun on prose consolidates Bruce’s feeling toward it versus poetry under the sign of sex, which Bruce sometimes pays for, in order to direct us toward the pleasure of its use-function when monetised, a pleasure seldom associated with poetry, and one that might lead to the company of more pros. He continues: “If I can get a twofer, and the trick looks like Rafael Nadal, I’m in heaven.
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Amazing that Americans can obtain so much mass, approximate stuff of two or three people in Beijing.
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