EW
Eberhard Weber
30quotes
Eberhard Weber: A Pioneering Cellist and Composer
Full Name and Common Aliases
Eberhard Weber is the full name of this renowned cellist and composer. He is often referred to by his initials EW.
Birth and Death Dates
Born on January 22, 1943, in Munich, Germany, Eberhard Weber's life has been a testament to his passion for music. Unfortunately, his exact date of death is not publicly available.
Nationality and Profession(s)
Eberhard Weber holds German nationality and is primarily known as a cellist and composer. He is also recognized for his innovative approach to the cello and his contributions to the development of ambient music.
Early Life and Background
Growing up in post-war Germany, Eberhard Weber's early life was marked by an interest in classical music. His father, a musician himself, encouraged Weber's musical pursuits from a young age. This exposure laid the foundation for his future as a professional cellist and composer. Weber began studying cello at the Munich Conservatory, where he honed his skills and developed a deep understanding of the instrument.
Major Accomplishments
Eberhard Weber's most notable accomplishments stem from his pioneering work in ambient music. As one of the founders of the German electronic music group Hamburg Elektronische Musik (HEM), he played a pivotal role in shaping the sound and style of this genre. His collaborations with other influential musicians, such as _Brian Eno_ , further solidified his position as a key figure in ambient music.
Notable Works or Actions
Some of Weber's most notable works include "Can You Understand Me?" , an album released in 1971 with the group HEM, and "Orion" , a solo composition that showcases his unique approach to cello playing. These works not only demonstrate Weber's technical skill but also highlight his innovative spirit.
Impact and Legacy
Eberhard Weber's impact on ambient music is immense. His pioneering work has inspired generations of musicians to explore new sounds and styles. As a composer, he continues to push the boundaries of what is possible with the cello, creating music that is both hauntingly beautiful and deeply moving. Through his contributions, Weber has left an indelible mark on the world of music.
Why They Are Widely Quoted or Remembered
Eberhard Weber's quotes are often sought after due to his insightful comments on creativity and innovation. His experience as a musician and composer has granted him a unique perspective on the creative process. As someone who has consistently pushed boundaries and challenged conventional thinking, Weber's words offer valuable guidance for artists seeking to make their mark.
In conclusion, Eberhard Weber is a trailblazer in every sense of the word. Through his tireless work as a cellist, composer, and ambient music pioneer, he has left an enduring legacy that will be felt for generations to come.
Quotes by Eberhard Weber
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When I think back now to the recording sessions, there is more improvisation than one hears. It’s an ideal combination of arrangements and improvisation. Only a few people are able to listen and say what is composed and what is improvised. It’s a unit.
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On the other hand, when I give it closer thought, I realize I’m not enough of a dictator to conduct an orchestra because it requires a pretty awful person. When you read these biographies of famous conductors, they are all awful people who fail in their private relationships.
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In 1972, I got my first electric bass and started playing the kind of instrument I play now. I found that the majority of musicians couldn’t bear that. They are not used to listening to the bass because they think the bass is in the background to support them.
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On the other hand, I’m very tolerant as well. I expect that everybody can play what they want. I’m only not tolerant when it comes to myself and what is presented on my album that I have to listen to for the rest of my life.
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There are always some doubts when you do a new album though. You wonder whether you succeeded or not, especially when you waited as long as I did for this one – seven years. You’re never really sure if it will be a nice record or not.
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The problem is that I don’t want to add another record to the world that is not necessary to be published, except to make some business. There has to be a musical reason.
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Whenever I release a record, it’s my record. It’s not a selfish thought. I may work all year ’round for other people. So, finally, when I come out with my own album, it should be me with the creative help of other musicians.
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It’s better to finish at the peak or soon after it, than to wait until the audience notices a decline.
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I am a classical music lover – not necessarily the contemporary stuff, but the old stuff.
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When I think back now to the recording sessions, there is more improvisation than one hears. It's an ideal combination of arrangements and improvisation. Only a few people are able to listen and say what is composed and what is improvised. It's a unit.
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