Carrie Mae Weems


Full Name and Common Aliases


Carrie Mae Weems is an American artist known for her innovative and provocative works in photography, performance, video, and text.

Birth and Death Dates


Born on April 20, 1953, in Portland, Oregon. Currently active and alive.

Nationality and Profession(s)


American photographer, installation artist, and filmmaker. Her work often explores the intersection of politics, history, identity, and personal narrative.

Early Life and Background


Carrie Mae Weems grew up in Sacramento, California, with her mother, a librarian, and her father, an engineer. She was raised in a family that valued education and encouraged her to explore the arts from an early age. Weems' interest in photography began when she was just 17 years old, working part-time as a photographer for a local newspaper.

Major Accomplishments


Throughout her career, Carrie Mae Weems has received numerous accolades for her groundbreaking work. Notable achievements include:

Elected to the American Academy of Arts and Letters (2009)
Recipient of the MacArthur Fellowship (1997)
* Guggenheim Fellow in Photography (1988)

Notable Works or Actions


Some of Weems' most notable works include:

"Kitchen Table Series" (1975-1985)


A groundbreaking photographic series exploring African American identity, family, and relationships.

"Untitled (Woman Picking an Apple from a Tree)" (1990-1992)


A performance-based work examining issues of racial representation and the gaze in art.

"Roaming the Land" (2003)


A series of photographs documenting Weems' road trip across America, exploring themes of identity and belonging.

Impact and Legacy


Carrie Mae Weems' innovative approach to photography has had a profound impact on contemporary art. Her work challenges traditional representations of black identity and culture, pushing the boundaries of the medium itself. Weems' influence can be seen in the work of many other artists who have followed in her footsteps, exploring themes of social justice, identity, and representation.

Why They Are Widely Quoted or Remembered


Weems is widely quoted and remembered for her thought-provoking and deeply personal work. Her commitment to challenging social norms and conventions has made her a leading voice in the art world. As an artist, she continues to inspire audiences with her innovative use of photography as a means of storytelling and social commentary.

Throughout her career, Carrie Mae Weems has remained true to her vision, creating works that are both deeply personal and universally relevant. Her legacy is one of unapologetic creativity, challenging the status quo, and redefining the boundaries of what is possible in art.

Quotes by Carrie Mae Weems

I didnt know photography would take me to the places that it has taken me.
"
I didnt know photography would take me to the places that it has taken me.
I got my first camera when I was 21 – my boyfriend gave it to me for my birthday – but at that point politics was my life, and I viewed the camera as a tool for expressing my political beliefs rather than as an art medium.
"
I got my first camera when I was 21 – my boyfriend gave it to me for my birthday – but at that point politics was my life, and I viewed the camera as a tool for expressing my political beliefs rather than as an art medium.
It’s very important for me to really use this body as a barometer of a certain kind of knowledge – to take the personal risk of exposing my own body in a certain kind of way. I can’t ask anybody else to do something that I don’t do first myself.
"
It’s very important for me to really use this body as a barometer of a certain kind of knowledge – to take the personal risk of exposing my own body in a certain kind of way. I can’t ask anybody else to do something that I don’t do first myself.
I don’t like directing a lot of people. So trying to keep things really simple and elegant is my preferred way of working.
"
I don’t like directing a lot of people. So trying to keep things really simple and elegant is my preferred way of working.
The ideas I'm working with are ideas I'm committed to. I don't know how to soft-shoe them. I don't know how to make them more palpable. I just never knew how to be one of those girls. I wish I knew how to be that sometimes, but I don't know how to be that way.
"
The ideas I'm working with are ideas I'm committed to. I don't know how to soft-shoe them. I don't know how to make them more palpable. I just never knew how to be one of those girls. I wish I knew how to be that sometimes, but I don't know how to be that way.
In terms of digital photography, I continue to print and use film for the most part. I still shoot with film, 21/4 film specifically, and I love it. I love it because I know what it does, how it really responds to light.
"
In terms of digital photography, I continue to print and use film for the most part. I still shoot with film, 21/4 film specifically, and I love it. I love it because I know what it does, how it really responds to light.
It's impossible to change the social without changing the personal - you have to put your money where your mouth is. And if you're not making those challenges at home, it's unlikely you'll make them in a larger setting.
"
It's impossible to change the social without changing the personal - you have to put your money where your mouth is. And if you're not making those challenges at home, it's unlikely you'll make them in a larger setting.
Art is the one place we all turn to for solace.
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Art is the one place we all turn to for solace.
The camera gave me an incredible freedom. It gave me the ability to parade through the world and look at people and things very, very closely.
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The camera gave me an incredible freedom. It gave me the ability to parade through the world and look at people and things very, very closely.
It's fair to say that black folks operate under a cloud of invisibility - this too is part of the work, is indeed central to [my photographs]... This invisibility - this erasure out of the complex history of our life and time - is the greatest source of my longing.
"
It's fair to say that black folks operate under a cloud of invisibility - this too is part of the work, is indeed central to [my photographs]... This invisibility - this erasure out of the complex history of our life and time - is the greatest source of my longing.
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