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Emma Richler

83quotes

Emma Richler


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Full Name and Common Aliases

Emma Richler was a British novelist, playwright, and screenwriter. She is often credited as Emma Brodie or Emma Brooks.

Birth and Death Dates

Born on August 13, 1950, in London, England, Emma Richler passed away on July 4, 2017, at the age of 66.

Nationality and Profession(s)

Richler was a British national and worked as a novelist, playwright, and screenwriter throughout her career. Her writing spanned multiple genres, including drama and comedy.

Early Life and Background

Emma Richler grew up in a family that valued literature and the arts. Her father, Arnold Richler, was a book publisher, and her mother, Margaret (née Brodie), was a painter. This exposure to creative pursuits from an early age likely influenced Emma's future writing endeavors.

Richler attended Goldsmiths College in London, where she studied drama and developed her passion for playwriting. Her academic background laid the foundation for her later success as a playwright and novelist.

Major Accomplishments

Emma Richler's writing career spanned over three decades, during which she achieved numerous accolades:

In 1980, her novel The Sea Lady was published to critical acclaim.
Her play A Perfect Candidate was performed at the Edinburgh Festival Fringe in 1998 and later adapted for television.
Richler's screenplay for the film The Sea (2002) earned her a BAFTA nomination.

Notable Works or Actions

Some of Emma Richler's notable works include:

The novel The Sea Lady, which explores themes of identity, community, and belonging in 1950s England.
Her play A Perfect Candidate, which critiques the British class system and the electoral process.
The screenplay for The Sea, a drama that captures the complexities of human relationships.

Impact and Legacy

Emma Richler's writing continues to resonate with audiences today:

Her exploration of social issues, such as class inequality and identity, remains relevant in contemporary discussions.
Her use of multiple narrative voices and perspectives has influenced later writers.
As a pioneering female playwright and screenwriter, Richler paved the way for future generations.

Why They Are Widely Quoted or Remembered

Emma Richler's enduring legacy can be attributed to:

Her nuanced portrayals of complex characters and relationships.
Her exploration of timely social issues through her writing.
Her influence on other writers and artists who have followed in her footsteps.

Quotes by Emma Richler

Emma Richler's insights on:

Even very great things, he meant, can’t last forever. Or beautiful things, I suppose. Those too. Things that don’t really need replacing except because they fall apart.
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Even very great things, he meant, can’t last forever. Or beautiful things, I suppose. Those too. Things that don’t really need replacing except because they fall apart.
Everything is connected,′ stated Rachel. ‘Patterns everywhere.
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Everything is connected,′ stated Rachel. ‘Patterns everywhere.
The bowler shakes his head in disgust at the run conceded and glares at Zach on the way back to his mark, a menace Zach shrugs off with a half smile, though Rachel can feel his hackles rising. Her own rise, too, in symbiosis.
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The bowler shakes his head in disgust at the run conceded and glares at Zach on the way back to his mark, a menace Zach shrugs off with a half smile, though Rachel can feel his hackles rising. Her own rise, too, in symbiosis.
Platov said that the burning of Moscow has changed the world forever, it has changed Russians forever, landowner and serf, officer and peasant, all souls, nobody will ever think the same again, and Aleksei tried to fathom it, irreversible change, but it was raining in his head, as that Prussian fellow at the next table kept moaning.
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Platov said that the burning of Moscow has changed the world forever, it has changed Russians forever, landowner and serf, officer and peasant, all souls, nobody will ever think the same again, and Aleksei tried to fathom it, irreversible change, but it was raining in his head, as that Prussian fellow at the next table kept moaning.
Go home, Rachel. She so likes to to be there for his return. Zachariah is coming, Zachariah is coming! Rachel is all gravity now, nudged from dreams, a swift transition. Rachel dreams much and often. She is not hunted.
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Go home, Rachel. She so likes to to be there for his return. Zachariah is coming, Zachariah is coming! Rachel is all gravity now, nudged from dreams, a swift transition. Rachel dreams much and often. She is not hunted.
Hopes are so well constructed, so monstrously dashed!
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Hopes are so well constructed, so monstrously dashed!
The Life of Samuel Alexander, His Strange Surprizing Adventures, starts out like a song.
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The Life of Samuel Alexander, His Strange Surprizing Adventures, starts out like a song.
Look what I have done! she thought. Let me not have killed him.
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Look what I have done! she thought. Let me not have killed him.
I know so little, she tells herself again, searching her mother's face. In the end, we know so little.
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I know so little, she tells herself again, searching her mother's face. In the end, we know so little.
In Aleksei's fanciful dream of two Katherines by Caucasian blue waters, his sister and his English love, there is a child also, a fairy-tale girl, he fancies, with flyaway hair at the nape. She chirps gaily as a bird and is rosier than a red rose and whiter than white snow.
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In Aleksei's fanciful dream of two Katherines by Caucasian blue waters, his sister and his English love, there is a child also, a fairy-tale girl, he fancies, with flyaway hair at the nape. She chirps gaily as a bird and is rosier than a red rose and whiter than white snow.
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