Beth Morey
Beth Morey
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Full Name and Common Aliases
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Beth Morey was an American artist, educator, and art historian known for her contributions to the development of modern art education in the United States.
Birth and Death Dates
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Born on September 11, 1914, in Chicago, Illinois, Beth Morey passed away on January 31, 2013, at the age of 98.
Nationality and Profession(s)
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American, Artist, Educator, Art Historian
Early Life and Background
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Beth Morey grew up in a family that encouraged her artistic talents from an early age. Her father was a painter, and her mother was a musician. This exposure to the arts laid the foundation for her future endeavors. She began taking art classes at the Art Institute of Chicago when she was just 12 years old.
Major Accomplishments
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Beth Morey's contributions to modern art education are immeasurable. As an educator, she played a pivotal role in shaping the curriculum and teaching methods used in art schools across the country. Her work as an artist and art historian helped bridge the gap between traditional fine arts and contemporary modernism.
During her tenure at various institutions, including the University of Chicago and the Art Institute of Chicago, Morey's innovative approaches to art education led to the establishment of several new programs and initiatives. These included interdisciplinary courses that integrated art with other subjects like history, science, and literature.
Notable Works or Actions
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Beth Morey's own artistic output was characterized by her use of bold colors and abstract forms. Her work often explored themes related to nature, architecture, and the human figure. One of her most notable series, "Chicago Landscapes," captures the city's vibrant urban atmosphere through a range of mediums.
As an art historian, Morey wrote several influential articles on American modernism and its relationship with European avant-garde movements. Her scholarly work provided valuable insights into the development of 20th-century art in the United States.
Impact and Legacy
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Beth Morey's impact on modern art education has been profound. Her emphasis on interdisciplinary learning and hands-on artistic expression helped create a more inclusive and student-centered approach to teaching art. This shift in focus enabled students from diverse backgrounds to engage with the creative process in meaningful ways.
Her work as an artist and scholar continues to inspire new generations of artists, educators, and art historians. Morey's contributions have been recognized through various awards and honors, including a lifetime achievement award from the College Art Association.
Why They Are Widely Quoted or Remembered
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Beth Morey is widely quoted and remembered for her pioneering spirit in modern art education. Her innovative approaches to teaching and learning have had a lasting impact on the field, influencing countless educators and artists who have followed in her footsteps. As an artist, historian, and educator, she embodied the principles of creativity, experimentation, and intellectual curiosity that are at the heart of artistic expression.
Morey's legacy serves as a testament to the power of art education in shaping individual perspectives and fostering meaningful connections with others. Her life's work continues to inspire new generations of artists, educators, and art historians, ensuring her place as one of the most influential figures in American modern art education.
Quotes by Beth Morey
Beth Morey's insights on:
now I'm blinking in a new gloamingand all I see as I'm stretched low down hereis a world of women flat on their frozenfaces. we are the ground itself, corporealcarpet of cells, softness calloused hardbeneath the pebbled soles of the fathersand husbands and brothers and priestsand it's a horror if you could see it,a world of women ruinedby man's fear.
i feel the spring breeze rufflingthe new-hatched damp of my unfurlingfeathers; i see with eyes bleary from egg-darkthe shell clinging sticky to my screamingbeak.
we have forgotten that we were bornof celestial cataclysm.we have forgotten how to dancebare-footed on the earth to the cadenceof our souls. we have forgotten the ritualfires and the acrid tang of holy smokeon our tongues.
you saywe were nevermeant for this vowed life,golden bands of only us, and deathdo us part. you say love like it's held in quotation marks,that this union soured before it started.
I stand in my own power now, the questions of permission that I used to choke on for my every meal now dead in a fallen heap, and when they tell me that I will fall, I nod. I will fall, I reply, and my words are a whispermy words are a howlI will fall , I say, and the tumbling will be all my own. The skinned palms and oozing knees are holy wounds, stigmata of my She. I will catch my own spilled blood, and not a drop will be wasted.
do you dare to step in-to the vulnerable black, stripped to the soul with human blindness – when the full and weeping moon steps from the shade of a tumult of mountains – when, in the fragrant dim, day's tree stump transformsinto some nether-worldly other – when time's skin is thin and you arebared – when there is nothing between you and the Wildest Onewhose name is your own?
I wonder what freezesthe flurry of hurt on her cold-flushed cheeks, if his touch isa salve or the shattering.
absencelooks like a lake bed flooded with skysounds like cotton howlingtastes like tear-stained pillowssmells like churning bile and burnt hairfeels like screaming agony, my heart dying and dying