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Austin Relph Dobson
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Full Name and Common Aliases


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Full Name: Austin Relph Dobson
Pseudonym/alias: None known

Birth and Death Dates


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Born: 24 July 1793, in Plymouth, England
Died: 26 December 1870, in Chatham, Kent, England

Nationality and Profession(s)


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Austin Relph Dobson was an English poet, essayist, and literary critic. He is considered one of the leading poets of his generation.

Early Life and Background


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Dobson's family moved to Plymouth when he was young due to the rise of trade at that port. His father was a merchant who made his fortune in the West Indies trade. As a result, Dobson spent much of his early life traveling back and forth between England and Jamaica, where his family maintained business interests.

This international exposure likely influenced his writing style and broadened his worldview. He attended Plymouth Grammar School before enrolling at Christ's College, Cambridge, where he developed an interest in literature. However, due to illness, he had to withdraw from university without graduating.

Major Accomplishments


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Dobson is best known for his scholarly essays and verse translations of classical works. His writing often explores themes related to the British Empire, politics, and social issues of his time. He was a prominent member of the Cockney School of poets, which emphasized rustic and natural subjects.

Notable Works or Actions


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Some notable works by Dobson include:

Translations of Horace's Odes (1838)
The Romances of Chaucer (1842-46)
* Selections from the Poets of the Reign of George III (1853)

He also wrote a collection of poems called Inchiquin, or the Priest; and the Lady. In 1839 Dobson became the editor of the Athenaeum Magazine.

Impact and Legacy


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Dobson's contributions to literature are significant due to his meticulous translations of classical works into English verse. His work on Chaucer's Romances is considered one of the most important scholarly editions of its kind at that time. His poetry, which often reflected the politics and social issues of his era, has not gained widespread popularity but demonstrates a mastery of language and form.

Why They Are Widely Quoted or Remembered


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Although Dobson's own poetry may not be as well-known today as it was during his lifetime, his scholarly work continues to influence literary studies. He is widely quoted for his insightful analysis of classical texts and his role in shaping the British poetic tradition. His expertise on Chaucer has been particularly valuable, making him an important figure among scholars interested in medieval English literature.

Dobson's legacy can be seen in the continued study of classical works by contemporary writers and poets. He played a crucial part in preserving these literary treasures for future generations, ensuring their relevance to ongoing debates about art and culture.

Quotes by Austin Dobson

And I wove the thing to a random rhyme, For the Rose is Beauty, the Gardener, Time.
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And I wove the thing to a random rhyme, For the Rose is Beauty, the Gardener, Time.
Carry his body hence! Kings must have slaves: Kings climb to eminence, Over men's graves: So this man's eye is dim; Throw the earth over him!
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Carry his body hence! Kings must have slaves: Kings climb to eminence, Over men's graves: So this man's eye is dim; Throw the earth over him!
In merest prudence men should teach. That science ranks as monstrous things, Two pairs of upper limbs; so wings - E'en Angel's wings! - are fictions.
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In merest prudence men should teach. That science ranks as monstrous things, Two pairs of upper limbs; so wings - E'en Angel's wings! - are fictions.
The ladies of St James's! They're painted to the eyes, Their white it stays for ever, Their red it never dies: But Phyllida, my Phyllida! Her colour comes and goes; It trembles to a lily, It wavers to a rose.
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The ladies of St James's! They're painted to the eyes, Their white it stays for ever, Their red it never dies: But Phyllida, my Phyllida! Her colour comes and goes; It trembles to a lily, It wavers to a rose.
For I respectfully decline To dignify the Serpentine, And make hors-d'oeuvres for fishes.
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For I respectfully decline To dignify the Serpentine, And make hors-d'oeuvres for fishes.
For I respectfully declineTo dignify the Serpentine,And make hors-d'oeuvres for fishes.
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For I respectfully declineTo dignify the Serpentine,And make hors-d'oeuvres for fishes.
All passes. Art alone/ Enduring stays to us;/ The bust outlasts the throne
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All passes. Art alone/ Enduring stays to us;/ The bust outlasts the throne
Look thy last on all things lovely, Every hour - let no night Seal thy sense in deathly slumber Till to delight Thou hast paid thy utmost blessing
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Look thy last on all things lovely, Every hour - let no night Seal thy sense in deathly slumber Till to delight Thou hast paid thy utmost blessing
I intended an Ode, And it turned to a Sonnet.
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I intended an Ode, And it turned to a Sonnet.
Not as ours the books of old - Things that steam can stamp and fold; Not as ours the books of yore - Rows of type, and nothing more.
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Not as ours the books of old - Things that steam can stamp and fold; Not as ours the books of yore - Rows of type, and nothing more.
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