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Danielle Evans

37quotes

Danielle Evans


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Full Name and Common Aliases


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Danielle Evans is an American writer known for her short stories, novels, and essays that explore themes of identity, morality, and the human condition.

Birth and Death Dates


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Born in 1985, Danielle Evans' exact birthdate is not publicly available. As a living author, there is no recorded date of death.

Nationality and Profession(s)


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Evans holds American nationality and works as a writer, educator, and literary critic. She has taught creative writing at various institutions and has been featured in prominent publications for her essays on literature and culture.

Early Life and Background


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Danielle Evans grew up in Baltimore, Maryland, where she developed an interest in storytelling through reading and writing. Her experiences as a young African American woman in the city would later influence her work, which often explores themes of identity, community, and social justice. After high school, Evans pursued higher education at the University of South Carolina and later earned her MFA from the Iowa Writers' Workshop.

Major Accomplishments


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Evans has made significant contributions to American literature through her writing and teaching. Her debut short story collection, Before You Suffocate Your Own Fool Self, received critical acclaim upon its release in 2010. The book was praised for its nuanced portrayal of Black life, love, and family dynamics.

In addition to her literary achievements, Evans has also been recognized for her commitment to education and community engagement. She has led writing workshops for underrepresented groups and has spoken at various conferences about the importance of diversity in literature.

Notable Works or Actions


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Evans' work is characterized by its lyrical prose, complex characters, and unflinching exploration of difficult themes. Her stories often blend elements of realism with a touch of magical realism, creating a unique narrative voice that has captivated readers worldwide.

Some of her notable works include:

Before You Suffocate Your Own Fool Self: A short story collection exploring themes of love, identity, and mortality.
 The Department of Rare Books and Special Collections: A novel examining the intersection of family history, cultural heritage, and personal identity.
* Essays published in prominent literary journals and magazines, such as _The New Yorker_, _Harper's_, and _The Paris Review_.

Impact and Legacy


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Danielle Evans' writing has had a significant impact on contemporary American literature. Her work has been widely praised for its nuanced portrayal of Black life, love, and family dynamics. Through her stories and essays, Evans challenges readers to confront the complexities of human experience and the ways in which societal expectations shape individual identity.

Evans' influence extends beyond her writing as well. As a teacher and educator, she has inspired countless students and writers to explore their own creative voices. Her commitment to diversity and inclusion in literature has also helped pave the way for underrepresented voices in the literary world.

Why They Are Widely Quoted or Remembered


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Danielle Evans is widely quoted and remembered for her insightful essays, nuanced short stories, and dedication to promoting diversity in literature. Her work continues to resonate with readers worldwide, offering a unique perspective on the human condition that challenges, inspires, and moves us all.

With her distinctive narrative voice, thought-provoking themes, and commitment to social justice, Danielle Evans has cemented her place as one of America's most important young writers today.

Quotes by Danielle Evans

Danielle Evans's insights on:

Forty days and forty nights of being locked up helpless, knowing everything you’d ever known was drowning all around you, and at the end God shows up with a whimsical promise that he will not destroy the world again with water, which seems like a hell of a caveat.
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Forty days and forty nights of being locked up helpless, knowing everything you’d ever known was drowning all around you, and at the end God shows up with a whimsical promise that he will not destroy the world again with water, which seems like a hell of a caveat.
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I used to think you were so brave, and sometimes I still do, and sometimes I think it’s just that there’s nothing in your life but you, and you have no idea what it means to be scared that what you do might matter.
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I used to think you were so brave, and sometimes I still do, and sometimes I think it’s just that there’s nothing in your life but you, and you have no idea what it means to be scared that what you do might matter.
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Things were always salvageable between us, and knowing that felt like both a relief and an obligation.
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Things were always salvageable between us, and knowing that felt like both a relief and an obligation.
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Besides the tablecloths, the decor is all old photographs and postcards that they scrounged up from wherever, because you know how white people love their history right up until it’s true.
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Besides the tablecloths, the decor is all old photographs and postcards that they scrounged up from wherever, because you know how white people love their history right up until it’s true.
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I distrusted, in general, appeals to nostalgia – I loved the past of archives, but there was no era of the past I had any inclination to visit with my actual human body, being rather fond of it having at least minimal rights and protections.
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I distrusted, in general, appeals to nostalgia – I loved the past of archives, but there was no era of the past I had any inclination to visit with my actual human body, being rather fond of it having at least minimal rights and protections.
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The problem is everyone, even Black people, believes that Black poverty is the worst poverty in the world, and Black urban poverty, forget it, and all urban Blackness always scans as poverty, which means people only love us as fetish. No one is sentimental about poor Black people unless they’re wise and country and you could put a photograph of them on a porch with a quilt behind them in a museum.
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The problem is everyone, even Black people, believes that Black poverty is the worst poverty in the world, and Black urban poverty, forget it, and all urban Blackness always scans as poverty, which means people only love us as fetish. No one is sentimental about poor Black people unless they’re wise and country and you could put a photograph of them on a porch with a quilt behind them in a museum.
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Midwest nice was a steady, polite gaslighting I found sinister, a forced humility that prevented anyone from speaking up when they’d been diminished or disrespected, lest they be labeled an outsider. I was bewildered by the pride the region took in these pathologies.
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Midwest nice was a steady, polite gaslighting I found sinister, a forced humility that prevented anyone from speaking up when they’d been diminished or disrespected, lest they be labeled an outsider. I was bewildered by the pride the region took in these pathologies.
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Lyssa thought she would talk to her mother about it, and then she remembered. She had to keep remembering, even after she’d seen the body and signed the paperwork and arranged a funeral. Somehow she’d expected the dying to be the worst part, that after it was over she could go home and tell some healthy living version of her mother about the terrible thing that had just happened to her.
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Lyssa thought she would talk to her mother about it, and then she remembered. She had to keep remembering, even after she’d seen the body and signed the paperwork and arranged a funeral. Somehow she’d expected the dying to be the worst part, that after it was over she could go home and tell some healthy living version of her mother about the terrible thing that had just happened to her.
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I didn’t know that, but I did understand then that there was no such thing as safe, only safer; that this, if it didn’t happen now, would happen later but not better.
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I didn’t know that, but I did understand then that there was no such thing as safe, only safer; that this, if it didn’t happen now, would happen later but not better.
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We know, in the case of the person, that whoever cannot tell himself the truth about his past is trapped in it, is immobilized in the prison of his undiscovered self. This is also true of nations. We know how a person, in such a paralysis, is unable to assess either his weaknesses or his strengths, and how frequently indeed he mistakes one for the other. – James Baldwin.
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We know, in the case of the person, that whoever cannot tell himself the truth about his past is trapped in it, is immobilized in the prison of his undiscovered self. This is also true of nations. We know how a person, in such a paralysis, is unable to assess either his weaknesses or his strengths, and how frequently indeed he mistakes one for the other. – James Baldwin.
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