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Fred Seibert
12quotes
Fred Seibert: The Visionary Behind Ren & Stimpy and Other Iconic Cartoon Comedies
Full Name and Common Aliases
Fred Seibert is a renowned American animator, producer, and television personality. He is best known for his work on the Adult Swim shows Ren & Stimpy and The Hammer, as well as other notable cartoon comedies.
Birth and Death Dates
Born on November 13, 1951, in New York City, Fred Seibert has been a driving force in animation and television production for over five decades.
Nationality and Profession(s)
Fred Seibert is an American national with a career spanning multiple professions: animator, producer, writer, director, and executive. He has made significant contributions to the world of cartoon comedy, leaving an indelible mark on the entertainment industry.
Early Life and Background
Growing up in New York City, Fred Seibert developed a passion for animation from an early age. He began his career as an animator at Seadog Productions, where he worked on several short films and commercials. This experience laid the foundation for his future success in the entertainment industry.
Major Accomplishments
Fred Seibert's most notable accomplishment is probably creating and producing Ren & Stimpy (1991-1996), a groundbreaking adult animated series that pushed the boundaries of animation and satire. The show's offbeat humor, intricate character designs, and experimental storytelling style made it an instant cult classic.
Notable Works or Actions
Some of Fred Seibert's notable works include:
The Hammer (1987-1988), a claymation series that showcased his versatility as a producer.
What a Cartoon! (1995-1996), a show that aimed to discover and nurture new talent in animation.
Fred Seibert's entrepreneurial spirit led him to found two production companies: Spike & Mike's Festival of Animation (1984) and Ren & Stimpy Productions (1991). These ventures allowed him to showcase his unique vision and collaborate with fellow creatives.
Impact and Legacy
Fred Seibert's impact on the animation industry cannot be overstated. He has inspired generations of animators, producers, and writers with his innovative approach to storytelling and character development. His influence can be seen in many contemporary animated shows, from Adventure Time to BoJack Horseman.
Why They Are Widely Quoted or Remembered
Fred Seibert is widely quoted and remembered for his bold vision, creative genius, and dedication to nurturing new talent in animation. He has been recognized with numerous awards, including multiple Emmy Awards and a Peabody Award, for his contributions to the industry.
As a true pioneer in cartoon comedy, Fred Seibert continues to inspire audiences and creators alike. His legacy serves as a testament to the power of innovation, creativity, and perseverance in the entertainment industry.
Quotes by Fred Seibert
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One of the most effective ways we started our web efforts in the early 2000s with our first channel Frederator, we basically showcased 1000's of shows on our show over a few years and what that did was introduce us to talented people from all across the world, you name it, we met people all over the place.
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Up until the time Turner Broadcasting bought Hanna-Barbera, it was essentially an independent studio whose planning cycle had to be nine months. You got a pickup in January, and you put it on the air in September. That's been the cycle.
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The early seasons of 'The Simpsons' had a great deal of heart. That's what I'm trying to pull from, the kind of stuff that goes straight to kids' hearts. When they're watching, they don't necessarily know why they love something.
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If you were to look at an old 'Betty Boop' cartoon or an 'Out of the Ink Well' animation, there are many things about 'Adventure Time' that really remind you of that, even though it doesn't look like any of those cartoons.
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If you mentioned Hanna-Barbera to people, they said, 'Oh yeah, Flintstone, Yogi, Scooby-Doo, Jetsons,' and that was pretty much it. We have characters with very high recognition factors and great films, but no organized plans for really making the most of them and increasing their value.
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I come from a time when pop music was the coin of the cultural realm and in a certain way was the only coin of the realm; movies didn't matter as much, and not TV - it was all about pop music. In the era when I started - which was the early '60s - it was all about singles leading to albums.
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My background is that I've spent a lot of time marketing entertainment. One of the old saws in package goods is you can take something that is popular and you can make it more popular. But if you take something less popular, you can't automatically market it into the same success as something that's already popular.
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Castle Rock and New Line each have their strengths, but the great thing about New Line is that they are a real focused-market, niche-market player who understand franchises. They probably understand the franchise business in motion pictures better than anyone else out there.
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Everything about 'Adventure Time' is the purest form of kid's play. A kid does not live in the Land of Ooo. That is one of the wonderful things about the show; it doesn't pretend to be real. That was the great thing about 'Pee Wee's Playhouse'; it existed in a world completely outside any reality a kid recognized.
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