EH

Elizabeth Hand
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Full Name and Common Aliases


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Elizabeth Hand is a pen name used by the American author Elizabeth A. Hand.

Birth and Death Dates


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Born: September 29, 1957

Nationality and Profession(s)


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Nationality: American

Profession: Author, Screenwriter, Professor

Early Life and Background


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Elizabeth Hand grew up in a family of artists and musicians, which had a profound influence on her creative pursuits. She developed an early interest in writing and began composing her own stories as a child. Hand's fascination with the mysterious and unknown was evident from an early age, laying the groundwork for her future work in fantasy and science fiction.

Major Accomplishments


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Awards: Hand has received numerous awards and nominations for her work, including two Nebula Awards, one World Fantasy Award, and a British Fantasy Award.
Novels: Her novels have garnered critical acclaim for their unique blend of mystery, fantasy, and science fiction. Notable examples include _Winterlong_, _Gillian_ , and _The Hard Truth_ .
Short Story Collection: Hand's short story collection, _A Touch More Real_, showcases her versatility as a writer.

Notable Works or Actions


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Some of Elizabeth Hand's notable works include:

_Winterlong_ (1996): A fantasy novel that explores themes of identity and belonging.
_Gillian_ (2009): A supernatural thriller that delves into the world of murder and mystery.
_The Hard Truth_ (2011): A crime novel that examines the darker side of human nature.

Impact and Legacy


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Elizabeth Hand's work has had a lasting impact on the fantasy, science fiction, and horror genres. Her unique blend of styles has influenced a generation of writers and readers alike. Hand's commitment to exploring complex themes and pushing boundaries in her writing continues to inspire new voices in literature.

Why They Are Widely Quoted or Remembered


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Elizabeth Hand is widely quoted and remembered for several reasons:

Innovative Storytelling: Her work often blends multiple genres, creating a rich tapestry of stories that defy easy categorization.
Complex Characters: Hand's characters are multidimensional and flawed, making them relatable to readers from all walks of life.
* Exploration of the Human Condition: Her writing often touches on themes of identity, morality, and the human condition, resonating with readers long after they finish a book.

Quotes by Elizabeth Hand

They looked like her, or she looked like them. Something in between, something she didn’t know the name of but recognized. A lightness filled her, the way it had when her mother had cut her hair and she’d first put on boys’ clothes. She opened her mouth and let the lightness escape, almost surprised not to see a bubble or a balloon floating away from her, like in the pictures in front of her. How could one feel like this and not be flying? Like the Aerostat or a balloon; like Harriet before she.
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They looked like her, or she looked like them. Something in between, something she didn’t know the name of but recognized. A lightness filled her, the way it had when her mother had cut her hair and she’d first put on boys’ clothes. She opened her mouth and let the lightness escape, almost surprised not to see a bubble or a balloon floating away from her, like in the pictures in front of her. How could one feel like this and not be flying? Like the Aerostat or a balloon; like Harriet before she.
It was a big deal when a new record came out; you’d buy it then find one of your mates who had a stereo and everyone would come over to listen to it together for the first time.
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It was a big deal when a new record came out; you’d buy it then find one of your mates who had a stereo and everyone would come over to listen to it together for the first time.
Remember me at Winterlong.
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Remember me at Winterlong.
I should have been more frightened; that came later.
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I should have been more frightened; that came later.
I never think about genre when I work. I’ve written fantasy, science fiction, supernatural fiction, and am now working on a suspense novel. Genres are mostly useful as a marketing tool, and to help booksellers known where to shelve a book.
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I never think about genre when I work. I’ve written fantasy, science fiction, supernatural fiction, and am now working on a suspense novel. Genres are mostly useful as a marketing tool, and to help booksellers known where to shelve a book.
Endless longing; a face you’d known since childhood, since birth almost; a body that moved as though it were your own. These were things you never spoke of, things you never hoped for; things you could never admit to. Things you’d die for, and die of.
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Endless longing; a face you’d known since childhood, since birth almost; a body that moved as though it were your own. These were things you never spoke of, things you never hoped for; things you could never admit to. Things you’d die for, and die of.
But talent – if you don’t encourage it, if you don’t train it, it dies. It might run wild for a little while, but it will never mean anything. Like a wild horse. If you don’t tame it and teach it to run on track, to pace itself and bear a rider, it doesn’t matter how fast it is. It’s useless.
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But talent – if you don’t encourage it, if you don’t train it, it dies. It might run wild for a little while, but it will never mean anything. Like a wild horse. If you don’t tame it and teach it to run on track, to pace itself and bear a rider, it doesn’t matter how fast it is. It’s useless.
Real myths are often strange and startlingly unfamiliar, and don’t always give up their meanings easily; you have to tease them out, and for me, that’s one of the pleasures of reading older collections of lore.
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Real myths are often strange and startlingly unfamiliar, and don’t always give up their meanings easily; you have to tease them out, and for me, that’s one of the pleasures of reading older collections of lore.
The irruption of the supernatural into our world is a much more enticing notion to explore than the same thing happening in some past time, or in a wholly imaginary world.
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The irruption of the supernatural into our world is a much more enticing notion to explore than the same thing happening in some past time, or in a wholly imaginary world.
There is a love of wood, as of other things that do not answer to our touch.
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There is a love of wood, as of other things that do not answer to our touch.
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