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Chuck Mangione


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Full Name and Common Aliases

Chuck Mangione's full name is Charles Edward Mangione. He is also known as "The Prince of the Flugelhorn" for his virtuosic skills on the instrument.

Birth and Death Dates

Born on November 19, 1940, in Rochester, New York, Chuck Mangione passed away on December 13, 2021.

Nationality and Profession(s)

Chuck Mangione was an American jazz flugelhorn player, composer, arranger, and producer. He is a prominent figure in the jazz world, known for his distinctive sound and versatility.

Early Life and Background

Growing up in Rochester, New York, Chuck Mangione began playing the trumpet at age 8. He started performing professionally at 13 and attended Berklee College of Music on a full scholarship. During this time, he formed the band The Jazz Brothers with his brother Gap Mangione.

Major Accomplishments

Throughout his illustrious career, Mangione has achieved numerous accolades:

He won two Grammy Awards for Best Instrumental Composition for "Feels So Good" in 1978 and "Children of Sanchez" in 1980.
Chuck's music often featured on the Billboard charts, with hits like "Feels So Good," "Copacabana," and "Bellavia."
Mangione has performed at renowned venues such as Carnegie Hall, Royal Albert Hall, and Lincoln Center.

Notable Works or Actions

Some of Mangione's notable works include:

Feels So Good: This iconic song became a huge success in 1978, topping the Billboard charts for five weeks.
Children of Sanchez: A jazz concerto album that showcases Mangione's ability to blend classical and jazz elements.
The Chuck Mangione Quartet: He formed this group with top musicians from around the world, creating innovative and eclectic music.

Impact and Legacy

Chuck Mangione has had a profound impact on the jazz scene. His contributions include:

Breaking genre barriers: Mangione's fusion of jazz, classical, and pop styles paved the way for future generations of musicians.
Inspiring new talent: Chuck mentored many aspiring artists, including his own children, who followed in his footsteps as musicians.
Shaping the sound of jazz: His unique voice on the flugelhorn expanded the possibilities of the instrument and inspired others to explore new sounds.

Why They Are Widely Quoted or Remembered

Chuck Mangione is widely quoted and remembered for his:

Innovative spirit: He continually pushed the boundaries of what was possible in jazz, creating a rich legacy.
Iconic music: Classics like "Feels So Good" remain deeply ingrained in popular culture, symbolizing the best of 1970s jazz.
Enduring influence: Chuck's impact on contemporary musicians is evident in the continued evolution of jazz, with many artists citing him as an inspiration.

As a true pioneer and master of his craft, Chuck Mangione will continue to be celebrated for generations to come.

Quotes by Chuck Mangione

I can count on one hand the number of instrumental hits there have been over the last ten years.
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I can count on one hand the number of instrumental hits there have been over the last ten years.
1972 was a year of many pleasant and rewarding experiences for me:
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1972 was a year of many pleasant and rewarding experiences for me:
I find it very difficult to compose when I’m not playing.
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I find it very difficult to compose when I’m not playing.
Not compromising the music, but there is a way, by just showing the people that you’re sincere and honest with what you’re doing, and by talking to them.
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Not compromising the music, but there is a way, by just showing the people that you’re sincere and honest with what you’re doing, and by talking to them.
Not with the Rochester Philharmonic, but I formed my own orchestra, made up of musicians from the Eastman School, where I’m on the faculty now, direct the Jazz Ensemble and teach improvisation classes.
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Not with the Rochester Philharmonic, but I formed my own orchestra, made up of musicians from the Eastman School, where I’m on the faculty now, direct the Jazz Ensemble and teach improvisation classes.
There’s not much in the way of written-down arrangements – just things that Gerry and I have worked out, from playing spontaneously together and hanging on to whatever seems to fall in right.
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There’s not much in the way of written-down arrangements – just things that Gerry and I have worked out, from playing spontaneously together and hanging on to whatever seems to fall in right.
I don’t believe music can be free unless it has something to be free from.
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I don’t believe music can be free unless it has something to be free from.
1972 was a year of many pleasant and rewarding experiences for me.
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1972 was a year of many pleasant and rewarding experiences for me.
With four people you can create one very strong kind of energy, but if you can get 65 people working together, and swinging together, that’s a whole other kind of energy.
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With four people you can create one very strong kind of energy, but if you can get 65 people working together, and swinging together, that’s a whole other kind of energy.
Whether it’s string writing or whatever, I try to write for what each instrumentalist can do best.
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Whether it’s string writing or whatever, I try to write for what each instrumentalist can do best.
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