Diana Abu-Jaber
Full Name and Common Aliases
Diana Abu-Jaber is a celebrated American writer of Palestinian descent.
Birth and Death Dates
Born on November 11, 1966, in Amman, Jordan, Diana Abu-Jaber's exact death date is not publicly available.
Nationality and Profession(s)
Abu-Jaber holds dual citizenship as an American-Palestinian. She is a distinguished novelist, essayist, and short story writer known for her evocative portrayals of identity, culture, and human experience.
Early Life
Diana Abu-Jaber's childhood was marked by the complexities of cultural heritage and displacement. Her family moved to Portland, Oregon, when she was five years old, where they would remain until she began attending university in New York City. These experiences – navigating multiple cultures and languages – would later become pivotal themes in her writing.
Growing up, Abu-Jaber's diverse background exposed her to various traditions and ways of understanding the world. Her mother was a Palestinian woman who immigrated from Jerusalem, while her father is an American man of mixed Lebanese and European descent. This rich cultural tapestry influenced Abu-Jaber's perspective on identity, which she explores in many of her works.
Major Accomplishments
Throughout her career, Diana Abu-Jaber has received numerous accolades for her writing. Her debut novel, Tales of the City (not to be confused with the Armistead Maupin series), was published in 1994 but was not widely recognized until she released Crescent, a National Book Award finalist, in 2003.
Abu-Jaber's subsequent works have garnered significant attention and acclaim. Her novel The Language of Secrets (2008) explores themes of identity, belonging, and family secrets through the lives of two Palestinian-American siblings. This poignant portrayal of cultural heritage earned Abu-Jaber a PEN/O. Henry Prize for Best American Short Story in 2009.
Notable Works or Actions
Abu-Jaber's writing often delves into complex issues such as cultural identity, family dynamics, and the immigrant experience. Her stories are infused with vivid descriptions of food, music, and other sensory details that evoke a strong sense of place and culture.
Some notable works include:
Crescent (2003): A National Book Award finalist, this novel explores themes of identity, belonging, and family secrets through the lives of two Palestinian-American siblings.
The Language of Secrets (2008): This novel delves into complex issues such as cultural identity, family dynamics, and the immigrant experience, earning Abu-Jaber a PEN/O. Henry Prize for Best American Short Story in 2009.
Impact and Legacy
Diana Abu-Jaber's impact on contemporary literature is undeniable. Her writing has contributed significantly to the literary canon by exploring themes of identity, culture, and human experience through the perspectives of marginalized communities.
Abu-Jaber's work also resonates with readers because it speaks to universal experiences of displacement, belonging, and self-discovery. Her commitment to exploring complex cultural issues in a lyrical and engaging manner has inspired new generations of writers and readers alike.
Why They Are Widely Quoted or Remembered
Diana Abu-Jaber is widely quoted and remembered for her poignant portrayals of identity, culture, and human experience. Her writing offers readers a glimpse into the complexities of cultural heritage and the immigrant experience, inviting them to reflect on their own understanding of belonging and self-identity.
Abu-Jaber's contributions to literature are a testament to the power of storytelling in bridging cultural divides and fostering empathy and understanding between diverse communities.
Quotes by Diana Abu-Jaber

Sometimes when she lies awake her body feels as finely made as a tuning fork. She can hear and smell the most delicate things, the smell and music of thought itself.

He realizes finally that the boy he’s been watching snap his board into the air, then neatly touch down- long, black, gleaming hair, pale white skin- is Felice. He didn’t know she’d learned how to skateboard. He’s never seen her like this before- so intently focused and content- her beauty beside the point, merely part of the catalog of effects- speed, balance, daring. He admires her athletic form and feels moved in some unexpected way.

The loneliness of the arab is a terrible thing; it is all consuming. It is already present like a little shadow under the heart when he lays his head on his mother’s lap; it threatens to swallow him whole when he leaves his own country, even though he marries and travels and talks to friends twenty-four hours a day. That is the way Sirine suspects that Arabs feel everything – larger than life, feelings walking in the sky.

It’s a big formless, arctic night, the stars so bright they seem to hiss. I walk with my hands in pockets, arms pressed to my sides. Even in my down parka, the cold is still there. I feel as though my blood is crackling in it, my bones conducting cold like wires. My toes are curled in their boots.

On the cutting board there are two peanut butter and red currant jam sandwiches for Emerson and two Serrano ham, shaved cheddar, and apricot chutney sandwiches for Felice. Nieves wraps them smartly in waxed paper, tapes them, and puts them back in the fridge. There’s also a cooler Nieves opens: packed with trail mix, sliced pears and apples, and the lemon bars.

Let the beauty we love be what we do. There are a hundred ways to kneel and kiss the ground.

Li Pin Chu tells them that if he could eat one dish every day for the rest of his life it would be sliced pork and egg in palm sugar. Han says he would enjoy some chicken stewed in onion yogurt sauce. Sirine thinks she might like some reheated spaghetti and meatballs- a breakfast that her mother used to make from the previous night's dinner.

While Han sits and gazes into his private distance, she assembles a meal: chunks of lamb grilled directly over the gas flame, gleaming skewers of onion, tomato, zucchini, a scent of lavender in the oil. There is a bag of frekeh in one of the cabinets and she considers this for a moment but then shuts the door. The aroma of garlic, grilled lamb, and open fields fills the kitchen. She brings it to the table on a big plate with rice cooked with saffron and toasted pine nuts.

