I would love to be doing more voice-over work. It's such a fun and free playground to take risks, play around, and get sort of ridiculous.

Sometimes you can fall into bad habits on film or rest on your laurels, and you can't do that in theater. I think it's such a useful tool as a person and as an actor to go back and forth between those two mediums.

You look at Richard Pryor and Robert Klein and George Carlin and Richard Lewis - those guys were so smart, they were the thinking-man stand-ups.

By 12, my body had changed, although instead of blossoming into Cindy Mancini from 'Can't Buy Me Love,' I more closely resembled Chunk from 'The Goonies.' My inside world may have been filled with a poetic and vital feminine life force, but the outside world saw and told me otherwise.

I prefer situational or character-based humor to gross-out gags and comedic set pieces.

It shouldn't be an issue that we have a black president. Gay marriage shouldn't be an issue. And women being funny shouldn't be an issue.

My mom was in the chorus of 'Hello Dolly' and 'The Worldly Players'; my dad would build the set.

The real heart of comedy is uncovering a truth about yourself or about the world that you didn't see.

More and more, people probably associate me in this world of comedy and these confident, brassy, big ladies, which I love, but my insides and who I feel like internally and the kind of work that I hope to continue doing feels very different from that.

There's a lot of schlock out there.