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Harold Prince

110quotes

Harold Prince: A Legendary Theatrical Producer and Director


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Full Name and Common Aliases

Harold S. Brustein Prince is one of the most renowned theatrical producers and directors in the history of Broadway. Born on January 30, 1928, he is often referred to as "The Prince of Broadway" due to his remarkable contributions to the world of musical theater.

Birth and Death Dates


January 30, 1928 (born) - August 31, 2023 (died)

Nationality and Profession(s)


American, Theatrical Producer and Director

Harold Prince is a celebrated figure in the entertainment industry, with an illustrious career spanning over six decades. His work has had a profound impact on the world of musical theater, earning him numerous awards and accolades.

Early Life and Background


Prince was born in New York City to a Jewish family. His father, Harold Brustein, was a clothing manufacturer, and his mother, Helen (née Saperstein), was a pianist. Prince's early life was marked by a deep love for music and theater, which was encouraged by his parents. He attended the prestigious George School in Newtown, Pennsylvania, before enrolling at Yale University.

During his time at Yale, Prince developed a passion for directing and producing plays. His experiences as part of the university's drama club not only honed his skills but also laid the foundation for his future career. After graduating from Yale in 1949, Prince moved to New York City to pursue his dreams in the entertainment industry.

Major Accomplishments


Prince's impressive career is replete with numerous achievements, including:

Producing and directing some of the most iconic musicals of all time, such as "The Phantom of the Opera," "West Side Story," and "Fiddler on the Roof."
Winning a record-breaking 21 Tony Awards throughout his career.
Being awarded the Presidential Medal of Freedom in 2016 for his contributions to American culture.

Notable Works or Actions


Prince's body of work is a testament to his innovative spirit, creative vision, and dedication to his craft. Some of his most notable productions include:

"West Side Story" (1957) - Prince's first major success as a producer and director.
"Fiddler on the Roof" (1964) - A groundbreaking musical that earned 9 Tony Awards and became one of the longest-running shows in Broadway history.
"The Phantom of the Opera" (1986) - A global phenomenon that has been seen by over 140 million people worldwide.

Impact and Legacy


Prince's impact on the world of musical theater cannot be overstated. His innovative approach to storytelling, his ability to bring new and exciting ideas to life, and his unwavering commitment to excellence have inspired generations of artists and audiences alike.

As a true legend in the entertainment industry, Prince has left an indelible mark on American culture. His legacy continues to inspire and influence new generations of producers, directors, and performers, ensuring that his contributions will be remembered for years to come.

Why They Are Widely Quoted or Remembered


Prince's remarkable career, marked by numerous awards and accolades, has cemented his status as one of the most celebrated figures in the entertainment industry. His quotes, thoughts on theater, and reflections on his experiences are widely sought after, offering valuable insights into the creative process and the art of storytelling.

Through his tireless efforts to push the boundaries of musical theater, Harold Prince has earned a permanent place in history, inspiring countless others to follow in his footsteps and continue the tradition of excellence that he embodied.

Quotes by Harold Prince

'Showboat' is the quintessential family show.
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'Showboat' is the quintessential family show.
Producing should be a creative responsibility.
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Producing should be a creative responsibility.
I’m always glad to see somebody rethink something rather than reproduce something I did.
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I’m always glad to see somebody rethink something rather than reproduce something I did.
I didn’t go into the theater to be a producer, I went into the theater to be a director.
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I didn’t go into the theater to be a producer, I went into the theater to be a director.
I wouldn’t want to be just pigeonholed as an extravagant director.
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I wouldn’t want to be just pigeonholed as an extravagant director.
We’ve got to find a way to protect the process of making musical theater.
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We’ve got to find a way to protect the process of making musical theater.
Producers want to put their music behind revivals but I don’t think that’s a good trend for the theater at all.
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Producers want to put their music behind revivals but I don’t think that’s a good trend for the theater at all.
There are wonderful composers and librettists out there. It’s the lack of creative producers that is troubling.
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There are wonderful composers and librettists out there. It’s the lack of creative producers that is troubling.
The musical has always been in jeopardy – until – or was in jeopardy until it was realised that it is probably the safest living theatre art form.
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The musical has always been in jeopardy – until – or was in jeopardy until it was realised that it is probably the safest living theatre art form.
I’ve seen a lot of ‘Show Boats,’ but I’ve never seen the one that thoroughly satisfies me.
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I’ve seen a lot of ‘Show Boats,’ but I’ve never seen the one that thoroughly satisfies me.
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