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Evelyn Glennie


#### Full Name and Common Aliases
Evelyn Elizabeth Betty Glennie OBE is a renowned Scottish percussionist known for her unique approach to music-making.

#### Birth and Death Dates
Born on February 25, 1965. Still active in the music world.

#### Nationality and Profession(s)
Scottish by birth, Evelyn Glennie is a professional classical musician specializing in percussion instruments.

#### ## Early Life
Growing up in Aberdeenshire, Scotland, Evelyn Glennie was exposed to a diverse range of musical influences from an early age. Her father, a farmer, encouraged her interest in music. Glennie's parents recognized her talent and provided the necessary support for her to pursue a career in music.

#### ## Major Accomplishments
Evelyn Glennie has achieved numerous milestones throughout her illustrious career:

Awarded: She was awarded an OBE (Order of the British Empire) by Queen Elizabeth II in 2007 for services to music.
Pioneering Performer: Glennie is known for her innovative approach to performing percussion, often incorporating dance and movement into her performances.
Collaborations: She has collaborated with various notable musicians, including conductors and composers.

#### ## Notable Works or Actions
Some of Evelyn Glennie's most notable works include:

Solo Albums: Glennie has released several solo albums that showcase her technical mastery and artistic expression on the percussion.
Commissioned Pieces: She has commissioned numerous pieces from contemporary composers, further expanding the repertoire for percussion.

#### ## Impact and Legacy
Evelyn Glennie's impact extends far beyond her own performances:

Inspiring Future Generations: Her dedication to music education and advocacy has inspired countless young musicians worldwide.
Expanding Musical Boundaries: Through her innovative approach, she has pushed the boundaries of what is possible on percussion instruments.

#### ## Why They Are Widely Quoted or Remembered
Evelyn Glennie's quotes often highlight her passion for music-making and its transformative power:

"When I'm not feeling music, I don't feel much."
* "The more we allow ourselves to be open to the experience of sound, the more we can become part of something greater than our individual selves."

These words reflect Glennie's deep understanding of music as a means of connection and transcendence. Her legacy continues to inspire audiences and musicians alike with its profound impact on the world of classical music.

Quotes by Evelyn Glennie

I just assumed the world was full of solo percussionists. I couldn’t find sticks or music or anything where I was, but that was expected because there was nothing there anyway. And I think that was possibly the greatest asset for me, just not knowing.
"
I just assumed the world was full of solo percussionists. I couldn’t find sticks or music or anything where I was, but that was expected because there was nothing there anyway. And I think that was possibly the greatest asset for me, just not knowing.
A large part of my work has been collaborating with composers; I think we’ve commissioned about 140 pieces now, a lot of them percussion concertos.
"
A large part of my work has been collaborating with composers; I think we’ve commissioned about 140 pieces now, a lot of them percussion concertos.
I often play on the cello-bass side of the orchestra, because I prefer the deep sounds. I can’t hear the violins well.
"
I often play on the cello-bass side of the orchestra, because I prefer the deep sounds. I can’t hear the violins well.
There are many collaborations I’d like to explore. One is to co-write a rap concerto with Eminem.
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There are many collaborations I’d like to explore. One is to co-write a rap concerto with Eminem.
I’ve kept a diary since I was 11.
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I’ve kept a diary since I was 11.
My favorite instrument is the snare drum. In Scotland, the snare drum is very prominent in Highland bands. The Scottish style of playing is in my blood. It’s a very powerful instrument, but it can also be soothing, like velvet. It’s a real challenge for composers.
"
My favorite instrument is the snare drum. In Scotland, the snare drum is very prominent in Highland bands. The Scottish style of playing is in my blood. It’s a very powerful instrument, but it can also be soothing, like velvet. It’s a real challenge for composers.
Once you’re in a particular country, and you’re surrounded by musicians who are so adept at traditional music, you suddenly realize how much there is to explore and digest and learn and experience.
"
Once you’re in a particular country, and you’re surrounded by musicians who are so adept at traditional music, you suddenly realize how much there is to explore and digest and learn and experience.
I didn’t decide to become a musician until the age of 15, which is quite late.
"
I didn’t decide to become a musician until the age of 15, which is quite late.
Apart from Scottish traditional music, I wasn’t really influenced by any kind of music. I just basically followed my own instincts.
"
Apart from Scottish traditional music, I wasn’t really influenced by any kind of music. I just basically followed my own instincts.
And as I grew older, I then auditioned for the Royal Academy of Music in London, and they said, well, no, we won’t accept you, because we haven’t a clue – you know – of the future of a so-called ‘deaf’ musician. And I just couldn’t quite accept that.
"
And as I grew older, I then auditioned for the Royal Academy of Music in London, and they said, well, no, we won’t accept you, because we haven’t a clue – you know – of the future of a so-called ‘deaf’ musician. And I just couldn’t quite accept that.
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