Christelle Dabos
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Full Name and Common Aliases


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Christelle Dabos is a French writer of science fiction and fantasy novels.

Birth and Death Dates


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Born on May 9, 1978, in France.

Nationality and Profession(s)


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French author, specializing in science fiction and fantasy genres.

Early Life and Background


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Christelle Dabos grew up in a family that fostered her love for reading. Her parents encouraged her to explore various literary styles, which eventually led her to develop a passion for the speculative fiction genre. Born into a French-speaking environment, Dabos's writing often reflects her cultural heritage.

Major Accomplishments


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Dabos has gained recognition in the science fiction and fantasy community with her debut novel Les Ys (2015). The book launched her career as an author of speculative fiction, earning critical acclaim for its imaginative storyline and unique blend of French culture. Her subsequent novels have further solidified her position within the genre.

Notable Works or Actions


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Dabos's notable works include:

Les Ys (2015): A science fiction novel that explores themes of identity, humanity, and self-discovery in a futuristic setting inspired by French culture.
L'Exil des Étoiles (2016): The second installment in the Les Oubliées du Royaume trilogy, continuing to delve into Dabos's imaginative world-building and character development.

Impact and Legacy


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Christelle Dabos has made a significant impact on the science fiction and fantasy genres. Her novels often address themes of identity, self-discovery, and social commentary, resonating with readers from diverse backgrounds. By incorporating elements of French culture into her stories, Dabos has helped to introduce new perspectives and ideas within the speculative fiction community.

Why They Are Widely Quoted or Remembered


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Christelle Dabos is widely recognized for her contributions to science fiction and fantasy literature. Her ability to craft engaging narratives that blend imaginative world-building with thought-provoking themes has made her a respected figure in the literary community. The quotes featured on this website offer insights into her creative process, her approach to storytelling, and the impact of her work on readers.

By reading the quotes provided, you can gain a deeper understanding of Christelle Dabos's vision as an author and her commitment to pushing the boundaries of speculative fiction.

Quotes by Christelle Dabos

The first time I saw you, I formed a very poor opinion of you. I thought you had no common sense and no character, and wouldn't make it to the marriage. That would forever remain the biggest mistake of my life.
"
The first time I saw you, I formed a very poor opinion of you. I thought you had no common sense and no character, and wouldn't make it to the marriage. That would forever remain the biggest mistake of my life.
Oh, and by the way, I love you.
"
Oh, and by the way, I love you.
Un ami est une route, un ennemi est un mur.
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Un ami est une route, un ennemi est un mur.
I think I’m starting to get used to you
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I think I’m starting to get used to you
Es heißt oft, alte Behausungen hätten eine Seele. Auf der Arche Anima, wo Dinge ein Eigenleben führen, neigen die alten Häuser vor allem dazu, furchtbar schrullig zu werden.
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Es heißt oft, alte Behausungen hätten eine Seele. Auf der Arche Anima, wo Dinge ein Eigenleben führen, neigen die alten Häuser vor allem dazu, furchtbar schrullig zu werden.
At what moment?" she asked him. "At what moment do we cease to be humans and become objects?"Blaise continued to make his way in silence, carrying the lamp at arm's length to spread its light as far as possible. When he finally replied, it was in a different voice from usual, deeper, calmer, and without the slightest stutter: "Some humans are objects while they're alive, Mademoiselle Eulalia.
"
At what moment?" she asked him. "At what moment do we cease to be humans and become objects?"Blaise continued to make his way in silence, carrying the lamp at arm's length to spread its light as far as possible. When he finally replied, it was in a different voice from usual, deeper, calmer, and without the slightest stutter: "Some humans are objects while they're alive, Mademoiselle Eulalia.
I've been reading all sorts of objects for years, and yet I feel as if I know nothing. An Earth shattered to pieces. Deliberately forgetful family spirits. Indecipherable Books. You.
"
I've been reading all sorts of objects for years, and yet I feel as if I know nothing. An Earth shattered to pieces. Deliberately forgetful family spirits. Indecipherable Books. You.
- Ils sont tous morts.- Personne n'est mort.- Alors pourquoi ne reviennent-ils jamais?
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- Ils sont tous morts.- Personne n'est mort.- Alors pourquoi ne reviennent-ils jamais?
A proposito: vi amo.
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A proposito: vi amo.
Quando gli ematomi si fossero riassorbiti e l'artigliata di Freya si fosse trasformata in cicatrice, Ofelia avrebbe rivisto il viso che conosceva. Lo sguardo però, non sarebbe più stato come prima. A forza di vedere illusioni aveva perso le proprie, e andava bene così. Quando le illusioni spariscono rimane solo la verità.
"
Quando gli ematomi si fossero riassorbiti e l'artigliata di Freya si fosse trasformata in cicatrice, Ofelia avrebbe rivisto il viso che conosceva. Lo sguardo però, non sarebbe più stato come prima. A forza di vedere illusioni aveva perso le proprie, e andava bene così. Quando le illusioni spariscono rimane solo la verità.
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