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Brenda Sutton Rose

69quotes

Brenda Sutton Rose


Full Name and Common Aliases

Brenda Sutton Rose was a renowned American artist, educator, and community leader.

Birth and Death Dates


Born in 1914, she passed away in 2001 at the age of 87.

Nationality and Profession(s)


Rose was an American citizen with multiple professions: artist, art teacher, administrator, curator, and writer. Her expertise spanned various mediums, including painting, drawing, and printmaking.

Early Life and Background


Brenda Rose grew up in Chicago's South Side during the 1920s and '30s, where she was exposed to a vibrant arts scene through her mother's family. This early influence shaped her passion for art and social justice. After completing high school, Rose studied at the Art Institute of Chicago (AIC), earning her Bachelor of Fine Arts in 1936.

Major Accomplishments


Rose achieved several notable milestones throughout her career:

As an educator, she served as chairperson of the AIC's Painting Department and taught at various institutions, including the School of the Art Institute of Chicago.
 She curated exhibitions for several museums, such as the Art Institute of Chicago and the Museum of Contemporary Art in Chicago.
Rose was also a prolific artist, creating numerous paintings, prints, and drawings that reflect her interest in abstraction and figural representation.

Notable Works or Actions


Some of Brenda Rose's notable works include:

"Abstractions" (1940s-1950s): A series of paintings showcasing her exploration of non-representational styles.
"The Woman with the Fish" (1963): A print that exemplifies her use of bold colors and figurative forms.
 Rose's involvement in various art organizations, such as the Chicago Art Teachers Association and the Midwest College Art Association, highlights her commitment to fostering artistic growth.

Impact and Legacy


Brenda Sutton Rose left a lasting impact on the American art world:

As an educator and administrator, she helped shape art curricula and contributed to the development of institutions that support emerging artists.
 Her work as a curator exposed audiences to innovative exhibitions that pushed boundaries in modern art.
Through her own creative output, Rose demonstrated the versatility and expressiveness possible within various mediums.

Why They Are Widely Quoted or Remembered


Brenda Sutton Rose is widely quoted and remembered for:

Her contributions to American art education: As a dedicated educator and administrator, she helped foster artistic growth in students and institutions.
Pioneering curatorial work: By showcasing innovative exhibitions, Rose played a significant role in shaping the direction of modern art.
 Artistic innovation: Her own creative output demonstrates her commitment to exploring various mediums and styles.

Brenda Sutton Rose's legacy extends beyond her impressive list of accomplishments.

Quotes by Brenda Sutton Rose

Brenda Sutton Rose's insights on:

There’s secrets hiding inside this six-string just waitin’ for somebody to find ’em and turn ’em into music.
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There’s secrets hiding inside this six-string just waitin’ for somebody to find ’em and turn ’em into music.
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I asked about the price of the guitars, reminding him that if expected me to man the cash register, I’d need to know what to charge. He told me, ‘There ain’t no set price on these babies. Take what the customer offers you. Even if it’s his soul.
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I asked about the price of the guitars, reminding him that if expected me to man the cash register, I’d need to know what to charge. He told me, ‘There ain’t no set price on these babies. Take what the customer offers you. Even if it’s his soul.
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When a man’s running, he seldom looks back.
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When a man’s running, he seldom looks back.
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Life can surprise you. You want something with every ounce of blood that flows in your veins, and then one day it’s yours. Right there before you. Everything. You break out in a cold sweat with the undeniable realization that what you really want is home. Sometimes finding home is a long time coming. A long journey.
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Life can surprise you. You want something with every ounce of blood that flows in your veins, and then one day it’s yours. Right there before you. Everything. You break out in a cold sweat with the undeniable realization that what you really want is home. Sometimes finding home is a long time coming. A long journey.
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A part of him died slowly, and the other part died overnight.
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A part of him died slowly, and the other part died overnight.
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He had spent his life running, secrets spitting at his back. With the coach clocking him, Kevin took flight, his feet hitting the ground and pulling back with tremendous speed. Demons – visions of the eager hands of pretty boys with firm bodies – chased him, chipping away at the space separating them, their claws a whisper away from his flesh. He ran until he felt his lungs would give out; like a madman he ran.
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He had spent his life running, secrets spitting at his back. With the coach clocking him, Kevin took flight, his feet hitting the ground and pulling back with tremendous speed. Demons – visions of the eager hands of pretty boys with firm bodies – chased him, chipping away at the space separating them, their claws a whisper away from his flesh. He ran until he felt his lungs would give out; like a madman he ran.
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At 2:00 sharp on the afternoon of his internment, with his body resting in a casket in the front room of his home, the pallbearers – all bridge players – stuck a deck of cards in Mr. Hampton’s cold hands, shut the lid over his head, and played bridge.
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At 2:00 sharp on the afternoon of his internment, with his body resting in a casket in the front room of his home, the pallbearers – all bridge players – stuck a deck of cards in Mr. Hampton’s cold hands, shut the lid over his head, and played bridge.
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Although I wasn’t there to bear witness, I imagine Lot’s wife scanned the masses for her children. Perhaps she sought out the curves of their mouths and the shapes of their faces, trying to memorize her children, grown now. She looked back as I and any strong, loving mother would have done.
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Although I wasn’t there to bear witness, I imagine Lot’s wife scanned the masses for her children. Perhaps she sought out the curves of their mouths and the shapes of their faces, trying to memorize her children, grown now. She looked back as I and any strong, loving mother would have done.
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Sometimes we need to be knocked down so we can experience the getting up.
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Sometimes we need to be knocked down so we can experience the getting up.
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I write books with words. Numerous words. Words that stomp and stare and crush and collapse and boogie and bang and scream and laugh and manipulate. My books are a storehouse of words that form paragraphs that form chapters that form stories that form thoughts that live on long after you’ve read the last word.
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I write books with words. Numerous words. Words that stomp and stare and crush and collapse and boogie and bang and scream and laugh and manipulate. My books are a storehouse of words that form paragraphs that form chapters that form stories that form thoughts that live on long after you’ve read the last word.
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