Gerard Manley Hopkins
Gerard Manley Hopkins
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Full Name and Common Aliases
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Gerard Manley Hopkins was born Gerard Robert Hopkins on July 28, 1844, in Essex, England. He is commonly known as Gerard Manley Hopkins, although some sources refer to him as G.M.H.
Birth and Death Dates
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July 28, 1844 – June 8, 1889
Nationality and Profession(s)
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English poet, Jesuit priest, and classicist. Hopkins is considered one of the greatest poets of the Victorian era.
Early Life and Background
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Gerard Manley Hopkins was born to Manley and Mary Hopkins in Essex, England. His father was a banker, and his mother came from a family of merchants. The Hopkins family lived in London for most of Gerard's childhood before moving to Oxford, where he developed an interest in poetry.
Hopkins attended Highgate School in London and later won a scholarship to Balliol College, Oxford. At Oxford, he studied classics and became fascinated with the works of Greek poets such as Pindar and Sophocles. During his time at university, Hopkins began writing poetry, drawing inspiration from his studies and personal experiences.
In 1868, Hopkins converted to Catholicism, which had a profound impact on his life and work. He later entered the Jesuit Order in 1868, taking vows as a novice in 1877. As a priest, Hopkins continued to write poetry, often exploring themes of faith, nature, and human existence.
Major Accomplishments
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Hopkins made significant contributions to English literature through his innovative and expressive poetry style. He is known for coining the term "inscape" to describe the unique essence or character of a thing, which became a central concept in his work.
As a classicist, Hopkins was also an accomplished scholar and teacher. He taught classics at various institutions, including Oxford University, and wrote several papers on ancient Greek literature.
Notable Works or Actions
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Some of Hopkins' most notable works include:
"The Wreck of the Deutschland": A long poem written in 1875-76 that explores themes of faith, fate, and human existence.
"The Windhover": A short poem from 1877 that celebrates the beauty of a kestrel bird and its spiritual significance.
* "No Worst There Is None" (Spring and Fall): A poem written in 1880 that explores the cycle of life, death, and rebirth.
Impact and Legacy
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Gerard Manley Hopkins' poetry has had a lasting impact on English literature. His innovative style, which blended traditional forms with modern themes, influenced generations of poets. Some notable poets who have been inspired by Hopkins include W.H. Auden, T.S. Eliot, and Dylan Thomas.
Hopkins' conversion to Catholicism also made him a significant figure in the history of Catholic literature. As a priest and scholar, he helped to promote understanding between Catholics and Protestants through his writings.
Why They Are Widely Quoted or Remembered
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Gerard Manley Hopkins is widely quoted for his thought-provoking and beautiful poetry. His unique style, which blends spiritual themes with observations of nature, continues to inspire readers today. As a scholar, teacher, and poet, Hopkins' legacy extends far beyond his literary contributions. He remains an important figure in the history of English literature and Catholicism.
Hopkins' poetry is often quoted for its spiritual depth and philosophical insights. His use of language, which is both precise and evocative, has influenced generations of writers and poets.
Quotes by Gerard Manley Hopkins
Gerard Manley Hopkins's insights on:

My heart in hiding / Stirred for a bird,—the achieve of, the mastery of the thing!

O the mind, mind has mountains; cliffs of fall / Frightful, sheer, no-man-fathomed. / Hold them cheap / May who ne'er hung there. / 'No worst, there is none.

How lovely the elder brother’s / Life all laced in the other’s, / Lóve-laced!—what once I well / Witnessed; so fortune fell.

How lovely the elder brother’s / Life all laced in the other’s, / Lóve-laced!—what once I well / Witnessed; so fortune fell. / When Shrovetide, two years gone, / Our boys’ plays brought on / Part was picked for John, / Young Jóhn: then fear, then joy / Ran revel in the elder boy. / Their night was come now; all / Our company thronged the hall; / Henry, by the wall, / Beckoned me beside him: / I came where called, and eyed him / By meanwhiles; making my play / Turn most on tender byplay.

What would the world be, once bereft / Of wet and wildness? Let them be left, / O let them be left, wildness and wet; / Long live the weeds and the wilderness yet.

Generations have trod, have trod, have trod; / And all is seared with trade; bleared, smeared with toil; / And wears man's smudge and shares man's smell.

Nothing is so beautiful as spring -- / When weeds, in wheels, shoot long and lovely and lush; / Thrush's eggs look little low heavens, and thrush / Through the echoing timber does so rinse and wring / The ear, it strikes like lightnings to hear him sing; / The glassy peartree leaves and blooms, they brush / The descending blue; that blue is all in a rushWith richness; the racing lambs too have fair their fling.

Mannerly-hearted! more than handsome face— / Beauty’s bearing or muse of mounting vein, / All, in this case, bathed in high hallowing grace…

Look at the stars! look, look up at the skies! / Oh look at all the fire-folk sitting in the air! / The bright boroughs, the circle-citadels there!
