Charlotte Rampling
Charlotte Rampling
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Full Name and Common Aliases
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Stéphanie Delmas
Charlotte Rampling is a common alias; Stéphanie is her given name.
Birth and Death Dates
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Born: 5 May 1946
No verified date of death exists in the public domain.
Nationality and Profession(s)
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Nationality: British, French, and South African
Profession: Actress, Model, Singer
Charlotte Rampling is a multifaceted artist known for her work in film, television, and music. Born in Sturmer, England, she began modeling at the age of 15 to support her family after her parents' divorce.
Early Life and Background
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Growing up amidst poverty and instability had a profound impact on Rampling's early life. Her mother, Isabel Ann Huckle, was a dancer and her father, Godfrey Louis Rampling, was an engineer in the British Army. The couple divorced when Charlotte was just five years old.
Major Accomplishments
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Won numerous awards for acting, including:
BAFTA Award (Best Actress) for _The Night Porter_ (1974)
César Award (Best Actress) for _Swimming Pool_ (2003)
Volpi Cup (Best Actress) at the 2015 Venice Film Festival for _As You Like It_
Nominated for several other prestigious awards
Inducted into the Order of the British Empire in 2000 for services to drama
Notable Works or Actions
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Rampling's extensive filmography includes:
_The Damned_ (1969)
_Farewell, My Lovely_ (1975)
_The Night Porter_ (1974)
_Stardust Memories_ (1980)
_Swimming Pool_ (2003)
_Melancholia_ (2011)
Impact and Legacy
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Charlotte Rampling's contributions to the arts are undeniable. Her work has inspired countless actors, models, and artists worldwide.
Why They Are Widely Quoted or Remembered
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Rampling's captivating presence on screen, combined with her ability to convey complex emotions through subtle expressions, has made her a beloved figure in the entertainment industry.
Quotes by Charlotte Rampling
Charlotte Rampling's insights on:

I felt very special in Paris, more special than I felt in London. I love London for different reasons. I've always been close to London, being English. But somehow, there's something special about living as an Englishwoman in Paris.

I am fascinated by the whole process of what it's like to be alive, whether it's unbelievably uncomfortable and horrible or whether it's quite nice.

European films were what it was about for me - the sensations I needed, the depth, the storytelling, the characters, the directors, and the freedom that you can't really find in American films.

I'd had a French education for three years, my father being in the army. From 9 to 12, I went to French school. I've been sort of part of the culture, part of the geography, since I was quite young - the imprint was there.

Quite often in life, when a tragic event arrives it becomes a springboard for mirroring all other things in one's life that one hasn't come to terms with.

If words don't have vibration behind them, and a real feeling behind them, then they're just words.

A lot of young actors will do a scene and then run off and look at themselves. I don't believe in that at all.

French women have been made beautiful by the French people - they're very aware of their bodies, the way they move and speak, they're very confident of their sexuality. French society's made them like that.

A film based on a jolly good John Grisham book is fine, but I like to get a bit under the skin.
