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Conrad Aiken

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Conrad Aiken
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Full Name and Common Aliases


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Born on August 8, 1889, in Savannah, Georgia, Conrad Potter Aiken was an American poet, novelist, critic, and playwright. He is often referred to as a key figure in the Imagist movement.

Birth and Death Dates


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August 8, 1889 – April 17, 1973

Nationality and Profession(s)


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Aiken's nationality is American, and he worked primarily as a poet, novelist, critic, and playwright. His writing spanned multiple genres, making him one of the most versatile writers of his time.

Early Life and Background


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Aiken's early life was marked by tragedy when his mother passed away when he was just eight years old. He spent much of his childhood in Savannah with relatives before moving to Boston with his father. This tumultuous upbringing would later influence his writing, often exploring themes of loss and identity.

Aiken's interest in literature began at an early age, and he started writing poetry while still a teenager. By the time he was 20, he had already published several collections of poetry. His work caught the attention of notable writers like William Butler Yeats, who would later become a close friend and mentor.

Major Accomplishments


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Conrad Aiken's writing career spanned over six decades, during which he made significant contributions to various literary movements. Some of his most notable accomplishments include:

Being appointed as the first Poet Laureate Consultant in Poetry to the Library of Congress (1950-1952), a position that would later be renamed Poet Laureate
Publishing several collections of poetry, including _Punch: Brothers, Punch!_ and _Earth Triumphant_
Writing novels like _No Sad Song_ and _The Great Blue_

Notable Works or Actions


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Some of Aiken's most notable works include:

"Savannah" (1914), a collection of poetry that explores themes of loss, identity, and the American South
"Earth Triumphant" (1931), a novel that delves into issues of morality, love, and redemption
"No Sad Song" (1925), a novel that follows the life of a young musician struggling to find his place in the world

Impact and Legacy


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Conrad Aiken's impact on American literature is undeniable. His work not only influenced the Imagist movement but also paved the way for future generations of writers. His appointment as Poet Laureate Consultant in Poetry marked an important milestone, solidifying his position as a leading figure in American poetry.

Aiken's writing often explored themes of loss, identity, and morality, resonating deeply with readers. His legacy extends beyond his own work to the many writers he influenced throughout his career.

Why They Are Widely Quoted or Remembered


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Conrad Aiken is widely quoted or remembered for several reasons:

His contributions to the Imagist movement: Aiken's emphasis on clear, concise language and precise imagery paved the way for future generations of poets.
His exploration of complex themes: Aiken's writing often delved into difficult subjects like loss, identity, and morality, making him a relatable and thought-provoking figure in American literature.
* His influence on other writers: Aiken's mentorship and friendships with notable writers like William Butler Yeats and Robert Frost demonstrate his significance as a literary figure.

Quotes by Conrad Aiken

Conrad Aiken's insights on:

Before him, numberless lovers smiled and talked. And death was observed with sudden cries, And birth with laughter and pain. And the trees grew taller and blacker against the skies And night came down again.
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Before him, numberless lovers smiled and talked. And death was observed with sudden cries, And birth with laughter and pain. And the trees grew taller and blacker against the skies And night came down again.
One is least sure of one’s self, sometimes, when one is most positive.
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One is least sure of one’s self, sometimes, when one is most positive.
The truth – a hideous spectacle!
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The truth – a hideous spectacle!
Life is the thing – the song of life – The eager plow, the thirsty knife!
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Life is the thing – the song of life – The eager plow, the thirsty knife!
No god save self, that is the way to live...
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No god save self, that is the way to live...
For in this walk, this voyage, it is yourself, the profound history of your ‘self,’ that now as always you encounter.
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For in this walk, this voyage, it is yourself, the profound history of your ‘self,’ that now as always you encounter.
All that is beautiful, and all that looks on beauty with eyes filled with fire, like a lover’s eyes: all of this is yours; you gave it to me, sunlight! all these stars are yours; you gave them to me, skies!
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All that is beautiful, and all that looks on beauty with eyes filled with fire, like a lover’s eyes: all of this is yours; you gave it to me, sunlight! all these stars are yours; you gave them to me, skies!
All lovely things will have an ending, all lovely things will fade and die; and youth, that’s now so bravely spending, Will beg a penny by and by.
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All lovely things will have an ending, all lovely things will fade and die; and youth, that’s now so bravely spending, Will beg a penny by and by.
The hiss was now becoming a roar – the whole world was a vast moving screen of snow – but even now it said peace, it said remoteness, it said cold, it said sleep.
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The hiss was now becoming a roar – the whole world was a vast moving screen of snow – but even now it said peace, it said remoteness, it said cold, it said sleep.
It’s time to make love, douse the glim; The fireflies twinkle and dim; The stars lean together Like birds of a feather, And the loin lies down with the limb.
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It’s time to make love, douse the glim; The fireflies twinkle and dim; The stars lean together Like birds of a feather, And the loin lies down with the limb.
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