Camille Pissarro
Camille Pissarro: A Pioneer of Impressionism
Full Name and Common Aliases
Camille Pissarro was born as Camille Pissarro on July 10, 1830, in the city of Charlotte Amalie on the island of St. Thomas in the Danish West Indies (now known as the U.S. Virgin Islands). He is often referred to simply as Camille Pissarro or by his nickname "Père" (Father) among artists.
Birth and Death Dates
July 10, 1830 - November 13, 1903
Nationality and Profession(s)
French-Danish painter and printmaker. Pissarro's nationality is often considered French due to his extensive time spent in France and his adoption of the country as his home.
Early Life and Background
Camille Pissarro was born into a Jewish family of Portuguese descent on St. Thomas, an island in the Caribbean that was then under Danish control. His father, Abraham Gabriel Pissarro, was a successful merchant who traded with the mainland United States and other islands in the region. Camille's mother, Rachel Véis, died when he was just 12 years old, after which his father married a woman named Charlotte Nerland.
Pissarro showed an early interest in art, particularly drawing and painting. He moved to France at the age of 12 to continue his education and live with his uncle, Frederick Pissarro, who encouraged his artistic pursuits. Camille attended school in Paris but soon devoted himself full-time to art studies under the tutelage of French painter Gustave Courbet.
Major Accomplishments
Camille Pissarro is widely regarded as one of the most important figures in the development of Impressionism, a style that sought to capture the fleeting effects of natural light. He was an early member of the movement and played a key role in its formation alongside artists such as Claude Monet, Pierre-Auguste Renoir, and Mary Cassatt.
Pissarro's work is characterized by its focus on everyday life, often depicting rural landscapes and scenes from modern Parisian streets. His paintings typically featured rich colors and bold brushstrokes, which were innovative for the time period. Some of his most famous works include "Boulevard Montmartre at Night" (1897), "Avenue de l'Opera: Rain Effect" (1877), and "Red Roofs" (1900).
Notable Works or Actions
One notable work by Pissarro is "The Road to Éragny" (1873), a painting that showcases his ability to capture the effects of natural light. He also created a series of etchings, including those from his album "L'Estampe Originale," which demonstrated his skill in printmaking.
Pissarro was an advocate for Impressionist artists and helped promote their work through various exhibitions and sales strategies. His home in Éragny-sur-Epte became a hub for the movement's members to discuss art, politics, and social issues.
Impact and Legacy
Camille Pissarro's contributions to the development of modern art are immeasurable. As one of the pioneers of Impressionism, he paved the way for future generations of artists who would build upon his innovative techniques. His work continues to inspire artists today, with many regarding him as a master of light and color.
Why They Are Widely Quoted or Remembered
Camille Pissarro is widely quoted and remembered due to his significant role in shaping the course of modern art. He was a true pioneer who refused to conform to traditional standards, choosing instead to follow his vision and create innovative works that reflected the world around him.
Pissarro's legacy extends beyond his artwork; he was also a devoted advocate for social justice and women's rights. His association with prominent Impressionist artists has cemented his place in history as one of the most influential figures of the late 19th century.
Through his art, Pissarro continues to inspire new generations of artists and art lovers alike. As we reflect on his life and work, it is clear that Camille Pissarro's impact will be felt for years to come.
Quotes by Camille Pissarro
Camille Pissarro's insights on:

I sometimes have a horrible fear of turning up a canvas of mine. I’m always afraid of finding a monster in place of the precious jewels I thought I had put there!

I began to understand my sensations, to know what I wanted, at around the age of forty – but only vaguely.

I remember that, although I was full of fervour, I didn’t have the slightest inkling, even at forty, of the deeper side to the movement we were pursuing by instinct. It was in the air!

I regard it as a waste of time to think only of selling: one forgets one’s art and exaggerates one’s value.

I think when one has talent one finally breaks through; so don’t pass up any opportunity to do some work.

Don’t be afraid in nature: one must be bold, at the risk of having been deceived and making mistakes.

All the sorrow, all the bitterness, all the sadness, I forget them and ignore them in the joy of working.

It does not astonish me that the critics in London relegate me to the lowest rank. Alas! I fear that they are only too justified!

