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Emanuel Ax

31quotes

Emanuel Ax


#### Full Name and Common Aliases

Emanuel Ax is a renowned American pianist of Russian descent.

Birth and Death Dates

Born: May 8, 1949, in Leningrad (now Saint Petersburg), Soviet Union
Still active and alive as of this writing

Nationality and Profession(s)

Nationality: American/Russian
Profession: Pianist, Music Educator

Early Life and Background

Emanuel Ax was born into a musical family in Leningrad. His parents were both musicians who encouraged his early interest in music. At the age of six, he began studying piano with Lev Vasilyevich Oblonsky, and by the time he was nine, he had already performed publicly as a soloist with the Leningrad Philharmonic Orchestra.

Major Accomplishments

Ax's talent and dedication earned him a place at the Leningrad Conservatory, where he studied with Galina Ippolitovna Epshtein. He won several prestigious competitions, including the Busoni International Piano Competition in 1972 and the Tchaikovsky International Piano Competition in 1973.

Notable Works or Actions

Throughout his career, Emanuel Ax has performed with many of the world's leading orchestras, including the New York Philharmonic, the London Symphony Orchestra, and the Los Angeles Philharmonic. He has also collaborated with prominent conductors such as Leonard Bernstein, Zubin Mehta, and Lorin Maazel.

Ax is known for his interpretations of Beethoven, Brahms, and Rachmaninoff, among other composers. His performances are characterized by their technical mastery, musicality, and emotional depth. He has also been recognized for his commitment to music education, having taught at the Yale School of Music and the New England Conservatory.

Impact and Legacy

Emanuel Ax's impact on the world of classical music is undeniable. His contributions as a performer, educator, and advocate have inspired countless musicians and music lovers around the globe. As one of the most respected pianists of his generation, he continues to tour, teach, and record with the same passion and dedication that has defined his career.

Ax's legacy extends beyond his impressive discography and numerous accolades. He has helped shape the musical landscape through his performances, recordings, and educational endeavors. His ability to convey the essence of a composer's intent has made him a beloved figure among audiences worldwide.

Why They Are Widely Quoted or Remembered

Emanuel Ax is widely quoted and remembered for his technical mastery, musical insight, and generosity as an educator. He has shared his expertise through masterclasses, workshops, and lectures, inspiring generations of pianists to follow in his footsteps. His commitment to the art form has earned him a special place among pianists and music lovers alike.

Ax's legacy is also a testament to the power of dedication, perseverance, and passion. As a child prodigy who rose to international acclaim through hard work and natural talent, he embodies the ideals that underlie our appreciation for classical music: a love for the art form, a commitment to excellence, and a desire to share beauty with others.

Quotes by Emanuel Ax

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Even if you don’t like a concert of mine, please, please applaud at the end anyway.
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All of us love applause, and so we should – it means that the listener likes us!
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Pianists don’t argue too much generally because we have a hard enough time just getting things right. Arguing is for string players.
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Everyone is different. Sometimes it’s very exciting; sometimes very scary.
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We should welcome applause whenever it comes.
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I think competition in any kind of activity like music, art, literature - anything that's not done with a timer - is actually impossible. So, in effect, what you're doing is you're entering the lottery. You're hoping that you play well (and that) you play your best on the day that you're heard, and you're hoping that the people who are judging will like what you do.
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Pianists don't argue too much generally because we have a hard enough time just getting things right. Arguing is for string players.
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When one plays a Steinway, there is a warmth and nobility in the sound that is unequalled by any other instrument.
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Everybody makes his path differently.
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If you have a few students, you really need a couple of days. I don't think it's right to leave people on their own and not give them enough time.
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