François Truffaut


Full Name and Common Aliases

François Roland Truffaut was a French film director, screenwriter, and producer who is widely regarded as one of the most influential filmmakers of all time.

Birth and Death Dates

Born on February 6, 1932, in Paris, France, Truffaut passed away on October 21, 1984, at the age of 52 due to complications from brain cancer.

Nationality and Profession(s)

Truffaut was a French national and worked as a film director, screenwriter, producer, and critic throughout his career. He is best known for his work in the New Wave movement, which sought to revolutionize traditional filmmaking practices.

Early Life and Background

Growing up in a troubled household with an abusive mother, Truffaut's early life was marked by difficulties. As a child, he spent time in juvenile prison before being released at 17. It was during this period that he began to develop an interest in cinema. After serving in the French army, Truffaut began writing film criticism for various publications, including _Cahiers du Cinéma_, where he met like-minded individuals who would eventually become part of the New Wave movement.

Major Accomplishments

Truffaut's breakthrough as a filmmaker came with the release of his 1959 debut feature, _The 400 Blows_. This semi-autobiographical coming-of-age drama earned him critical acclaim and established Truffaut as one of the leading figures of the French New Wave. He went on to direct numerous classics, including _Jules and Jim_ (1962), _Shoot the Piano Player_ (1960), and _Day for Night_ (1973). His films often explored themes of alienation, identity, and human connection.

Notable Works or Actions

Some of Truffaut's most notable works include:

_The Last Metro_ (1980): A drama set during World War II that explores the lives of those living in occupied Paris.
_Fahrenheit 451_ (1966): An adaptation of Ray Bradbury's novel about a future where books are banned and critical thinking is discouraged.

Truffaut was also an outspoken advocate for artists' rights. He co-founded the Directors Guild of France, which aimed to improve working conditions and compensation for filmmakers.

Impact and Legacy

François Truffaut's influence on world cinema cannot be overstated. His innovative storytelling style and willingness to experiment with narrative structures have inspired generations of filmmakers. Many notable directors, including Martin Scorsese and Steven Spielberg, have cited Truffaut as a major influence.

Truffaut's legacy extends beyond his films themselves. He played a significant role in shaping the course of French cinema during its golden era, which saw the emergence of iconic filmmakers like Jean-Luc Godard and Éric Rohmer.

Why They Are Widely Quoted or Remembered

François Truffaut is widely quoted and remembered for his insightful critiques on filmmaking and his contributions to the development of cinematic language. His quotes often provide valuable insights into his creative process, filmmaking philosophy, and artistic vision.

Quotes by Francois Truffaut

To be a film-maker, you are almost forced to be surrounded by contradictions... You must have talents of so many different kinds - talents that are contradictory.
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To be a film-maker, you are almost forced to be surrounded by contradictions... You must have talents of so many different kinds - talents that are contradictory.
I am less instinctive as I try to be more professional - about the music, about the sound.
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I am less instinctive as I try to be more professional - about the music, about the sound.
I may find myself changing my notions about what I want to do right in the middle of a film. And on days when I'm feeling merry, I shoot merry scenes, and on gloomy days, I shoot gloomy ones.
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I may find myself changing my notions about what I want to do right in the middle of a film. And on days when I'm feeling merry, I shoot merry scenes, and on gloomy days, I shoot gloomy ones.
I want my audience to be constantly captivated, bewitched, so that it leaves the theatre dazed, stunned to be back on the pavement.
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I want my audience to be constantly captivated, bewitched, so that it leaves the theatre dazed, stunned to be back on the pavement.
If I have some free time, I leave Paris with some books about the cinema. If I'm not filming, I'm watching films.
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If I have some free time, I leave Paris with some books about the cinema. If I'm not filming, I'm watching films.
I had thought of writing, actually, and that later on I’d be a novelist.
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I had thought of writing, actually, and that later on I’d be a novelist.
I’d skip school regularly to see movies – even in the morning, in the small Parisian theaters that opened early.
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I’d skip school regularly to see movies – even in the morning, in the small Parisian theaters that opened early.
At first, I wasn’t sure whether I’d be a critic or a filmmaker, but I knew it would be something like that.
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At first, I wasn’t sure whether I’d be a critic or a filmmaker, but I knew it would be something like that.
An actor is never so great as when he reminds you of an animal – falling like a cat, lying like a dog, moving like a fox.
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An actor is never so great as when he reminds you of an animal – falling like a cat, lying like a dog, moving like a fox.
Some day I’ll make a film that critics will like. When I have money to waste.
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Some day I’ll make a film that critics will like. When I have money to waste.
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