Cesar Aira
Cesar Aira: A Life of Literary Excellence
#### Full Name and Common Aliases
César Aira is the full name of this Argentine writer. He is commonly referred to as César Aira.
#### Birth and Death Dates
Born on September 23, 1937, in Coronel Pringles, Buenos Aires Province, Argentina. Unfortunately, César Aira passed away on October 9, 2018.
#### Nationality and Profession(s)
A Argentine national by birth and a writer by profession. Aira is best known for his unique writing style that blends elements of magical realism with historical and philosophical undertones.
#### Early Life and Background
Growing up in the small town of Coronel Pringles, César Aira's childhood was marked by an intense curiosity about literature. His love for reading and writing began at a young age, influenced by his family's modest library. This early exposure to books had a profound impact on Aira's future as a writer.
As he grew older, Aira developed a keen interest in philosophy and history, which would later become integral components of his literary work. He attended the University of Buenos Aires, where he studied Spanish literature. However, it was during this period that Aira began to focus more on writing than academic pursuits.
#### Major Accomplishments
Throughout his illustrious career, César Aira published numerous novels, short stories, and essays that garnered international recognition. Some of his notable works include "Ema, the Captive," "The Musical Brain," and "Ghosts." These publications solidified Aira's position as a prominent figure in Argentine literature.
Aira's writing is characterized by its innovative style, which often defies traditional narrative structures. His unique blend of magical realism, historical events, and philosophical musings has captivated readers worldwide.
#### Notable Works or Actions
One of César Aira's most significant contributions to literature is his experimentation with language and form. He pushed the boundaries of traditional storytelling by incorporating elements of fantasy, science fiction, and historical narrative. This bold approach earned him numerous accolades and critical acclaim.
Aira was also an accomplished essayist and critic, contributing to various literary magazines and journals throughout his career. His writings on literature, philosophy, and culture offer valuable insights into the mind of a masterful writer.
#### Impact and Legacy
César Aira's impact on Argentine literature is undeniable. He has been hailed as one of the most innovative writers of his generation. His influence can be seen in the work of younger writers who have followed in his footsteps, experimenting with non-traditional narrative structures and styles.
Aira's writing also explores themes that are relevant to contemporary society, including social justice, politics, and the human condition. His ability to balance intellectual depth with accessible language has made him a beloved figure among readers worldwide.
#### Why They Are Widely Quoted or Remembered
César Aira is widely quoted and remembered for his innovative approach to storytelling, his philosophical insights into the human experience, and his commitment to exploring the complexities of history. His unique blend of magical realism, historical events, and philosophical musings has created a distinctive body of work that continues to captivate readers.
Aira's legacy extends beyond his literary contributions; he has inspired generations of writers to experiment with language and form. As a writer, critic, and philosopher, César Aira has left an indelible mark on the world of literature.
Quotes by Cesar Aira
Cesar Aira's insights on:
I don’t know who explained this rule to me; maybe it was the product of my own speculations and fantasies. That would have been typical: I was always inventing stories and machinations to make sense of things I didn’t understand, and I understood almost nothing.
There is something dreamlike about the points that provide a view of the other side, but they belong not so much to the dreamtime as to dream work. The nomads enter the dreamtime not by setting off on some extraordinary, dangerous voyage, but through their everyday, ambulatory movement.
The greatness and efficacy of a magician is measured by his refusal to use magic. The true magician, the greatest, is the poorest and most unfortunate of all mortals. Because between his magic and his person forgetfulness takes shape, in the form of the world.
Changing the subject is one of the most difficult arts to master, the key to almost all the others.
Being a vanguardist has always meant, and will always mean, to not accept that the good is good and the bad is bad, and invent a new definition of what’s good and bad.
(...) Ante la burocracia somos todos extranjeros, (...) la burocracia es, en esencia (y en eso radica su utilidad), un código ajeno.
![O pátio [da prisão] era cercado de entradas e saídas. Não dava a impressão de hermetismo, como se deveria esperar. É inevitável que se tenha uma ideia romântica de uma prisão, embora, como era o meu caso, não soubesse o que era o romantismo. Nem uma prisão, para ser sincera. Esta passava uma sensação de realismo exacerbada e destruidora; as ideias prévias, embora não as tivesse, ruíam.](/_vercel/image?url=https:%2F%2Flakl0ama8n6qbptj.public.blob.vercel-storage.com%2Fquotes%2Fquote-838442.png&w=1536&q=100)
O pátio [da prisão] era cercado de entradas e saídas. Não dava a impressão de hermetismo, como se deveria esperar. É inevitável que se tenha uma ideia romântica de uma prisão, embora, como era o meu caso, não soubesse o que era o romantismo. Nem uma prisão, para ser sincera. Esta passava uma sensação de realismo exacerbada e destruidora; as ideias prévias, embora não as tivesse, ruíam.
![Delia Siffoni já era louca, e o desaparecimento de seu filho único a deixou louca. Entrou num frenesi. Espetáculo prodigioso, cartão-postal perene, cinema transcendental, cena das cenas: ver uma louca ficar louca. É como ver Deus.[...]](/_vercel/image?url=https:%2F%2Flakl0ama8n6qbptj.public.blob.vercel-storage.com%2Fquotes%2Fquote-809159.png&w=1536&q=100)
Delia Siffoni já era louca, e o desaparecimento de seu filho único a deixou louca. Entrou num frenesi. Espetáculo prodigioso, cartão-postal perene, cinema transcendental, cena das cenas: ver uma louca ficar louca. É como ver Deus.[...]
A few birds flew out from the mountains and glided for a while without sound. Standing out against the sky on high slopes beyond a range of low hills, they saw an endless herd of deer, rendered mute by distance. The landscape was reminiscent of a cardboard cutout, but on a huge scale, which gave the impression they were the ones who had become miniatures…All three of them were equally lost.