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Frank Rich
56quotes
Frank Rich
Full Name and Common Aliases
Frank Richard Rich is a renowned American playwright, theater critic, and opinion columnist.
Birth and Death Dates
Born on June 31, 1949, in Washington, D.C., he continues to be an influential voice in the media landscape.
Nationality and Profession(s)
As a citizen of the United States, Frank Rich has carved out a successful career as both a playwright and a theater critic. His work spans multiple disciplines, with notable contributions to the fields of drama and journalism.
Early Life and Background
Growing up in a family that valued the arts, Rich was exposed to the world of theater from an early age. He developed a passion for writing and performance, which eventually led him to study at Harvard University. After completing his education, he began working as a theater critic for _The New York Post_.
Major Accomplishments
Throughout his career, Frank Rich has made significant contributions to the world of theater and journalism. As a playwright, he has seen numerous productions of his work take to the stage, including "The Front Page" and "Lend Me a Tenor." His most notable achievement as a playwright is arguably the production of "La Bête," which earned him critical acclaim in 1991.
Notable Works or Actions
In addition to his work as a playwright, Frank Rich has been a prominent voice in journalism. As the chief theater critic for _The New York Times_ from 1980 to 1993 and later as an opinion columnist for the same publication from 2007 to 2011, he used his platform to offer insightful commentary on the world of theater and beyond.
Impact and Legacy
Frank Rich's impact on the world of theater and journalism cannot be overstated. Through his work as a playwright and critic, he has helped shape the way audiences think about drama and its place in society. His contributions to _The New York Times_ have also made him a household name among those interested in current events.
Why They Are Widely Quoted or Remembered
Frank Rich's enduring popularity can be attributed to his unique ability to combine wit, insight, and intellectual curiosity. As both a playwright and critic, he has demonstrated a profound understanding of the role theater plays in reflecting and influencing society. His influence extends beyond the world of theater, as his commentary on politics and culture continues to resonate with readers today.
Frank Rich's legacy serves as a testament to the power of dedicated craftsmanship and intellectual curiosity. As a writer, critic, and observer of human nature, he has left an indelible mark on both the world of theater and beyond. His continued influence is a reminder that even the most seemingly niche areas – such as drama criticism – can have far-reaching implications for our understanding of ourselves and the world around us.
Quotes by Frank Rich
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It is kind of tedious after a while, to parse politicians doing the same thing over and over again. The facts change from week to week, but the sort of masquerade doesn’t.
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If Obama needs to be criticized, I will criticize him. There’s a tremendous amount of excitement about him. And a corollary of that is, as we’re learning, from newspapers and magazines that are going into overdrive reprinting Obama editions, etc.
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The only truly shocking thing about last Tuesday’s election is that the Democrats didn’t do far worse, or as badly as they deserved.
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The truth is that a lot of plays aren’t political at all. In American theater history, political theater has tended to crop up when there’s a crisis, a national crisis.
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I’m always struck by the kids who turn up in New York and LA, and places in between. Chicago. Wanting to do theater, wanting to do independent film. Wanting to break into television or radio.
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Our humanity has been compromised by those who use Gestapo tactics in our war. The longer we stand idly by while they do so, the more we resemble those ‘good Germans’ who professed ignorance of their own Gestapo.
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The cruel ambush of 9/11 supposedly 'changed everything,' slapping us back to reality. Yet we are constantly shocked, shocked by the foreseeable.
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What was most striking about the Obama speech in Berlin was not anything he said so much as the alternative reality it fostered: many American children have never before seen huge crowds turn out abroad to wave American flags instead of burn them.
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To me, the fun part of both jobs is to always try to push the discussion and debate forward in some way. The most fun part of being a theater critic for the Times was always to try and champion something that maybe other people didn't like, or that was produced under obscure circumstances or had to fight for its life. And I would say in the column what I try to do is in some ways related in that I'm trying to fight for a point of view. I'm not trying to be a kingmaker in either job, and don't want to be, and shouldn't be.
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