David Thomson
David Thomson
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Full Name and Common Aliases
David Thomson is a British-born Canadian film critic, historian, and scholar. He is also known as D.T., a nickname that has been adopted by many fans of his work.
Birth and Death Dates
Born on March 12, 1941, in London, England, David Thomson's life has spanned over seven decades. Although he is still alive, this bio will explore the breadth of his accomplishments and their lasting impact on the world of cinema.
Nationality and Profession(s)
Thomson holds dual citizenship of the United Kingdom and Canada. He is a renowned film critic, historian, and scholar who has dedicated his life to studying and writing about the art of filmmaking. His work spans various genres, including drama, comedy, thriller, and more.
Early Life and Background
Raised in London during World War II, Thomson's early years were marked by the harsh realities of war. After the war, he moved with his family to Canada, where he developed a passion for film that would shape his future career. As a young man, Thomson attended the University of Toronto, where he studied English literature and began writing about cinema.
Major Accomplishments
Throughout his illustrious career, David Thomson has achieved numerous milestones that have cemented his reputation as one of the most respected voices in film criticism. Some of his notable accomplishments include:
Writing for prominent publications such as _The New Republic_, _Film Comment_, and _The Times Literary Supplement_
Authoring several critically acclaimed books on cinema history, including _Rosebud: The Story of Orson Welles_ (1996) and _Show Me the Money: What Is Hollywood Thinking? And Why It Matters_ (2013)
Serving as a film critic for _The New Republic_ from 1982 to 2000
Receiving numerous awards and honors for his contributions to film criticism, including a National Book Award nomination
Notable Works or Actions
David Thomson's writing is characterized by its erudition, wit, and passion. Some of his most notable works include:
_The Biographical Dictionary of Film_ (1975), an exhaustive guide to cinema history that has been hailed as a classic in the field
_Glorious Company: Intellect and Character in the Films of Preston Sturges_ (1993), a book that explores the work of this influential American filmmaker
* _Canal+_, a French cable network, asked him to create a series on film history, which he did in 2000
Impact and Legacy
David Thomson's impact on the world of cinema is immeasurable. Through his writing and teaching, he has inspired generations of filmmakers, critics, and scholars to explore the art of filmmaking in all its complexity. His work continues to be widely read and studied today.
Why They Are Widely Quoted or Remembered
David Thomson's quotes are often sought after because of their insight into the human condition as revealed through cinema. He has a unique ability to distill complex ideas about film history, theory, and aesthetics into clear, concise language that resonates with readers. His passion for cinema is contagious, and his writing continues to inspire new generations of filmmakers, critics, and scholars.
Thomson's contributions to the world of cinema are undeniable. As a writer, historian, and scholar, he has left an indelible mark on our understanding of film history and its ongoing influence on contemporary culture.
Quotes by David Thomson
The character of Annie Doultry is plainly a self-portrait of Brando. There are transcripts of conferences he and Cammell had, and Brando did a lot of improvising, playing the Annie Doultry character. Plainly he saw this as a part that he might play in a movie himself.
All his Celtic rogues, epic seers, and Anthony Quinn leanings were swept up in one grand old ham, ... Biographical Dictionary of Film.
For the best part of 100 years, movies made stories about a certain view of love, and it shaped us all, whether we like it or not. Our lessons were about how to look at people of the other sex. How you kiss, what you say. We learned a lot about love from the movies. We've matured a bit, and we can see there's a lot more to love.
I don't look for anyone to say this is a great novel, although I do think it's a fine, fun read. But what I think is most interesting is that the character of Annie is so clearly a portrait of Brando and that so much of him gets into it.
I'd say where he is now he's in a pretty amused state, and I hope he'd look down on it fondly with a smile. Everyone involved has tried to produce the book (Brando and Cammell) would have.
Cammell's, I suppose, was a failed career, ... but it was a good deal more interesting than the careers of many people who were much more successful. He was quite a remarkable man.
It's very tough. The Oscar show is such a machine and such a monster. The host gets his chance up front, and then says less and less as the evening goes on.
It's funny - writing the afterword required a lot of digging and research, and was ultimately harder than editing the actual novel,
It's not profound literature, but it's an adventure story and quite a good adventure story, very unexpected coming from Brando. It tells us a lot about him.
A wireless phone is only as good as the network it's on. You can have the best price plan and the coolest-looking phone, and if it doesn't work for you, what good is that?