James T. Farrell
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Full Name and Common Aliases


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James Thomas Farrell was an American novelist, short story writer, and social commentator, commonly known by his initials J.T.F.

Birth and Death Dates


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Born on February 27, 1904, in Chicago, Illinois, James T. Farrell passed away on August 22, 1979, in New York City.

Nationality and Profession(s)


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Farrell was an American author of Irish descent, primarily known for his work as a novelist and short story writer.

Early Life and Background


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James T. Farrell grew up in Chicago's tough South Side, where the harsh realities of urban poverty would later become a defining theme in his writing. His father, John Joseph Farrell, was an immigrant from Ireland who struggled to provide for his family during the Great Depression. These early experiences had a profound impact on Farrell's worldview and shaped his literary output.

As a young man, Farrell developed a strong interest in literature, particularly the works of William Faulkner, Ernest Hemingway, and John Dos Passos. He attended DePaul University in Chicago before transferring to the University of Illinois at Urbana-Champaign, where he began to develop his writing skills.

Major Accomplishments


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Farrell's most notable literary achievement was the creation of the Studs Lonigan trilogy, a series of novels that chronicled the life of an Irish-American youth growing up in Chicago during the early 20th century. The trilogy consisted of:

"Young Lonigan" (1932)
"The Young Manhood of Studs Lonigan" (1940)
"Judgment Day" (1950)

These novels were praised for their vivid portrayal of urban poverty and the struggles faced by working-class Americans during the Great Depression.

Farrell's writing often explored themes of alienation, disillusionment, and social critique. His works frequently featured marginalized characters struggling to navigate the complexities of modern life.

Notable Works or Actions


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Some notable works by James T. Farrell include:

"Studs Lonigan" (1934-1950): A series of novels that follow the life of Studs Lonigan from childhood to adulthood.
"A Little Cloud and Other Stories" (1947): A collection of short stories showcasing Farrell's ability to capture the essence of working-class life in Chicago.
"My Days of Anger" (1956): A novel that explores themes of alienation, disillusionment, and social critique.

Impact and Legacy


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James T. Farrell's work had a significant impact on American literature during the mid-20th century. His Studs Lonigan trilogy is widely regarded as one of the most important works of urban fiction in American literary history.

Farrell's writing style, which blended elements of realism, naturalism, and social commentary, influenced generations of writers to come. His exploration of themes such as poverty, alienation, and disillusionment resonated with readers struggling to navigate the complexities of modern life during the post-war period.

Why They Are Widely Quoted or Remembered


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James T. Farrell is widely quoted or remembered for his insightful portrayal of urban poverty, working-class struggles, and social critique in the early 20th century American experience. His works continue to be celebrated for their literary merit, historical significance, and enduring relevance to contemporary society.

Farrell's legacy extends beyond his writing, as he played a significant role in shaping the development of American literature during the mid-20th century. His impact can still be seen in the work of authors who followed in his footsteps, tackling similar themes of social critique and urban life in their own writing.

Quotes by James T. Farrell

He had a picture in his mind of Studs Lonigan courageously telling life and the world to stick itself up it’s old tomato.
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He had a picture in his mind of Studs Lonigan courageously telling life and the world to stick itself up it’s old tomato.
There was a drugged sanctimoniousness about the sappy-looking birds seated in the lobby. Studs felt that there wasn’t a man or a regular guy among them.
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There was a drugged sanctimoniousness about the sappy-looking birds seated in the lobby. Studs felt that there wasn’t a man or a regular guy among them.
He was still where he had always been. Just hoping.
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He was still where he had always been. Just hoping.
So long, Lee. Give our regards to the Kaiser. And tell him there’s a few boys on 58th Street who’ll throw a party for him if he’ll drop around.
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So long, Lee. Give our regards to the Kaiser. And tell him there’s a few boys on 58th Street who’ll throw a party for him if he’ll drop around.
Life was hard on mothers; but then, they just didn’t understand.
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Life was hard on mothers; but then, they just didn’t understand.
He took a meditative puff on his stogy, and informed himself that time was a funny thing. Old Man Time just walked along, and he didn’t even blow a How-do-you-do through his whiskers. He just walked on past you. Things just change.
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He took a meditative puff on his stogy, and informed himself that time was a funny thing. Old Man Time just walked along, and he didn’t even blow a How-do-you-do through his whiskers. He just walked on past you. Things just change.
There’s one good kind of writer – a dead one.
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There’s one good kind of writer – a dead one.
If you let conditions stop you from working, they’ll always stop you.
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If you let conditions stop you from working, they’ll always stop you.
Neither man nor God is going to tell me what to write.
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Neither man nor God is going to tell me what to write.
Studs Lonigan, on the verge of fifteen, and wearing his first suit of long trousers, stood in the bathroom with a Sweet Caporal pasted on his mug.
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Studs Lonigan, on the verge of fifteen, and wearing his first suit of long trousers, stood in the bathroom with a Sweet Caporal pasted on his mug.
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