Cristina Peri Rossi


#### Full Name and Common Aliases
Cristina Peri Rossi is a Uruguayan-Italian writer, poet, and novelist known for her contributions to feminist literature.

Birth and Death Dates


Born on December 12, 1941, in Montevideo, Uruguay. No public records of death are available as she is still active.

Nationality and Profession(s)


Uruguayan-Italian national; writer, poet, and novelist.

Early Life and Background


Cristina Peri Rossi's early life was marked by a strong family influence that fostered her love for literature. Her parents were both intellectuals who valued education highly. She developed an interest in reading at an early age and went on to study law but eventually transitioned to literature as her primary focus.

Major Accomplishments


Some of Cristina Peri Rossi's notable accomplishments include being one of the founders of the magazine _El Ojo del Lago_, a publication that became a platform for feminist voices. Her work is characterized by its exploration of themes such as identity, politics, and personal relationships from a feminist perspective.

Notable Works or Actions


Cristina Peri Rossi has published several novels, including "_Final Report on the Erosion Concerning Orestes Azaria_," which won the prestigious _Premio Cervantes_ in 1999. Her work often explores themes of identity, particularly focusing on women's experiences.

Impact and Legacy


Cristina Peri Rossi has had a significant impact on feminist literature worldwide with her bold writing style that challenges societal norms. She is remembered for using her platform to advocate for women's rights and provide a voice for marginalized communities through her work.

Why They Are Widely Quoted or Remembered


Cristina Peri Rossi is widely quoted and remembered for her powerful advocacy of feminist causes and the unique perspective she brings to literature, making her one of the most significant voices in contemporary Uruguayan-Italian writing.

Quotes by Cristina Peri Rossi

We know nothing about those we love, except our need of their presence.
"
We know nothing about those we love, except our need of their presence.
Cuando no se tiene un buen amante, es necesario tener un buen psicoanalista: igual que un buen abogado, o un buen dentista.
"
Cuando no se tiene un buen amante, es necesario tener un buen psicoanalista: igual que un buen abogado, o un buen dentista.
Cuando no se tiene un buen amante, es necesario tener un buen psicoanalista
"
Cuando no se tiene un buen amante, es necesario tener un buen psicoanalista
El lenguaje debió nacer así, de la pasión, no de la razón.
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El lenguaje debió nacer así, de la pasión, no de la razón.
Y está tristecomo una silla abandonadaen la mitad del patio azulLos pájaros la rodeanCae una agujaLas hojas resbalansin tocarlaY está tristeen mitad del patiocon la mirada bajalos pechos alicaídosdos palomas tardasY un collarsin perroen la manoComo una silla ya vacía.
"
Y está tristecomo una silla abandonadaen la mitad del patio azulLos pájaros la rodeanCae una agujaLas hojas resbalansin tocarlaY está tristeen mitad del patiocon la mirada bajalos pechos alicaídosdos palomas tardasY un collarsin perroen la manoComo una silla ya vacía.
our days are no different from the past, except in the number of tyrants, their systematic methods and the cold logic with which they lead the world to madness
"
our days are no different from the past, except in the number of tyrants, their systematic methods and the cold logic with which they lead the world to madness
We have all been exiled from something or someone. I think this is a human condition
"
We have all been exiled from something or someone. I think this is a human condition
when your foot rests on the unknown, your body quivers with metaphysical excitement
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when your foot rests on the unknown, your body quivers with metaphysical excitement
there are journeys from which one cannot return
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there are journeys from which one cannot return
the essence of some stories lies precisely in this: they do not change, but remain like citadels or lighthouses facing the irresistible assault of time
"
the essence of some stories lies precisely in this: they do not change, but remain like citadels or lighthouses facing the irresistible assault of time