EF

Ennio Flaiano

17quotes

Ennio Flaiano: A Life of Wit and Intellect
=============================================

Full Name and Common Aliases


---------------------------------

Ennio Flaiano was born Enrico Maria D'Alessandro on October 5, 1910, in Pescara, Italy. He is commonly known as Ennio Flaiano.

Birth and Death Dates


-------------------------

October 5, 1910 – November 8, 1972

Nationality and Profession(s)


---------------------------------

Italian writer, screenwriter, journalist, and novelist. His works span various genres, including drama, comedy, and satire.

Early Life and Background


------------------------------

Ennio Flaiano's childhood was marked by his father's early death and his mother's struggles to raise him and his siblings in a modest household. These formative experiences would later influence his writing style and themes of social commentary. He developed an interest in literature at an early age, influenced by Italian authors like Gabriele D'Annunzio.

Flaiano attended the University of Rome, where he began to hone his writing skills as a journalist and novelist. During this period, he befriended fellow writers Pier Paolo Pasolini and Elio Vittorini, with whom he would collaborate on various projects.

Major Accomplishments


---------------------------

Novelist: Flaiano's first novel, _Tutti i colori del buio_ (All the Colors of Darkness), was published in 1944. He went on to write several novels, including _La paura del cielo_ (Fear of Heaven) and _Il giardino dei Finzi-Contini_ is not his work but he collaborated with Vittorini on its first draft.
 Screenwriter: Flaiano wrote the screenplay for Federico Fellini's 1960 film _La Dolce Vita_. He also collaborated with Fellini on other projects, such as _Le Notti di Cabiria_ (The Nights of Cabiria).
Journalist and Essayist: Flaiano worked as a journalist for various publications, including the Italian newspaper _Il Mondo_. His essays often tackled social issues and politics.

Notable Works or Actions


-----------------------------

Flaiano's works are known for their intellectual depth and wit. Some of his notable writings include:

_Tutti i colori del buio_ (All the Colors of Darkness) - a novel that explores themes of alienation and social disillusionment.
* _La paura del cielo_ (Fear of Heaven) - a novel that delves into the complexities of human relationships and morality.

Impact and Legacy


-------------------------

Ennio Flaiano's impact on Italian literature is significant. His works often tackled complex themes, such as social inequality, politics, and human relationships. His collaborations with Federico Fellini had a lasting influence on Italian cinema.

Flaiano's legacy extends beyond his literary achievements. He was a vocal critic of the fascist regime in Italy during World War II. His commitment to intellectual freedom and social justice continues to inspire readers today.

Why They Are Widely Quoted or Remembered


---------------------------------------------

Ennio Flaiano is widely quoted for his sharp wit, intellectual curiosity, and commitment to social commentary. His works continue to be studied and admired for their depth and complexity. As a writer, journalist, and screenwriter, he left an indelible mark on Italian literature and cinema.

Flaiano's life and work serve as a testament to the power of intellectual inquiry and creative expression. His legacy reminds us that art can be a powerful tool for social commentary and critique.

Quotes by Ennio Flaiano

La massa di proposte m’accresce una delle nausee tipiche della vita moderna: la nausea dell’informazione totale.
"
La massa di proposte m’accresce una delle nausee tipiche della vita moderna: la nausea dell’informazione totale.
EF
Stavo con i piedi fortemente poggiati sulle nuvole.
"
Stavo con i piedi fortemente poggiati sulle nuvole.
EF
One day fascism will be treated with psychoanalysis.
"
One day fascism will be treated with psychoanalysis.
EF
Fascists divide in two categories: the fascists and the anti-fascists.
"
Fascists divide in two categories: the fascists and the anti-fascists.
EF
Stupidity has made enormous progress. It’s a sun so shining that we can no longer look at it directly. Thanks to communication media, it’s no longer the same, it’s nourished by other myths, it sells extremely well, it has ridiculed good sense and it’s spreading its terrifying power.
"
Stupidity has made enormous progress. It’s a sun so shining that we can no longer look at it directly. Thanks to communication media, it’s no longer the same, it’s nourished by other myths, it sells extremely well, it has ridiculed good sense and it’s spreading its terrifying power.
EF
There are two kinds of fascists: fascists and anti-fascists.
"
There are two kinds of fascists: fascists and anti-fascists.
EF
In Italy, fascists come in two categories: fascists and anti-fascists.
"
In Italy, fascists come in two categories: fascists and anti-fascists.
EF
La vecchiaia è una realtà che dev’esserti comunicata, da solo non si riesce mai a intenderla, può essere scambiata per stanchezza, per noia, e anche per un raffinamento del gusto, del modo di intendere la vita; chiudersi, star soli, leggere e rileggere, sentirsi saggi
"
La vecchiaia è una realtà che dev’esserti comunicata, da solo non si riesce mai a intenderla, può essere scambiata per stanchezza, per noia, e anche per un raffinamento del gusto, del modo di intendere la vita; chiudersi, star soli, leggere e rileggere, sentirsi saggi
EF
Ho visto un po’ di teatro corrente e un po’ di teatro eccezionale; quest’ultimo mi ha riportato indietro nella mia giovinezza, quando anch’io ero mischiato nel teatro simbolista, surrealista, espressionista. Di tutto questo teatro mi è rimasta la certezza che è preferibile la vita.
"
Ho visto un po’ di teatro corrente e un po’ di teatro eccezionale; quest’ultimo mi ha riportato indietro nella mia giovinezza, quando anch’io ero mischiato nel teatro simbolista, surrealista, espressionista. Di tutto questo teatro mi è rimasta la certezza che è preferibile la vita.
EF
#teatro
Forse la nostra salvezza è nel non credere che la perfezione esista, o semplicemente nel trovarla noiosa.
"
Forse la nostra salvezza è nel non credere che la perfezione esista, o semplicemente nel trovarla noiosa.
EF
Showing 1 to 10 of 17 results