Bruce Eric Kaplan


#### Cartoonist, Writer, and Animator

Full Name and Common Aliases

Bruce Eric Kaplan is commonly known as Bruce Kaplan or Bruce K.

Birth and Death Dates

Born: December 18, 1958
(Still active in his profession)

Nationality and Profession(s)

Kaplan is an American cartoonist, writer, and animator. He has worked extensively on animated television shows, creating characters, storylines, and scripts that have entertained audiences worldwide.

Early Life and Background

Growing up in New York City, Kaplan was exposed to the vibrant world of art and comedy from a young age. His parents encouraged his creative pursuits, and he began drawing cartoons at an early age. This foundation laid the groundwork for his future career as a cartoonist. After completing his education, Kaplan moved to Los Angeles to pursue opportunities in animation.

Major Accomplishments

Kaplan's breakthrough came when he co-created the animated television series Freaks and Geeks with Paul Feig in 1999. Although it only ran for one season due to low ratings at the time of its release, the show gained a cult following over the years and has since been recognized as a pioneering work in the teen comedy genre.

Additionally, Kaplan served as executive story editor and writer on another critically acclaimed animated series, The Larry Sanders Show, which aired from 1992 to 1998. His contributions helped shape the characters and narrative of this popular sitcom.

Notable Works or Actions

Kaplan has worked extensively in animation, contributing his talents to numerous television shows and films throughout his career. Some notable works include:

Dilbert (1999): Kaplan co-created the animated series based on Scott Adams' popular comic strip.
The Simpsons (2000-2001): He served as a writer and executive story editor for several episodes during this period.
* American Dad! (2013-2014): Kaplan was a consulting producer for the animated series.

Impact and Legacy

Kaplan's work has left an indelible mark on the world of animation. His contributions to Freaks and Geeks and other shows have inspired new generations of animators, writers, and producers. The influence of his unique voice and perspective can be seen in many contemporary animated series.

Why They Are Widely Quoted or Remembered

Bruce Eric Kaplan's innovative spirit, combined with his extensive experience in animation, has cemented his place as a respected figure in the industry. His ability to create memorable characters and storylines has made him a sought-after talent for numerous projects. As a result, he is widely quoted and remembered by fans and professionals alike for his enduring contributions to the world of animation.

As an accomplished cartoonist, writer, and animator, Bruce Eric Kaplan continues to captivate audiences with his imaginative storytelling and engaging characters. His legacy serves as a testament to the power of creative vision and perseverance in the entertainment industry.

Quotes by Bruce Eric Kaplan

My mother always bought our birthday gifts.
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My mother always bought our birthday gifts.
All I can really tell you about my father is that he did odd things like put tin foil on a bottle of beer after having a few sips, then put it in the refrigerator to perhaps have on another night.
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All I can really tell you about my father is that he did odd things like put tin foil on a bottle of beer after having a few sips, then put it in the refrigerator to perhaps have on another night.
I am assuming my father learned at an early age that there is nothing more dangerous than showing your true self. I think a lot of us learn that, and it actually may be true.
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I am assuming my father learned at an early age that there is nothing more dangerous than showing your true self. I think a lot of us learn that, and it actually may be true.
I read the 'New Yorker' when I was a kid. I used to love the cartoons and pick the cartoons out of the library, so I felt I knew the world of their cartoons.
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I read the 'New Yorker' when I was a kid. I used to love the cartoons and pick the cartoons out of the library, so I felt I knew the world of their cartoons.
I never really got into 'The Munsters' that much, but there was one aspect that was compelling. That was Marilyn. She was the only normal one among this group of creatures.
"
I never really got into 'The Munsters' that much, but there was one aspect that was compelling. That was Marilyn. She was the only normal one among this group of creatures.
In L.A., you can put out a craft-service table anywhere, and it's no big deal. But in New York, people who walk by it on the street get really angry about it.
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In L.A., you can put out a craft-service table anywhere, and it's no big deal. But in New York, people who walk by it on the street get really angry about it.
In Los Angeles, it's always nice out. In New York, it can be nice out or horrifying. You really have no idea what you're going to get on any given day.
"
In Los Angeles, it's always nice out. In New York, it can be nice out or horrifying. You really have no idea what you're going to get on any given day.
In many ways, cartooning is my therapy. I've always said they're like my diaries. It's thoughts and feelings and things I've seen on any particular day.
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In many ways, cartooning is my therapy. I've always said they're like my diaries. It's thoughts and feelings and things I've seen on any particular day.
I've had mostly book parties, where I get very focused on inviting everyone and not forgetting anyone, although of course one always does, and being worried no one will show up, but mostly the book comes from going to parties and feeling very, for lack of a better word, anxious.
"
I've had mostly book parties, where I get very focused on inviting everyone and not forgetting anyone, although of course one always does, and being worried no one will show up, but mostly the book comes from going to parties and feeling very, for lack of a better word, anxious.
It was memorable the first time 'The New Yorker' bought a cartoon from me. I had been sending them batches for years every week, and they didn't respond to them.
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It was memorable the first time 'The New Yorker' bought a cartoon from me. I had been sending them batches for years every week, and they didn't respond to them.
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