Colley Cibber
Colley Cibber
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Full Name and Common Aliases
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Colley Cibber was born on March 10, 1671, in London, England. He is commonly known as Charles Colle Cibber, but the variant Colly Cibber is also used.
Birth and Death Dates
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Born: March 10, 1671
Died: February 6, 1757
Nationality and Profession(s)
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Cibber was an English actor, playwright, theatre manager, and painter. He is considered one of the most notable figures in the Restoration period of English history.
Early Life and Background
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Colley Cibber's father, Thomas Cibber, was a stonemason, while his mother came from a family of modest means. Although they were not wealthy, Colley's parents recognized their son's artistic talent at an early age and encouraged him to develop it.
Cibber received his initial training in painting from his uncle, James Thornhill, who was a notable painter in his own right. However, Cibber soon turned his attention to acting, joining the Duke's Theatre Company (later known as Drury Lane) around 1696.
Major Accomplishments
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During his long and distinguished career, Colley Cibber made significant contributions to English theatre. As an actor, he was celebrated for his impressive range, commanding performances in both comedic and tragic roles. He also directed many productions and managed the Drury Lane Theatre from 1696 until his retirement in 1720.
Some of his most notable accomplishments include:
Leading Actor at Drury Lane: Cibber held this prestigious position for over two decades, during which time he established himself as one of England's leading actors.
Prolific Playwright: Colley Cibber wrote numerous plays and adaptations throughout his career. His works were often performed at the Theatre Royal, Drury Lane.
Theatre Manager: As the manager of Drury Lane, Cibber was instrumental in shaping the theatre's repertoire and contributing to its success.Notable Works or Actions
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Cibber's notable works include:
_Xerxes_ (1731): A tragic play that is often cited as an example of Cibber's mastery of dramatic language.
* _The Lady's Revenge_ (1691): A comedy that showcases his ability to craft engaging, comedic roles.
Impact and Legacy
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Colley Cibber's impact on English theatre extends far beyond his own performances. As a leading figure in the Restoration period, he played a significant role in shaping the development of English drama. His influence can be seen in the works of later playwrights and actors, including David Garrick.
Cibber's legacy is also evident in the numerous references to him in literature and art. Samuel Johnson's _The Lives of the Most Eminent English Poets_ contains a biographical sketch of Cibber, while other notable writers like Alexander Pope have referenced him in their works.
Why They Are Widely Quoted or Remembered
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Colley Cibber is widely remembered and quoted due to his significant contributions to English theatre. His impressive range as an actor, director, and playwright earned him widespread recognition during his lifetime. The numerous references to him in literature and art have further cemented his place in the public imagination.
Today, Cibber remains a celebrated figure in the world of theatre and art history. His legacy continues to inspire new generations of actors, writers, and artists.
Quotes by Colley Cibber

The aspiring youth that fired the Ephesian domeOutlives in fame the pious fool that rais’d it.

I’ve lately had two spiders Crawling upon my startled hopes – Now though thy friendly hand has brushed ’em from me, Yet still they crawl offensive to mine eyes: I would have some kind friend to tread upon ’em.

Oh, say! what is that thing call’d light, Which I must ne’er enjoy? What are the blessings of the sight? Oh, tell your poor blind boy!

It takes time for the absent to assume their true shape in our thoughts. After death they take on a firmer outline and then cease to change.

Tea! Thou soft, thou sober, sage, and venerable liquid, thou innocent pretence for bringing the wicked of both sexes together in a morning; thou female tongue-running, smile-smoothing, heart-opening, wink-tipping cordial, to whose glorious insipidity I owe the happiest moment of my life, let me fall prostrate thus, and adore thee.




