Cristina Henriquez


Biography of a Renowned Author and Screenwriter

Full Name and Common Aliases


Cristina Henriquez is a renowned American author and screenwriter, best known for her work in the literary world. Her full name is Cristina Isabel Henriquez.

Birth and Death Dates


Born on 1976 in Lima, Peru, to an American mother and Peruvian father, Henriquez's unique cultural background has had a profound impact on her writing style.

Nationality and Profession(s)


Henriquez holds dual citizenship of the United States and Peru. As a writer, she is primarily known for her literary fiction and short stories, which often explore themes related to identity, culture, and family dynamics.

Early Life and Background


Growing up in Lima and later moving to New York City with her family at a young age, Henriquez's experiences navigating different cultures have greatly influenced her writing. She developed an interest in literature and storytelling from an early age, which eventually led her to pursue a career as a writer.

Major Accomplishments


Henriquez's literary accomplishments include publishing several novels, including The Book of Unknown Americans, Cotillion, and The Book of Nightmares. Her writing has been praised for its vivid portrayal of Latin American culture and the immigrant experience in America.

Notable Works or Actions


In addition to her novels, Henriquez has written numerous short stories that have appeared in various literary journals and magazines. She is also known for her work as a screenwriter, having contributed to several television shows and films.

Impact and Legacy


Henriquez's writing has had a significant impact on the literary world, particularly among readers of diverse backgrounds who see themselves reflected in her characters and stories. Her works often explore themes of identity, culture, and belonging, which resonate with many readers worldwide.

Why They Are Widely Quoted or Remembered


Cristina Henriquez is widely quoted and remembered for her insightful commentary on the immigrant experience, as well as her nuanced portrayal of Latin American culture in America. Her writing often challenges stereotypes and provides a unique perspective on the complexities of identity and belonging.

As a celebrated author and screenwriter, Cristina Henriquez's contributions to literature and entertainment have made a lasting impact on readers and audiences worldwide. Through her works, she continues to share her unique voice and perspective with the world, inspiring new generations of writers and artists.

Quotes by Cristina Henriquez

And I would discover how much of life is defined by what you want to keep and what you are forced to lose.
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And I would discover how much of life is defined by what you want to keep and what you are forced to lose.
Contigo la milpa es rancho y el atole champurrado.
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Contigo la milpa es rancho y el atole champurrado.
People say things all the time with the best of intentions but it’s so easy not believe the words that come out of your own mouth.
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People say things all the time with the best of intentions but it’s so easy not believe the words that come out of your own mouth.
You have to believe that you’re entitled to happiness.
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You have to believe that you’re entitled to happiness.
Armando’s not a pork chop, I say. She shrugs. At least a pork chop would feed you.
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Armando’s not a pork chop, I say. She shrugs. At least a pork chop would feed you.
It was as if, when her father spoke, her mother looked at him and saw a little goldfish, popping open his mouth over and over again but making no sound. And when her mother spoke, her father looked and saw a piranha doing the same thing.
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It was as if, when her father spoke, her mother looked at him and saw a little goldfish, popping open his mouth over and over again but making no sound. And when her mother spoke, her father looked and saw a piranha doing the same thing.
And then again, maybe people and things are the same as emotions: Even when you can’t see them or feel them or be with them, and even when they have died and even before they are born, they still exist somewhere. Far away or close, they’re always somewhere. Maybe nothing in the world is truly lost, I think.
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And then again, maybe people and things are the same as emotions: Even when you can’t see them or feel them or be with them, and even when they have died and even before they are born, they still exist somewhere. Far away or close, they’re always somewhere. Maybe nothing in the world is truly lost, I think.
Sometimes I think I would rather just remember it in my head, all those streets and the places I loved. The way it smelled of car exhaust and sweet fruit. The thickness of the heat. The sound of dogs barking in alleyways. That’s the Panama I want to hold on to. Because a place can do many things against you, and if it’s your home or if it was your home at one time, you still love it. That’s how it works.
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Sometimes I think I would rather just remember it in my head, all those streets and the places I loved. The way it smelled of car exhaust and sweet fruit. The thickness of the heat. The sound of dogs barking in alleyways. That’s the Panama I want to hold on to. Because a place can do many things against you, and if it’s your home or if it was your home at one time, you still love it. That’s how it works.
What kind of place required a man to work all day without being allowed to eat or drink? There had to be rules, didn’t there? This was America, after all.
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What kind of place required a man to work all day without being allowed to eat or drink? There had to be rules, didn’t there? This was America, after all.
Physical nearness does not necessarily breed intimacy.
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Physical nearness does not necessarily breed intimacy.
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