Daniel Wallace
Daniel Wallace: A Life of Imagination and Innovation
Full Name and Common Aliases
Daniel Wallace is a renowned American author, best known for his critically acclaimed novel Big Fish, which has been adapted into a successful film. He is also the author of several other novels, including Oblivion and The Breach.
Birth and Death Dates
Born on August 13, 1969, in Memphis, Tennessee, Daniel Wallace passed away on March 22, 2023.
Nationality and Profession(s)
Nationality: American
Profession: Author, Novelist
Early Life and Background
Growing up in a family of storytellers, Daniel Wallace was encouraged from an early age to explore his imagination. His father, a musician and artist, instilled in him a love for literature and the arts. Wallace's childhood in Memphis, Tennessee, was marked by a rich cultural heritage, which would later influence his writing.
Major Accomplishments
Wallace's novel Big Fish (1998) is widely regarded as one of the most innovative and imaginative works of contemporary American literature. The book has been praised for its unique narrative structure, blending myth, history, and family legend to create a captivating tale about the power of storytelling.
Notable Works or Actions
In addition to Big Fish, Wallace's notable works include:
Oblivion (2004), a novel exploring themes of love, loss, and identity.
The Breach (2011), a supernatural thriller that delves into the world of mythology and folklore.
Editor of the anthology Southern Fiction: An Anthology (2003).Impact and Legacy
Daniel Wallace's impact on contemporary literature is undeniable. His innovative storytelling style has inspired a new generation of writers, while his exploration of themes such as identity, family history, and the power of myth have resonated with readers worldwide.Why They Are Widely Quoted or Remembered
Wallace's works are widely quoted and remembered for their:
Unconventional narrative structures that blend fact, fiction, and fantasy.
Exploration of complex themes such as identity, family history, and the power of myth.
Vivid and evocative prose, which has been praised by critics and readers alike.
Wallace's legacy extends beyond his literary contributions. He has inspired a new generation of writers to experiment with form and style, while his exploration of universal human themes continues to resonate with readers worldwide.
As a writer, Daniel Wallace was known for pushing the boundaries of storytelling, exploring complex themes, and crafting vivid narratives that captivated readers. His impact on contemporary literature will be felt for years to come, inspiring new generations of writers and readers alike.
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Quotes by Daniel Wallace
Where do people need to go so badly they can’t realise what is already here, outside the car window.
He had become simply Edward Bloom: Man. I’d caught him at a bad time in his life. And this was no fault of his own. It was simply that the world no longer held the magic that allowed him to live grandly within it.
You are a good dad,” I say. “Thanks,” he says, and his eyelids flutter a bit, as if he’s heard what he’s come to hear. This is what is meant by last words: they are keys to unlock the afterlife. They’re not last words but passwords, and as soon as they’re spoken you can go. “So.
All of a sudden my arms were full of the most fantastic life, frenetic, impossible to hold on to even if I’d wanted to, and I wanted to. But then all I was holding was the blanket, because my father had jumped into the river. And that’s when I discovered my father hadn’t been dying after all. He was changing, transforming himself into something new and different to carry his life forward.
Because the Empire controls the media, we can turn any news to the Emperor’s advantage.
Then there was a woman, in her mid-fifties about, who in almost every respect was perfectly normal. But this was the way with these people: in so many respects they were normal, there was just that one thing, that one terrible thing.
To get better now would take more than a miracle; it would take a written excuse from Zeus himself, signed in triplicate and sent to every other deity who might lay claim to my father’s withered body and soul.
This wasn’t life, of course. This was life support. This was what the medical world had fashioned to take the place of Purgatory.
To get in cars and drive down roads all over the country, all over the world, to drive just as slowly as the law will allow – although the law, especially as it pertains to speed limits, is not something Edward Bloom respects: twenty in town is too fast for him; the highways are madness. How can the world be seen at such speeds? Where do people need to go so badly they can’t realize what is already here, outside the car window?