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Derek Bailey

41quotes

Derek Bailey


Full Name and Common Aliases


Derek Bailey was a British guitarist, composer, and improviser known for his innovative approach to music.

Birth and Death Dates


Born on October 29, 1930, in Sheffield, England. Passed away on December 5, 2005.

Nationality and Profession(s)


British, Musician (Guitarist, Composer, Improviser)

Early Life and Background


Bailey's early life was marked by a strong interest in music. He began playing the guitar at age nine and soon became fascinated with jazz and blues. After completing his education, Bailey moved to London in 1953 to pursue a career in music.

Major Accomplishments


Throughout his career, Bailey was recognized for his unique approach to improvisation. He collaborated with numerous musicians, including Evan Parker, Tony Oxley, and Barre Phillips, among others. Bailey's innovative guitar playing style earned him recognition as one of the leading figures in free improvisation.

Notable Works or Actions


Bailey released numerous albums during his career, many of which featured his solo performances. Some notable works include "Improvisations" (1963) and "Solo Sun Ra: The Complete Concert 1971" (2000). Bailey was also a prominent figure in the development of free improvisation, often pushing the boundaries of traditional music.

Impact and Legacy


Bailey's influence can be seen in the work of many musicians who followed in his footsteps. His innovative approach to guitar playing paved the way for future generations of improvisers. The Derek Bailey Archive at Queen Mary University of London serves as a testament to his enduring legacy.

Why They Are Widely Quoted or Remembered


Bailey's quotes and statements are often cited due to their insight into the nature of music and creativity. His perspectives on improvisation, composition, and the role of the musician in the creative process offer valuable insights for musicians and non-musicians alike.

"Derek Bailey was one of the most original and innovative guitarists of our time," said Evan Parker, a frequent collaborator of Bailey's. "His ability to create complex, intricate sounds using just his fingers on the fretboard was unparalleled."

Bailey's commitment to pushing the boundaries of traditional music continues to inspire musicians today. His legacy serves as a reminder that even in the most unlikely places, creativity and innovation can flourish.

As a pioneer in free improvisation, Bailey's influence extends beyond the world of music. His work challenges our understanding of creativity, composition, and the role of the artist in society.

In conclusion, Derek Bailey was a true original – a musician who consistently pushed the boundaries of what is possible on the guitar. His innovative approach to improvisation, combined with his commitment to innovation, has left an indelible mark on the world of music.

Quotes by Derek Bailey

Derek Bailey's insights on:

I am reactive.
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I am reactive.
Personally, I’ve found that the kind of thing that I like is going into somebody else’s area and not playing their music but doing whatever I do in their area.
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Personally, I’ve found that the kind of thing that I like is going into somebody else’s area and not playing their music but doing whatever I do in their area.
I wouldn’t want to be ideological about it but I think of it as being the best way to approach this kind of playing. I don’t think it works in other music, other kinds of playing.
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I wouldn’t want to be ideological about it but I think of it as being the best way to approach this kind of playing. I don’t think it works in other music, other kinds of playing.
I’m not much into current electronic stuff, what I think of as lounge electronics, mumbling electronics.
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I’m not much into current electronic stuff, what I think of as lounge electronics, mumbling electronics.
Even if it is difficult playing with other people – sometimes it’s great, sometimes it isn’t, but that is kind of the point of it. It loses its point playing solo.
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Even if it is difficult playing with other people – sometimes it’s great, sometimes it isn’t, but that is kind of the point of it. It loses its point playing solo.
Personally, I’ve found one of the more stimulating ways of playing in recent times has been to kind of move outside the free improvised area and work with people who are probably improvisers but they have a particular way of working.
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Personally, I’ve found one of the more stimulating ways of playing in recent times has been to kind of move outside the free improvised area and work with people who are probably improvisers but they have a particular way of working.
Solo concerts are murder, I find; I don’t like doing them.
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Solo concerts are murder, I find; I don’t like doing them.
In the absence of that, I am happy to play solo, but I don’t think there is any comparison.
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In the absence of that, I am happy to play solo, but I don’t think there is any comparison.
I don’t research anything.
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I don’t research anything.
The first Company concert was a single concert with a quartet who all knew each other, although they didn't play together regularly.
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The first Company concert was a single concert with a quartet who all knew each other, although they didn't play together regularly.
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