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Clamp

95quotes

Clamp: A Legendary Manga Artist and Writer


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Full Name and Common Aliases

Mokona Apapa, also known as Mokona, is the pen name of Satsuki Igarashi, a Japanese manga artist, writer, and character designer. She is best known for co-founding the manga collective Clamp with three other artists: Nanase Ohkawa, Mick Nekoi, and Ramu.

Birth and Death Dates

Born on May 16, 1974, in Yokohama, Japan, Satsuki Igarashi is still alive. As a founding member of Clamp, she has been active in the manga industry for over three decades.

Nationality and Profession(s)

Japanese, Manga Artist, Writer, Character Designer

Early Life and Background

Satsuki Igarashi was born into an artistic family, with her mother being a painter. Her early exposure to art and creativity likely influenced her decision to pursue a career in manga. After high school, she began attending the Tokyo Animation College, where she met Nanase Ohkawa, Mick Nekoi, and Ramu, who would later become her partners in Clamp.

Major Accomplishments

Clamp's breakthrough series, Cardcaptor Sakura, debuted in 1996 and became a massive hit worldwide. The manga was adapted into an anime series, which further solidified the group's reputation as one of Japan's most talented and innovative manga studios. Throughout her career with Clamp, Igarashi has been involved in numerous critically acclaimed titles, including X/1999, Magic Knight Rayearth, and Tsubasa: Reservoir Chronicle.

Notable Works or Actions

As a key member of Clamp, Satsuki Igarashi has contributed to many notable works. Her distinctive art style, which often features ethereal landscapes and intricate character designs, has become a hallmark of the collective's signature aesthetic. Some of her most notable contributions include:

Cardcaptor Sakura: As a co-creator and artist on this beloved series, Igarashi helped shape its magical girl narrative and memorable characters.
X/1999: This fantasy adventure manga showcased Igarashi's ability to balance action, drama, and romance in a sprawling epic.

Impact and Legacy

Clamp's influence on the global manga market cannot be overstated. Their innovative storytelling, striking artwork, and memorable characters have inspired countless artists and writers worldwide. Satsuki Igarashi's contributions to Clamp's success have helped pave the way for future generations of manga creators. Her dedication to pushing boundaries and exploring new themes has left an indelible mark on the medium.

Why They Are Widely Quoted or Remembered

As one of Japan's most respected and celebrated manga artists, Satsuki Igarashi is widely recognized for her:

Innovative storytelling: Clamp's unique blend of fantasy, adventure, and romance has captivated audiences globally.
Artistic vision: Igarashi's distinctive style has been emulated by countless fans and fellow artists.
* Impact on the industry: Clamp's influence can be seen in many modern manga titles, cementing their legacy as pioneers in the field.

With a career spanning over three decades, Satsuki Igarashi continues to inspire and captivate audiences with her work. As a testament to her enduring impact, Clamp remains one of Japan's most beloved and respected manga studios, and Igarashi's contributions will be remembered for generations to come.

Quotes by Clamp

Clamp's insights on:

One becomes very strong when one abandons all one’s doubts.
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One becomes very strong when one abandons all one’s doubts.
The power of your will is everything.
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The power of your will is everything.
Doing or not doing something – they are similar. Both involve an action and sincerity.
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Doing or not doing something – they are similar. Both involve an action and sincerity.
You can’t deceive me with a dream.
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You can’t deceive me with a dream.
You can’t know now what the results will be in the future. So for now, don’t even think about it. Think about what you want to do and what you can do. That’s very different from ‘running away’. What do you want to do?
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You can’t know now what the results will be in the future. So for now, don’t even think about it. Think about what you want to do and what you can do. That’s very different from ‘running away’. What do you want to do?
Chi... only wants one person. Just one person... the “someone just for me.” No one but the “someone just for me” can touch me.
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Chi... only wants one person. Just one person... the “someone just for me.” No one but the “someone just for me” can touch me.
Even if we are different from each other, as long as I can be with her and create happiness for two people with her, then that’s enough for me.
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Even if we are different from each other, as long as I can be with her and create happiness for two people with her, then that’s enough for me.
You starving street waif! No, you’re too old to be a waif! You starving high-school-aged waif!
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You starving street waif! No, you’re too old to be a waif! You starving high-school-aged waif!
This isn’t the kind of story where understanding makes you smart, or not understanding makes you dumb.
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This isn’t the kind of story where understanding makes you smart, or not understanding makes you dumb.
This city will have no unhappy people. It’s the special city that has the someone just for me.
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This city will have no unhappy people. It’s the special city that has the someone just for me.
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