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Bela Lugosi

74quotes

Bela Lugosi: The Undying Legend of Horror Cinema


Full Name and Common Aliases


Bela Lugosi was born on October 20, 1882, in Lugos, Kingdom of Hungary (now part of Romania) as Béla Ferenc Dezső Blaskó. He is commonly known by his stage name, Bela Lugosi.

Birth and Death Dates


October 20, 1882 - August 16, 1956

Nationality and Profession(s)


Hungarian-American actor, primarily associated with the horror genre

Early Life and Background


Bela Lugosi's early life was marked by a strong passion for acting. He began his career on stage in Hungary, where he performed under various names until settling on Bela Lugosi. In 1920, he immigrated to the United States, seeking better opportunities in show business. Lugosi struggled initially, taking on small roles and working as an extra before landing a major part in the 1931 film _White Zombie_.

Major Accomplishments


Lugosi's breakthrough performance came when he was cast as Count Dracula in the 1931 film adaptation of Bram Stoker's novel. The movie's success catapulted him to stardom, and he became synonymous with horror cinema. He went on to star in numerous iconic films, including _Dracula's Daughter_ (1936), _The Raven_ (1935), and _Son of Frankenstein_ (1939). Lugosi's performances were characterized by his distinctive Hungarian accent, commanding presence, and eerie ability to convey menace.

Notable Works or Actions


In addition to his film work, Lugosi was also a talented stage actor. He appeared in various Broadway productions, including the play _Arrowsmith_ (1927), which helped him gain recognition among American audiences. Lugosi's personal life was often plagued by financial struggles and addiction issues, but he continued to act throughout the 1940s and 1950s.

Impact and Legacy


Bela Lugosi's impact on horror cinema cannot be overstated. He helped establish the genre as a staple of Hollywood filmmaking and paved the way for future stars like Vincent Price and Christopher Lee. Lugosi's performances continue to captivate audiences, inspiring new generations of actors and filmmakers.

Why They Are Widely Quoted or Remembered


Bela Lugosi's quotes are often memorable and chilling, adding to his enduring legacy as a horror icon. His most famous line, "Listen to them, the children of the night. What music they make!" from _Dracula_ (1931), is one of the most recognizable in cinema history. Lugosi's presence on screen continues to evoke a sense of eeriness and foreboding, cementing his place as one of the greatest horror stars of all time.

Lugosi's personal struggles and tumultuous life only add to his mystique, making him a fascinating figure for fans of Hollywood history. As an actor, he embodied the essence of terror on screen, leaving behind a body of work that continues to thrill audiences today.

Quotes by Bela Lugosi

In Hungary acting is a profession. In America it is a decision.
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In Hungary acting is a profession. In America it is a decision.
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I have lived too completely, I think. I have known every human emotion.
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I have lived too completely, I think. I have known every human emotion.
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My close-up was magnificent!
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My close-up was magnificent!
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I enjoy my work. I haven’t been an actor for 30 years without getting pleasure out of the profession.
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I enjoy my work. I haven’t been an actor for 30 years without getting pleasure out of the profession.
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I don’t have a dime left. I am dependent on my friends for food and a small old-age pension.
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I don’t have a dime left. I am dependent on my friends for food and a small old-age pension.
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I’ll be truthful. The weekly paycheck is the most important thing to me.
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I’ll be truthful. The weekly paycheck is the most important thing to me.
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I’d like to quit the supernatural roles and play just an interesting, down-to-earth person.
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I’d like to quit the supernatural roles and play just an interesting, down-to-earth person.
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Of all the roles I’ve done on the stage, I’m partial to Cyrano de Bergerac.
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Of all the roles I’ve done on the stage, I’m partial to Cyrano de Bergerac.
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In the studio the director controls the actor’s every move, every inflection, every expression.
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In the studio the director controls the actor’s every move, every inflection, every expression.
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Every actor is somewhat mad, or else he’d be a plumber or a bookkeeper or a salesman.
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Every actor is somewhat mad, or else he’d be a plumber or a bookkeeper or a salesman.
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