Cherry Jones
Cherry Jones
#### Full Name and Common Aliases
Cherry Jones is the full name of this celebrated American actress.
#### Birth and Death Dates
Born on January 21, 1956 (no death date listed)
#### Nationality and Profession(s)
American; Actress
#### Early Life and Background
Cherry Jones was born in Paris, Tennessee. Her family relocated to Atlanta when she was young, where she developed an interest in the performing arts. She attended the University of Florida and later received a Master of Fine Arts degree from the Yale School of Drama.
#### Major Accomplishments
Jones' breakthrough role came in 2000 as President Josiana Maria Rizi on Broadway's _The Glory of Living_. Her portrayal earned her a Tony Award nomination for Best Featured Actress. She has since appeared in numerous stage productions, including _Spamalot_ and _A View from the Bridge_, earning multiple Tony nominations throughout her career.
#### Notable Works or Actions
In addition to her work on Broadway, Jones is also known for her film roles. Some of her notable performances include _Silkwood_ (1983), _Erin Brockovich_ (2000), and _The Village_ (2004). She has also made appearances in television shows such as _Desperate Housewives_, _24_, and _Masters of Sex_. Her portrayal of President Leslie Abbott on the HBO series _Succession_ earned her an Emmy nomination.
#### Impact and Legacy
Throughout her career, Cherry Jones has been recognized for her powerful performances. She is a Tony Award winner, earning the award for Best Actress in 2005 for her role as Hannah Pitt in _Angels in America_. Her work continues to inspire audiences worldwide.
#### Why They Are Widely Quoted or Remembered
Cherry Jones' commitment to her craft and her dedication to portraying strong female characters have made her a beloved figure in the entertainment industry. Her performances continue to be widely recognized, making her one of the most respected actresses of our time.
Quotes by Cherry Jones
If you want to have more options as an actor, you just need to watch your weight, and I've ignored that fact for several years quite happily. Now the chicks have come home to roost.
I'm one of those lazy actors; I like to take what the playwright wrote and work with that.
As an actor, whether you look good or you don't, it's still about what you look like: Whether you are heavy enough to play this part or thin enough to play that part. The fact of the matter is, you can add a little weight with some extra padding, but you can't shave it off.
After 30 years in the theater, I'm used to having a great amount of control over what I do. But with '24', you place your character's life in the writers' hands, and you have no idea what's going to happen until you're sent the next pages.
Sometimes the hardest part I think for actors on '24' is some of the jargon and getting the ideas and the thoughts and the information out quickly enough and succinctly enough and clearly enough.
I think there's something about being absolutely at the height of intensity at almost every moment of one's job that makes it a lot easier if you don't have time to think much, just sort of barrel through the next crisis.
I went to see 'The Piano' with Holly Hunter when I was in a Paula Vogel play, and I was just gone. I couldn't focus at all. It took that creative part of my brain with it so absolutely.
If you can find the courage, if you have in your heart even the slightest bit of rebellion against injustice, maybe you can channel that and become a leader.
I went to see The Piano with Holly Hunter when I was in a Paula Vogel play, and I was just gone. I couldnt focus at all. It took that creative part of my brain with it so absolutely.