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Edward Bond

79quotes

Edward Bond


#### A Playwright of Uncompromising Vision

Edward Bond is a British playwright and theatre director known for his unflinching portrayals of the human condition. Born on July 18, 1934, in London, England, Bond's work has been marked by its uncompromising vision, tackling themes such as class struggle, morality, and the exploitation of the working class.

#### Full Name and Common Aliases
Full name: Edward Alfred Bond

Common aliases: None notable

#### Birth and Death Dates
Born: July 18, 1934
Died: Still living (age not publicly disclosed)

#### Nationality and Profession(s)
Nationality: British
Profession(s): Playwright, Theatre Director

#### Early Life and Background
Bond was born in London's East End to a family of modest means. His early life was marked by hardship and poverty, experiences that would later influence his writing. He attended the Hornsey School of Art before working as a television scriptwriter. This early exposure to the entertainment industry would eventually shape his approach to theatre.

#### Major Accomplishments
Bond's breakthrough play, "Saved", premiered in 1965 at London's Royal Court Theatre. The production sparked controversy due to its graphic depiction of violence and rebellion against societal norms. This marked the beginning of Bond's tenure as a prominent voice in British theatre.

Other notable plays include:

"The Pope's Wedding" (1978): A play that critiques the Catholic Church, exploring themes of power and morality.
"Humanity: A Tragedy" (2007): A three-part drama examining humanity's capacity for both good and evil.

#### Notable Works or Actions
Bond has been a vocal critic of capitalism and its effects on society. He has also been involved in various theatre projects aimed at promoting social change. His work continues to be performed worldwide, with productions often sparking debates about art, morality, and the role of theatre in society.

#### Impact and Legacy
Edward Bond's impact on British theatre is undeniable. His uncompromising vision has influenced a generation of playwrights, pushing boundaries and challenging audiences to confront uncomfortable truths. As a result, his work remains widely studied and performed today, ensuring his legacy as one of Britain's most important playwrights continues to grow.

#### Why They Are Widely Quoted or Remembered
Edward Bond is widely quoted and remembered for his unflinching portrayals of the human condition. His commitment to exploring themes that challenge societal norms has made him a beacon of artistic integrity in an industry often criticized for its commercialism. As a result, his work continues to resonate with audiences and inspire new generations of artists.

By engaging with Edward Bond's life and work, we gain insight into the power of theatre as a medium for social commentary and change. His legacy serves as a reminder that art can be a powerful tool for challenging the status quo and promoting understanding between individuals and communities.

Quotes by Edward Bond

Edward Bond's insights on:

It's politely assumed that democracy is a means of containing and restraining violence. But violence comes not from genes but from ideas.
"
It's politely assumed that democracy is a means of containing and restraining violence. But violence comes not from genes but from ideas.
It's wonderful to be able to sit down and write a play.
"
It's wonderful to be able to sit down and write a play.
It's insulting to ask a dramatist what his view of his play is. I have no opinion.
"
It's insulting to ask a dramatist what his view of his play is. I have no opinion.
I'm not interested in an imaginary world.
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I'm not interested in an imaginary world.
It’s wonderful to be able to sit down and write a play.
"
It’s wonderful to be able to sit down and write a play.
Sacrilege takes strange forms in the young.
"
Sacrilege takes strange forms in the young.
The artist tries to show reason in experience and appearance – and lyric is the daily appearance, the commonplace dress, of reason. It shows us the rational. It makes the epic pattern human. It’s the footprint on the pathway. In the epic-lyric the individual and particular are no longer isolated but are placed in a historical, social, human pattern. That’s why there’s a political way of cutting bread or wearing shoes.
"
The artist tries to show reason in experience and appearance – and lyric is the daily appearance, the commonplace dress, of reason. It shows us the rational. It makes the epic pattern human. It’s the footprint on the pathway. In the epic-lyric the individual and particular are no longer isolated but are placed in a historical, social, human pattern. That’s why there’s a political way of cutting bread or wearing shoes.
I write plays not to make money, but to stop myself from going mad. Because it’s my way of making the world rational to me.
"
I write plays not to make money, but to stop myself from going mad. Because it’s my way of making the world rational to me.
It’s insulting to ask a dramatist what his view of his play is. I have no opinion.
"
It’s insulting to ask a dramatist what his view of his play is. I have no opinion.
It’s politely assumed that democracy is a means of containing and restraining violence. But violence comes not from genes but from ideas.
"
It’s politely assumed that democracy is a means of containing and restraining violence. But violence comes not from genes but from ideas.
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