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Elia Kazan

136quotes

Elia Kazan: A Life of Passion and Controversy


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Full Name and Common Aliases

Elia Kazan was born Elias Kazantzoglou on September 7, 1909, in Constantinople (now Istanbul), Ottoman Empire. He is commonly known as Elia Kazan.

Birth and Death Dates

September 7, 1909 – September 28, 2003

Nationality and Profession(s)

Elia Kazan was a Greek-American playwright, stage director, screenwriter, novelist, and film director of Greek descent. His work spanned multiple mediums, including theater, film, and television.

Early Life and Background


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Growing up in a family of modest means, Kazan's early life was marked by hardship and displacement. At the age of four, he moved with his family to Thessaloniki, Greece, where they lived for several years before returning to Constantinople. In 1921, Kazan immigrated to New York City with his family, settling in a tenement on Manhattan's Lower East Side.

Kazan's early life was shaped by his experiences as an immigrant and the cultural influences of both Greece and America. He developed a strong passion for the arts at an early age, attending the New School for Social Research in New York City, where he studied drama and literature. Kazan's education continued through his association with the Group Theatre, a influential theater company that sought to revolutionize American stage productions.

Major Accomplishments


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Kazan's career was marked by numerous achievements in both theater and film. Some of his most notable accomplishments include:

A Streetcar Named Desire: Kazan directed this classic Tennessee Williams play in 1947, earning critical acclaim for its innovative staging.
Gentleman's Agreement: This Academy Award-winning film (1947) explored themes of anti-Semitism and prejudice, cementing Kazan's reputation as a socially conscious artist.
On the Waterfront: Kazan directed this landmark drama in 1954, earning him an Oscar for Best Director. The film starred Marlon Brando as Terry Malloy, a dockworker struggling with his conscience.

Notable Works or Actions


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Kazan's work extended beyond theater and film to include novels and television productions. Some notable works include:

The Arrangement: This 1967 novel explored the world of Hollywood, delving into themes of identity and morality.
* Baby Doll: Kazan adapted this Tennessee Williams play for the screen in 1956, earning critical acclaim and a nomination for Best Director.

Impact and Legacy


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Elia Kazan's impact on American culture cannot be overstated. His innovative approach to theater and film helped shape the medium of storytelling and challenged audiences to confront complex social issues.

However, his legacy is also marred by controversy surrounding his testimony before the House Un-American Activities Committee (HUAC) in 1952. Kazan's decision to name fellow artists as suspected communists led to a backlash against him from many within the arts community.

Why They Are Widely Quoted or Remembered


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Elia Kazan is widely quoted and remembered for his contributions to American theater and film, as well as his willingness to confront difficult social issues. His innovative approach to storytelling and commitment to artistic expression have left a lasting impact on the medium of cinema.

His legacy continues to be debated by scholars and artists today, with some viewing him as a hero who brought attention to important social issues and others seeing him as a traitor who betrayed his fellow artists. Regardless, Kazan's life serves as a powerful reminder of the complexities of art and its role in shaping society.

Elia Kazan's story is one of passion, conviction, and controversy – a testament to the enduring power of artistic expression and the complex moral dilemmas that arise when creativity meets social responsibility.

Quotes by Elia Kazan

Elia Kazan's insights on:

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I like directors who come on the set and create something that’s a little dangerous, difficult or unusual.
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I didn’t have the problem of finding myself at 45 on the wrong course – I always wanted to be a film director.
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I question the value of stars. I think they’re overrated. They get too much money, too much praise.
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I hate the Communists and have for many years and don’t feel right about giving up my career to defend them. I will give up my film career if it is in the interests of defending something I believe in, but not this.
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One final thing a director needs: The ability to say ‘I am wrong’ or ‘I was wrong.’ Not as easy as it sounds. But in many situations, these 3 words, honestly spoken, will save the day.
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A good director’s not sure when he gets on the set what he’s going to do.
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With kids you can take a chance but casting a guy at 45 is different. You don’t discover somebody that age. If an actor hasn’t made it by that time he probably has no talent.
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I was able to capture on film things the actors didn’t even know they were doing.
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Take it from a director: if you get an actor that Sandy Meisner has trained, you’ve been blessed.
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I gave my life to the Group Theatre, because in it I’m building something for myself. What I build, I am.
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