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Artur Schnabel

28quotes

Artur Schnabel


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Full Name and Common Aliases


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Artur Schnabel was a renowned Austrian pianist and musicologist. He is often referred to as Arthur Schnabel, but his full name remains unchanged.

Birth and Death Dates


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Born: April 17, 1882, in Vienna, Austria-Hungary (now Austria)
 Died: August 15, 1951, in Los Angeles, California, USA

Nationality and Profession(s)


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Schnabel held Austrian citizenship and was a distinguished pianist and music scholar. He is widely regarded as one of the greatest pianists of his time.

Early Life


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Growing up in Vienna, Schnabel's family played an essential role in fostering his musical talent. His father, Gustav Schnabel, was a successful businessman who recognized the importance of arts education for his children. Artur's mother, Ottilie Schnabel (née von Grolman), encouraged her son to pursue music from an early age.

Early Studies and Influences


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As a young boy, Schnabel began taking piano lessons with renowned teacher Robert Fuchs. His talent was evident even at this stage of his development. Later, he studied under the guidance of Joseph Marx, whose emphasis on Romantic-era composers would significantly shape Schnabel's artistic vision.

Major Accomplishments


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Schnabel's illustrious career spanned multiple continents and featured numerous groundbreaking performances. Some highlights include:

International recognition: Schnabel gained widespread acclaim for his interpretations of Beethoven, Schubert, and Brahms.
 Recording legacy: He made extensive recordings throughout his life, with the 1920s being a particularly fruitful period in terms of technological advancements and artistic innovation.
Collaborations: Schnabel frequently performed alongside distinguished musicians such as violinist Jascha Heifetz, cellist Emanuel Feuermann, and pianist Emil Gille.

Notable Works or Actions


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Schnabel's creative endeavors extended beyond his performances. Some notable works include:

Musicological writings: As a respected scholar, Schnabel penned several books on music history and theory.
Concert programming: His innovative concert formats often included unique pairings of composers and styles, pushing the boundaries of what audiences expected from classical music events.

Impact and Legacy


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Schnabel's profound impact on the world of classical music is multifaceted:

Influence on pianism: His nuanced, expressive playing style continues to inspire generations of pianists.
Recording innovations: Schnabel was among the first artists to take advantage of new recording technologies, expanding the possibilities for classical music dissemination.
 Cross-cultural exchange: Through his performances and educational endeavors, Schnabel played a crucial role in promoting cultural understanding between Europe and North America.

Why They Are Widely Quoted or Remembered


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Artur Schnabel's enduring popularity stems from several factors:

Pioneering spirit: His dedication to exploring new musical frontiers helped shape the course of classical music history.
 Interpretative genius: Schnabel's unique approach to performance continues to captivate audiences and inspire fellow musicians alike.
* Educational influence: As a devoted teacher, he imparted his knowledge and passion for music to countless students, ensuring his legacy extends far beyond his own performances.

Quotes by Artur Schnabel

I know two kinds of audiences only - one coughing, and one not coughing.
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I know two kinds of audiences only - one coughing, and one not coughing.
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The notes I handle no better than many pianists. But the pauses between the notes ah, that is where the art resides.
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The notes I handle no better than many pianists. But the pauses between the notes ah, that is where the art resides.
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The notes I handle no better than many pianists. But the pauses between the notes – ah, that is where the art resides.
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The notes I handle no better than many pianists. But the pauses between the notes – ah, that is where the art resides.
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It is not music’s function to express rational necessities.
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It is not music’s function to express rational necessities.
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I know two kinds of audiences only – one coughing, and one not coughing.
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I know two kinds of audiences only – one coughing, and one not coughing.
AS
Sunshine can burn you, food can poison you, words can condemn you, pictures can insult you; music cannot punish – only bless.
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Sunshine can burn you, food can poison you, words can condemn you, pictures can insult you; music cannot punish – only bless.
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Have I a secret about playing the piano? It’s a very simple one. I sit down on the piano stool and make myself comfortable – and I always make sure that the lid over the keyboard is open before I start to play.
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Have I a secret about playing the piano? It’s a very simple one. I sit down on the piano stool and make myself comfortable – and I always make sure that the lid over the keyboard is open before I start to play.
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I dont think I handle the notes much differently from other pianists. But the pauses between the notes--ah, there is where the artistry lies!!
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I dont think I handle the notes much differently from other pianists. But the pauses between the notes--ah, there is where the artistry lies!!
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#artistry
The sonatas of Mozart are unique; they are too easy for children, and too difficult for artists.
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The sonatas of Mozart are unique; they are too easy for children, and too difficult for artists.
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#children
Sunshine can burn you, food can poison you, words can condemn you, pictures can insult you; music cannot punish - only bless.
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Sunshine can burn you, food can poison you, words can condemn you, pictures can insult you; music cannot punish - only bless.
AS
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