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Full Name and Common Aliases


Gustav Meyrink was born as Gustav Meyer on October 29, 1868, in Vienna, Austria-Hungary.

Birth and Death Dates


October 29, 1868 - April 4, 1932

Nationality and Profession(s)


Meyrink was an Austrian-German writer, poet, and occultist. His work spanned multiple genres, including supernatural fiction, philosophy, and mysticism.

Early Life and Background


Gustav Meyrink's early life was marked by a unique blend of cultural influences and spiritual exploration. Born to a Jewish family in Vienna, he would later convert to Catholicism and explore various forms of mysticism. His father, Moritz Meyer, was a successful businessman who ran a textile factory. The family's wealth and social standing allowed Meyrink access to an excellent education, which he utilized to develop his interests in literature and philosophy.

Meyrink's fascination with the supernatural and occult began at an early age. He devoured books on mysticism, alchemy, and the paranormal, often incorporating these themes into his own writing. His interest in spirituality led him to explore various esoteric traditions, including Theosophy and Hermeticism. This spiritual quest would become a defining aspect of his life's work.

Major Accomplishments


Meyrink's literary career began with the publication of The Golem (1908), a supernatural novel that drew heavily from Jewish mythology. The book's success established Meyrink as a prominent figure in European literature, and he went on to write numerous novels, short stories, and essays.

Some of his notable works include:

_The Angel of Death_ (1911)
_The Green Face_ (1922)
* _The White Dominican_

These writings showcased Meyrink's mastery of the supernatural genre and cemented his reputation as a leading voice in the field.

Notable Works or Actions


Meyrink's writing often explored themes of spirituality, morality, and the human condition. His works frequently featured elements of horror, mystery, and the unknown, captivating readers with their blend of psychological insight and supernatural intrigue.

In addition to his literary output, Meyrink was known for his involvement in various occult societies and spiritual organizations. He was particularly drawn to Theosophy, an esoteric movement that sought to understand the mysteries of the universe through a combination of Eastern spirituality and Western mysticism.

Impact and Legacy


Gustav Meyrink's impact on literature and popular culture cannot be overstated. His writing has influenced generations of authors, from H.P. Lovecraft to Umberto Eco, who have drawn inspiration from his unique blend of horror, mystery, and the supernatural.

Meyrink's legacy extends beyond the literary world as well. His exploration of mysticism and spirituality helped pave the way for later esoteric movements, including Wicca and Chaos magic.

Why They Are Widely Quoted or Remembered


Gustav Meyrink is widely quoted or remembered for his thought-provoking writings on the human condition, morality, and the supernatural. His unique blend of psychological insight and occult themes continues to captivate readers today, making him one of the most influential writers of the 20th century.

In conclusion, Gustav Meyrink was a writer, poet, and occultist whose life's work has left an indelible mark on literature and popular culture. Through his exploration of mysticism, spirituality, and the human condition, he continues to inspire readers around the world with his thought-provoking writings.

Quotes by Gustav Meyrink

The world we live in is a world of effects; the realm of true causes is hidden. If we should ever discover it we would be able to perform magic.
"
The world we live in is a world of effects; the realm of true causes is hidden. If we should ever discover it we would be able to perform magic.
A brief rustling that broke off short, as if startled at itself, then deadly silence, that agonising, watchful hush, fraught with its own betrayal, that stretched each minute to an excruciating eternity.
"
A brief rustling that broke off short, as if startled at itself, then deadly silence, that agonising, watchful hush, fraught with its own betrayal, that stretched each minute to an excruciating eternity.
There is nothing mysterious about it at all. It is only magic and sorcery – kishuf – that frighten men; life itches and burns like a hairshirt, but the rays from the sun of the spiritual world are mild and warming.
"
There is nothing mysterious about it at all. It is only magic and sorcery – kishuf – that frighten men; life itches and burns like a hairshirt, but the rays from the sun of the spiritual world are mild and warming.
Shouldn’t we be speaking of something more important than life and death?
"
Shouldn’t we be speaking of something more important than life and death?
Man is firmly convinced that he is awake; in reality he is caught in a net of sleep and dreams which he has unconsciously woven himself.
"
Man is firmly convinced that he is awake; in reality he is caught in a net of sleep and dreams which he has unconsciously woven himself.
Read the sacred writings of all the peoples on Earth. Through all of them runs, like a red thread, the hidden Science of attaining and maintaining wakefulness.
"
Read the sacred writings of all the peoples on Earth. Through all of them runs, like a red thread, the hidden Science of attaining and maintaining wakefulness.
It is the narrow, hidden tracks that lead back to our lost homeland, what contains the solution to the last mysteries is not the ugly scar that life’s rasp leaves on us, but the fine, almost invisible writing that is engraved on our body.
"
It is the narrow, hidden tracks that lead back to our lost homeland, what contains the solution to the last mysteries is not the ugly scar that life’s rasp leaves on us, but the fine, almost invisible writing that is engraved on our body.
Freude, die einen Anlaß braucht, ist nicht Freude, sondern Vergnügen.
"
Freude, die einen Anlaß braucht, ist nicht Freude, sondern Vergnügen.
Buchstaben zu empfinden, sie nicht nur mit den Augen in Büchern zu lesen, - einen Dolmetsch in mir selbst aufzustellen, der mir übersetzt, was die Instinkte ohne Worte raunen, darin muß der Schlüssel liegen, sich mit dem eigenen Innern durch klare Sprache zu verständigen, begriff ich.
"
Buchstaben zu empfinden, sie nicht nur mit den Augen in Büchern zu lesen, - einen Dolmetsch in mir selbst aufzustellen, der mir übersetzt, was die Instinkte ohne Worte raunen, darin muß der Schlüssel liegen, sich mit dem eigenen Innern durch klare Sprache zu verständigen, begriff ich.
Der Geschlechtstrieb ist das Joch vor dem Triumphwagen der Meduse, an den wir geschirrt sind.
"
Der Geschlechtstrieb ist das Joch vor dem Triumphwagen der Meduse, an den wir geschirrt sind.
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