Donald Barthelme
Full Name and Common Aliases
Donald Barthelme was an American novelist, short story writer, poet, playwright, editor, critic, and essayist.
Birth and Death Dates
Donald Barthelme was born on April 1, 1931, in Philadelphia, Pennsylvania. He passed away on July 23, 1989.
Nationality and Profession(s)
Nationality: American
Professions: Novelist, Short Story Writer, Poet, Playwright, Editor, Critic, Essayist
Donald Barthelme was a man of many talents and professions. He began his career as an editor at _Folio_ magazine in 1953 and later became the managing editor of _The Paris Review_ from 1967 to 1973.
Early Life and Background
Barthelme's early life had a profound influence on his writing style and themes. His father, Donald Elliott Barthelme, was an architect who designed buildings that were both functional and beautiful. This emphasis on aesthetics would later be reflected in Barthelme's own work. His mother, Helen Wilson Barthelme, was an artist who encouraged her children to explore their creativity.
Barthelme grew up in a family of modest means but with a rich cultural life. He spent his summers on the island of Martha's Vineyard, where he developed a love for nature and the outdoors. This love would later be reflected in many of his stories and poems.
Major Accomplishments
Donald Barthelme is best known for his experimental fiction style, which blended elements of poetry, playwriting, and essay writing. He is often credited with helping to establish the short story as a major literary form in the 1960s and 1970s.
Barthelme's most notable works include:
_Snow White_ (1967), his first novel, which explores themes of identity, community, and the power of storytelling
_The Dead Father_ (1975), a postmodern epic that defies traditional narrative structures
_Come Back, Charlie Smolde_ (1989), an essay collection that showcases Barthelme's unique blend of humor, irony, and philosophical insightNotable Works or Actions
In addition to his literary works, Barthelme was also known for his essays, criticism, and poetry. He wrote regularly for _The New Yorker_ and other publications, and his work appeared in numerous anthologies and collections.
Some notable actions include:
Editing the influential anthology _Illiad & Odyssey_ (1966), which helped to establish the experimental fiction movement
Serving as a contributing editor at _The Paris Review_ during its most innovative period
Teaching creative writing at various institutions, including the University of Houston and Columbia University
Impact and Legacy
Donald Barthelme's impact on American literature is immeasurable. His innovative style and thematic concerns helped to shape the course of literary history in the 1960s and 1970s.
His influence can be seen in the work of many writers, including:
Thomas Pynchon: Like Barthelme, Pynchon is known for his experimental fiction and postmodern themes.
Don DeLillo: DeLillo's novels often explore the intersection of politics, culture, and personal identity, echoing Barthelme's own concerns.
Why They Are Widely Quoted or Remembered
Donald Barthelme's work continues to be widely read and studied today. His unique blend of humor, irony, and philosophical insight has made him a beloved figure in American literature.
His quotes are often cited for their wit, intelligence, and relevance to contemporary issues. For example:
"The novel is not a substitute for life; it is an attempt to make contact with the unknown."
"To write is to try to capture the moment when the world suddenly becomes clear."
Barthelme's legacy extends beyond his writing as well. His innovative style and thematic concerns have helped to shape the course of literary history, influencing generations of writers and readers alike.
His impact can be seen in many areas of American culture, from literature and art to music and film. He continues to inspire new generations of artists, writers, and thinkers, ensuring his legacy will endure for years to come.
Quotes by Donald Barthelme
Donald Barthelme's insights on:

A process of accretion. Barnacles growing on a wreck or a rock. I’d rather have a wreck than a ship that sails. Things attach themselves to wrecks. Strange fish find your wreck or rock to be a good feeding ground; after a while you’ve got a situation with possibilities.

It is difficult to keep the public interested. The public demands new wonders piled on new wonders. Often we don’t know where our next marvel is coming from. The supply of strange ideas is not endless.

Goals incapable of attainment have driven many a man to despair, but despair is easier to get to than that – one need merely look out of the window, for example.

Well chaps first I’d like to say a few vile things more or less at random, not only because it is expected of me but also because I enjoy it.

Yes, success is everything. Failure is more common. Most achieve a sort of middling thing, but fortunately one’s situation is always blurred, you never know absolutely quite where you are.

Of course we did everything right, insofar as we were able to imagine what “right” was.

Who among us is not thinking about divorce, except for a few tiny-minded stick-in-the-muds who don’t count?

There was a certain amount of initial argumentation about the “meaning” of the balloon; this subsided, because we have learned not to insist on meanings, and they are rarely even looked for now, except in cases involving the simplest, safest phenomena.

