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Grant Heslov

36quotes

Grant Heslov


Film Producer, Screenwriter, and Actor


Full Name and Common Aliases


Grant Heslov's full name is Grant A. Heslov, and he is often referred to by his first name in the industry.

Birth and Death Dates


Born on May 30, 1963, Grant Heslov is still active in his career as a film producer, screenwriter, and actor.

Nationality and Profession(s)


Grant Heslov holds American nationality and has established himself as a multifaceted artist in the entertainment industry. His professions include:

Film Producer: He has produced several critically acclaimed films, including Munich, The Men Who Stare at Goats, and American Sniper.
Screenwriter: Heslov co-wrote the screenplay for American Sniper, which was based on Chris Kyle's memoir of the same name.
Actor: He has appeared in various films, such as Munich, The Men Who Stare at Goats, and Lions for Lambs.

Early Life and Background


Grant Heslov grew up in Los Angeles. Little is known about his early life, but it's clear that he developed an interest in the arts from a young age. Heslov attended New York University, where he honed his skills as a writer and actor. After completing his education, he began working in the entertainment industry.

Major Accomplishments


Throughout his career, Grant Heslov has received numerous awards and nominations for his work on various films. Notably:

He won the Academy Award for Best Picture as part of the production team for American Sniper, which also earned him a nomination for Best Adapted Screenplay.
In 2015, Heslov was nominated for the Golden Globe Award for Best Director for his work on American Sniper.

Notable Works or Actions


Some of Grant Heslov's most notable works include:

Munich (2005): A historical drama film directed by Steven Spielberg, which explores the aftermath of the 1972 Munich Olympics massacre.
The Men Who Stare at Goats (2009): A satirical comedy-drama film directed by Grant Heslov, based on the book of the same name by Jon Ronson.
American Sniper (2014): A biographical war drama film directed by Clint Eastwood, which tells the story of Chris Kyle, a former US Navy SEAL.

Impact and Legacy


As a producer, screenwriter, and actor, Grant Heslov has left an indelible mark on the entertainment industry. His dedication to storytelling and his ability to collaborate with talented artists have resulted in numerous critically acclaimed films that continue to captivate audiences worldwide.

Why They Are Widely Quoted or Remembered


Grant Heslov is widely quoted and remembered for his thought-provoking stories, which often explore complex themes such as war, loss, and redemption. His contributions to the film industry have not only entertained but also educated and inspired viewers around the world.

Quotes by Grant Heslov

Generally, screenplays suck.
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Generally, screenplays suck.
I'm very superstitious.
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I'm very superstitious.
I didn't want to be 50 or 60 and auditioning for a three-line role.
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I didn't want to be 50 or 60 and auditioning for a three-line role.
'The Ides of March' was a fairly cynical film.
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'The Ides of March' was a fairly cynical film.
We usually break the story first. For instance, on The Monuments Men, and this one is more complicated because there's a lot of history, so before we started, we sat down with Robert Edsel, the author of the book, for about a week, and basically, he just gave us a lecture and went through everything. And then, I had a researcher, somebody who we had actually used on Argo.
"
We usually break the story first. For instance, on The Monuments Men, and this one is more complicated because there's a lot of history, so before we started, we sat down with Robert Edsel, the author of the book, for about a week, and basically, he just gave us a lecture and went through everything. And then, I had a researcher, somebody who we had actually used on Argo.
A lot of the art that was destroyed was painted and created by Jews. A lot of that is gone because that was degenerative art. That's what Hitler was trying to get rid of.
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A lot of the art that was destroyed was painted and created by Jews. A lot of that is gone because that was degenerative art. That's what Hitler was trying to get rid of.
You really have to get out of an actor's head to write because actors only care about their part and it revolves around their part so "This is the important part because this is the part where..." .
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You really have to get out of an actor's head to write because actors only care about their part and it revolves around their part so "This is the important part because this is the part where..." .
As a writer, you know what the purpose of the scene is. It really has nothing to do with the actor so you have to really get out of that space because for actors it's a micro-focus and then you figure out your arc through what the writers have given you to say. But that arc is just one little piece of the huge arc of the whole film. It took a while to get out of that.
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As a writer, you know what the purpose of the scene is. It really has nothing to do with the actor so you have to really get out of that space because for actors it's a micro-focus and then you figure out your arc through what the writers have given you to say. But that arc is just one little piece of the huge arc of the whole film. It took a while to get out of that.
That's like a word in the dictionary now. It doesn't surprise me, but it makes me kinda sad. And it makes me a little frightened.
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That's like a word in the dictionary now. It doesn't surprise me, but it makes me kinda sad. And it makes me a little frightened.
A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and it's not an easy sell. If you make it for $7 million, then everybody can have a chance to make a little bit of money, and you get to make the film you want to make.
"
A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and it's not an easy sell. If you make it for $7 million, then everybody can have a chance to make a little bit of money, and you get to make the film you want to make.
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